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GLOK / Timothy Clerkin

Alliance Remixed

For its first release of 2026, Bytes revisits the impeccable 2024 collaboration between Andy Bell (RIDE/Oasis), recording under his electronic alter ego GLOK, and the producer and Insult to Injury label boss Timothy Clerkin. Along for the ride are an impressive cohort of musical talent — bdrmm, Richard Sen, Tom Sharkett (WH Lung), Legowelt, Xylitol and FROID Dub — who all deliver exceptional and unique interpretations of the tracks.

The original album reached No 3 on the Dance Album charts and was lauded across the music press. It saw the pair working in perfect harmony with their freak flags flying, in an environment where nothing was off limits. The remixers have tapped into this freewheeling spirit for an eclectic collection of tracks that are more than worthy of the source material.

Kicking off proceedings, the Paris-based duo FROID Dub (Ransom Note) bring their blend of dub and wave to the mighty 'Empyean', resulting in a dubtastic soundclash between the Mad Professor and Hardfloor on a nitrazepam bender. Jordan from nu-gaze heroes bdrmm tears into ‘AmigA’, upping the ceremonial pace with some clattering breakbeats and an acid- spattered denouement, while Tom Sharkett taps into the melancholy at the heart of the wayward pop banger ‘Nothing Ever’, making Du Blonde’s vocal seem even more thwarted over a shuffling indie-dance beat reminiscent of Kylie’s ‘Justify My Love’. The genre-blending DJ and producer Yu Su strips back the fizzing folk stomp of ‘Scattered’ to its jagged guitar licks and acidic pulse, isolating Andy’s disorientated spoken lyrics for a track that evokes Forest Sword’s stark Dagger Paths or a lysergic take on Sergio Leone’s Spaghetti Western soundtracks.

Richard Sen returns with his third re-rub for Bytes, following his hugely popular remixes for GLOK (‘Dissident’/’Dirty Hugs’), increasing the psychedelic funk of ‘The Witching Hour’ with lashings of bongo and Kosmiche flourishes. Danny “Legowelt” Wolfers brings sleazy squat-rave energy to the blissed-out ‘E-Theme’, delivering basement haze and cosmic escape in equal measure. Closing the album is a sinister rework of ‘Nothing Ever (Reprise)’, where Xylitol (Planet Mu) channels the yearning spirit of Harmonia and Cluster, drawing away from the early Factory Records/electro vibe of the original towards ambient jungle territory and the layered breaks of DJ Crystl, while retaining its dark soul.

The original artwork has been remixed by the Nottingham-based illustrator Nick Taylor, with the geometric yet soulful cover image influenced by the record sleeves of the abstract artist Josef Albers, as well as Andy’s request that it should be “the opposite of AI”.


TRACK LISTING

1. Empyrean (FROID DUB Remix)
2. AmigA (bdrmm Remix)
3. Nothing Ever (Tom Sharkett Remix)
4. Scattered (Yu Su's Scattering Cross Section)
Side B
5. The Witching Hour (Richard Sen Remix)
6. E-Theme (Legowelt Rave Filter Remix)
7. Nothing Ever Reprise (Xylitol Remix)

Steve Queralt & Michael Smith

Sun Moon Town EP - 2025 Repress

Steve Queralt, bass player of pioneering shoegazers RIDE, and the writer and film-maker MIchael Smith have joined forces for a stunning four-track EP. Over Steve’s exceptional electronic soundscapes, Michael provides spoken-word vocals in his lulling Hartlepool tones, distilling excerpts from his new book to fit with the music.

The duo were introduced by Joe Clay from Bytes during lockdown, when Steve revealed that he was looking for vocalists to work with on some music he was putting together. Joe had met Michael when he collaborated with the late, great Andrew Weatherall, who composed a soundtrack to accompany Michael reading melancholic musings from his 2013 novel, Unreal City. Joe felt that Michael could be the perfect foil for Steve and after an experiment on Vespertina, a track that had previously featured sample dialogue from Penélope Cruz, they realised they had something special and decided to work on a full release together - four tracks in the classic RIDE EP format.

“Michael’s voice has so much depth and character and I love his eye-rolling, withering view of the world,” Steve reveals. “The subject matter seemed to glue itself effortlessly to the music as if we’d been together writing in a studio working towards some grand concept.”


TRACK LISTING

1. Vespertina
2. Glitches
3. Chaldean Oracle
4. In A Wonderland

GLOK is the electronic alter ego of Andy Bell; best-known as the guitarist in venerated shoegazers Ride, alongside stints in other famous groups, with a noteworthy solo career too. This October his first album proper as GLOK – ‘Pattern Recognition’ – is released via Ransom Note Records’ sister label Bytes.

Although usually renowned for purveying the finest quality jangle, drone and general guitar-based magic, Bell’s foray into dance music should come as less of a surprise than immediately meets the eye. There are parallels between the genres within the sonically-deep layers, hypnotic sound and trance-like headspaces, or, as he puts it more succinctly: “GLOK is all about the push and pull between electronic and psych in my music.” Although not a full-blown concept album, ‘Pattern Recognition’ has a loose thread which takes in a week of life, from weekend to weekend, with each of the vinyl’s four sides capturing different mindstates across that transition. Each side has a distinct feel that’s different to the last but inherently cohesive – much like the changes an individual goes through over 7 days.

Across the album with loving craft Andy weaves together throbbing dubbed-out acid, steamy jack trax, levitational psychedelia, sparkling Balearic, techno, Kosmische, shoegaze, art rock and Compass Point-style post punk – with just a hint of ambient, new age and contemporary classical too.

TRACK LISTING

A1 DIRTY HUGS
B1 CLOSER
B2 THAT TIME OF NIGHT (FEAT. SHIARRA)
B3 PROCESS (FEAT. SHAMON CASSETTE)
C1 MEMORIAL DEVICE
C2 MAINTAINING THE MACHINE (FEAT. SINEAD O'BRIEN)
C3 KINTSUGI
C4 ENTANGLEMENT (FEAT. C.A.R.)
D1 DAY THREE
D2 INVOCATION


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