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Carwyn Ellis

Ni A Nhw

    Ni A Nhw (‘Us And Them’) is a new collection of songs by Carwyn Ellis, sung mostly in his native Welsh. Drawn from his catalogue under four different guises - Colorama, Rio 18, Bendith and solo as Carwyn Ellis - it features songs spanning over a decade, most of which have not been available to stream before. Or on vinyl for that matter!

    The music itself is mostly in a folk-pop / singer-songwriter vein so although it spans a number of years and projects, it holds together well. There are seasoned favourites - ‘Llythr Y Glowr’, ‘Gall Pethau Gymryd Sbel’ and ‘Ti’ have been staples on BBC Radio Cymru over the last 5 years or so. Covers include’Gorffennaf’ (‘Luglio’ in it’s original Italian) which was released with Rio 18 this Summer, and ‘Cân Am Gariad’ (Lesley Duncan’s ‘Love Song’) and ‘Hwiangerdd Takeda’ (‘Takeda no Moriuta’ in it’s original Japanese), both recorded with Bendith for their long-sold out 12” EP on Manchester’s legendary Aficionado label in 2017. Some of the songs on the album were previously only released digitally via Bandcamp as fund raisers during the Covid era - ‘Gair O Gysur’ as Rio 18 and ‘Drudwen’, ‘Cardigan Bay’ and ‘Ti’ as Carwyn Ellis himself.

    As the album draws to its close, the tunes take a slightly more electronic turn, beginning with ‘Kerro’, from the Colorama mini album ‘Llyfr Lliwio’ originally released in 2011. The CD and streaming versions of the album close with the Begin remix of ‘Hapus?’ By Colorama, an epic Balearic chill out tune if ever there was one!

    As Carwyn finishes work on the next Rio 18 album (due in 2024) this is a welcome reminder of his varied skills as a singer, songwriter, arranger, producer and collaborator - a colourful chameleon, comfortable working in any number of musical styles, and never prepared to sit still. This collection, following on from 2014’s ‘Dere Mewn’ CD, brings together all of Carwyn’s remaining Welsh rarities, whether solo, as a bandleader or as a collaborator. Ni a Nhw. Us and Them.


    TRACK LISTING

    1. Gorffennaf
    2. Gail Pethau Gymryd Sbel
    3. Llythr Y Glowr
    4. Valley Song
    5. Drudwen
    6. Canol Gaeaf Noethlwm
    7. Gair O Gysur
    8. Ti
    9. Kerro
    10. Can Am Gariad
    11. Hwiangerdd Takeda
    12. Cardigan Bay/ Dan Glo (Fersiwn)
    13. Hapus? (Begin Remix)

    The Gentle Good

    Galargan

      The Gentle Good’s long awaited 5th album Galargan, is a stripped-back exploration of Welsh folk song performed with solo acoustic guitar, vocal and cello. The record came together during the isolation of the pandemic and is suffused throughout with a sense of romantic escapism and sadness born from the sorrow of these times.

      Galar : Grief / Sorrow / Mourning
      Cân : Song

      The record begins at the beginning, with the break of dawn. In the opening notes of the guitar we hear the dew in small pearls on the surface of the leaves, the sound of spring rising up from the soil. A lone walker sets out into the world, enchanted. Pan own i ar foreddydd : As I was one morning. We find ourselves asking: where does grief fit in this world that is so green, so full of hope and light?

      Galargan: old songs, set down and interpreted when the world was locked up, when things like loss, despair and fear felt more real than ever. When loved ones disappeared. When anger mixed with the water, and everyone felt like they were screaming into the darkness. In periods like this, when there are no words, the old songs suggest themselves: always relevant, always with something new to reveal.

      Many of the songs come from the invaluable collections and writings of Meredydd Evans and Phyllis Kinney in the National Library of Wales. Nid wyf yn llon, for example – collected from the singing of a prisoner in Dolgellau jail. We hear his voice in a room where the awakening of spring is only a distant memory through the damp walls of an old cell. The despair reaches across the centuries; for a moment there’s a connection with this nameless man, almost as if we share the cell with him.

      On we go through the green of another bright morning on Pan own y gwanwyn, with that unearthly melody, which refuses all efforts to be defined. To Beth yw’r haf i mi? A summer lament sounding almost like a fado song. And finally, a cry of despair as the cello weeps in the fading light for Dafydd y Garreg Wen.

