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BYRD OUT

The Woodleigh Research Facility

Vous Du Music

    Byrd Out Limited is proud to announce the release of previously unheard music from The Woodleigh Research Facility. The four-track EP ‘Vous Du Music’ pulses with a chugging, acid-tinged electronica recorded between 2016 and 2017.

    The EP opens with the title track ‘Vous Du’, a nod to the Gallic black magick musical creations of Erick Legrand, whose track Woodleigh Research Facility reworked here (indeed, Erick is given a credit). ‘Vous Du’ is packed full of blips, beeps and propulsive energy, as well as spoken word interlaced with the unmistakable sound of the 303.

    Clocking in at 8 minutes, ‘Between Two Waves’ is arguably the standout track, with a swirling, hypnotic groove that captures the listener. With its insistent beat and interweaving melodies, the track conjures to mind the tide coming in and sweeping you away to a different place.

    The third track, ‘Tempesta’ aptly moves to a more stormy place, with industrial noises and haunting sonic layers. But looking to Caliban, we need not fear, the sounds and sweet airs give delight, and hurt not. ‘Tempesta’ is almost reminiscent of a Hardfloor sound, moving along at pace.

    Closing out the EP is a remix of ‘Vous Du’ by producer Timothy J. Fairplay, who sharpens the original into a dancefloor weapon of the highest calibre with more acid, more synths, more kick drum. This is harder, dense, acid-flecked techno. Fairplay is a firm fixture of the electronic music scene releasing on Dungeon Module, Pinkman Records and more, as well as formerly being in The Asphodells, and being co-founder of club night and label Crimes of the Future alongside Scott Fraser.


    TRACK LISTING

    1. Vous Du Music
    2. Between Two Waves
    3. Tempesta
    4. Vous Du (Timothy J. Fairplay Remix)

    Binker Golding, John Edwards, Steve Noble

    Moon Day (Repress)

      Award winning saxophonist and composer Binker Golding returns to Byrd Out with a new trio comprising giants of the experimental scene Steve Noble and John Edwards for an album of unparalleled instant creativity: 'Moon Day'. The album plays with the post truth zeitgeist, using the first major moon conspiracy of 1835 as a launch pad, throwing a sly wink at Buzz Aldrin as the trio impart on their own musical odyssey. The sheer variety of pace, tone and texture across the record is breathtaking, from Golding’s soft, almost weightless opening on ‘One Giant Step’ through to the skittish re-entry of ‘Reflection’ as the musicians ricochet off one another, the album bursts with ideas and energy, yet remains coherent and singular in its purpose. Recorded during a gap between the various lockdowns of 2020, you can sense the release from the musicians as they combine after enforced isolation with a telepathic sense of where to push each other: Noble interjecting both chaos and order from the drums; Edwards the rocket fuel propelling the unit on; and Golding soaring and cutting through on sax. You will not find a better showcase of these musicians’ phenomenal abilities. This is free jazz at its most compelling and most engaging. ‘Moon Day’ is undoubtedly a future jazz classic.

      Award winning saxophonist and composer Binker Golding returns to Byrd Out with a new trio comprising giants of the experimental scene Steve Noble and John Edwards.

      From Golding’s soft, almost weightless opening on ‘One Giant Step’ through to the skittish re-entry of ‘Reflection’ as the musicians ricochet off one another, the album bursts with ideas and energy, yet remains coherent and singular in its purpose.

      TRACK LISTING

      A1. One Giant Leap, Parts I-Iv
      B1. Reflection
      B2. Lunar Wind


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