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CHAT PILE

Chat Pile

This Dungeon Earth / Remove Your Skin Please - 2025 Repress

    In the spring of 2019, a new rock band consisting of four otherwise ordinary Okies would arise out of seemingly nowhere, swiftly turning heads with a grotesque new take on noise rock fuelled by the existential anguish that has defined the 21st Century. Taking its name from the towering mounds of toxic waste that stand as monuments to capitalism’s cruel hubris across its home state, Oklahoma City’s Chat Pile made an immediate impression, soon culminating in the release of its landmark 2022 debut album, 'God’s Country' and 2024’s expansive follow up 'Cool World'.

    While the massive success of 'God’s Country' would propel the quartet from the status of underground favorites to an international sensation, Chat Pile’s mission to take rock music to new zeniths of intensity was part of the plan from the very start. In fact, during its first handful of months as an active project, Chat Pile began writing and recording some of the heaviest, hellish, and harrowing music of its entire catalogue, laying the foundation of the themes and traits that would eventually manifest in the band’s debut LP. The result of these sessions would be a pair of EPs, 'This Dungeon Earth' and 'Remove Your Skin Please', released in the summer and winter of 2019, respectively.

    Initially put out by Reptilian Records in 2020, The Flenser is proud to present a special reissue of Chat Pile’s pivotal first two EPs, each compiled onto a single disc. This dual EP compilation chronicles the earliest moments of the Oklahoma City quartet’s discography, a snapshot of the band’s pre-Flenser days and of the eight tracks of noxious, nihilistic noise rock that would propel the Midwest band to a globe-spanning, underground heavyweights.

    TRACK LISTING

    1. Face
    2. Rainbow Meat
    3. Rat Boy
    4. Crawlspace
    5. Dallas Beltway
    6. Mask
    7. Davis
    8. Garbage Man

    Chat Pile

    God's Country

      For fans of Jesus Lizard, Melvins, Korn, Nick Cave and The Flenser. Must anticipated debut full-length from Oklahoma-based noise rock band. Multiple vinyl pressing of the band’s EPs on cult noise rock label Reptilian Records have quickly sold out. There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept. Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fuelled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.

      TRACK LISTING

      1 Slaughterhouse
      2 Why
      3 Pamela
      4 Wicked Puppet Dance
      5 Anywhere
      6 Tropical Beaches, Inc.
      7 The Mask
      8 I Don't Care If I Burn
      9 Grimace_smoking_weed

      Chat Pile

      Cool World

        Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

        Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

        Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

        While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

        STAFF COMMENTS

        Barry says: Uncompromising blasts of guitar, paddling kick drum and hardcore bursts, reminiscent of Jane Doe era Converge or Crowpath's Red On Chrome. Impeccable, scathing hardcore.

        TRACK LISTING

        I Am Dog Now
        Shame
        Frownland
        Funny Man
        Camcorder
        Tape
        The New World
        Masc
        Milk Of Human Kindness
        No Way Out

        Chat Pile

        Tenkiller Motion Picture Soundtrack

          Oklahoma’s Chat Pile have had an exciting 2022; they released their album God’s Country, toured the midwest and east coast in support of the album, announced their appearance at Roadburn Festival 2023, and while the band is working on LP2, they’re revealing details for their score for the indie film Tenkiller.

          While not a proper full-length album, the Tenkiller score was written and recorded in the winter of 2020, and it waxes and wanes from the signature Chat Pile sound but also ventures into new ones including arena country music.

          The band comments, “The music we made for Tenkiller is quite a bit different than what you may come to expect from us. We were given the freedom to really experiment and explore territories that we’ve never done before.” They continue, “It’s not going to be for everyone, but we hope some of you connect with what we set out to do.”

          TRACK LISTING

          1. TAH
          2. Badman
          3. Dad’s Drunk
          4. The Fabulous Shitheads
          5. LE
          6. The Return Of Badman
          7. Lake Time (Mr. Rodan)
          8. Kids
          9. QUAH
          10. Badman 3: Die Badman Die
          11. B4dm4n
          12. Punishment Box
          13. Beck’s Theme
          14. OK
          15. Badman V: A New Beginning
          16. Bleeding Out
          17. Tenkiller


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