      Perhaps it is the naturalness of the music that creates the enchantment. Crafted in a kitchen in Cardiff, and in a small cottage in the wild expanses of Cwm Elan, where the musician was accompanied by no one but himself, the arrangements are simple. Sometimes, we hear the cello – like the sun coming from behind a cloud, filling the world with brightness again – but it is the guitar and the voice that are constant and striking.

      But what comes after grief? Can there be light and comfort? We know, that spring shall return – there’s purpose and truth in that old May carol. Mae’r Ddaear yn glasu : The Earth is in bloom, it is quiet and gracious: by the singing and playing of a musician who is gentle even when dealing with the darkness.



      TRACK LISTING

      Side A
      1. Pan Own I Ar Foreddydd
      2. Nid Wyf Yn Llon
      3. Mae’r Ddaear Yn Glasu
      4. Set Bob
      Side B
      1. Pan Own Y Gwanwyn
      2. Y Bachgen Main
      3. Beth Yw’r Haf I Mi?
      4. Dafydd Y Garreg Wen

      Georgia Ruth

      Mai

        On her third album Welsh Music Prize winner Georgia Ruth returns to her roots. Having moved back to her native Aberystwyth ‘Mai’ was recorded in the town’s Grade-II listed Joseph Parry Hall over the course of one week in Spring 2019. Named after the renowned composer and professor, the room was used as a venue for chamber concerts throughout the twentieth century and offered musicians a view of the sun setting over the castle as they worked. But despite this setting Mai (meaning May) is an intimate collection of songs written from within the depths of a house during stolen moments. At its heart sits a beautiful and simple setting of Eifion Wyn’s poem – ‘Gwn ei ddyfod, fis y Mel’ (I know it’s coming, month-of-honey). Mai is a meditation on finding hope and renewal in the seasons, in a world where the certainty of Spring feels increasingly fragile. The album was produced with Iwan Morgan (Meilyr Jones, Cate Le Bon, Richard James) who also engineered mixed and mastered. Additional parts were recorded at his studio in Liverpool. With improvised strings, pedal steel and saxophone sitting alongside harp, the album presents a sound which is both lush and sparse in turn.

        TRACK LISTING

        1) Gardd
        2) Madryn
        3) 7 Rooms
        4) Terracotta
        5) Mai
        6) Close For Comfort
        7) In Bloom
        8) Cosmos
        9) Brychni
        10) Cynnes
        11) Haul

        The Gentle Good

        Y Gwyfyn

          Bubblewrap Collective and The Gentle Good are proud to present 'Y Gwyfyn', a new EP entirely in the Welsh language to celebrate Welsh Language Music Day 2018. The EP contains brand new tracks and previously unreleased material as well as outtakes and an album track from the recent Welsh Music Prize winning 'Ruins/Adfeilion'.

          In keeping with the 'Ruins/Adfeilion' album, themes of the natural world, cultural identity and social justice feature prominently in ‘Y Gwyfyn’ EP. The title track describes a hot summer evening as perceived through the senses of a moth, whilst 'Briwsion' (Crumbs) is a critique of social inequality in today's modern world. Fan favourite track 'The Fisherman' (Y Pysgotwr) is reworked into the Welsh language, followed by a brand new recording of traditional Welsh folk song ‘Cariad Cyntaf‘ (First Love). The EP ends with an epic 8 minute instrumental, ‘Golwg y Gwdihw‘ (An Owl’s Eye View), a musical representation of a nocturnal woodland scene originally recorded as part of a project for National Museum Wales. The EP features some of the finest musicians in Wales, including Jack Egglestone on drums, Callum Duggan on bass and Georgia Ruth on vocals. The EP also gives a platform to the stunning string arrangements of Cardiff based composer Seb Goldfinch, performed beautifully by the Mavron Quartet.


          TRACK LISTING

          1) Y Gwyfyn
          2) Briwsion
          3) Y Pysgotwr
          4) Cariad Cyntaf
          5) Golwg Y Gwdihw

          The Gentle Good

          Y Bardd Anfarwol

            In October 2011 Gareth Bonello travelled to the city of Chengdu, China to take up a 6 week artistic residency with the Chengdu Associated Theatre of Performing Arts.

            The residency was part of the ‘Musicians in Residence - China’ project organised by The British Council and PRSF. Gareth used the opportunity to explore Chinese folk music and literature and to collaborate with local traditional musicians.

            Upon his return to the UK Gareth continued to work on the project collaborating with composer Seb Goldfinch, The Mavron String Quartet, and members of the UK Chinese Ensemble to record Y Bardd Anfarwol. The album tells the life story of the Tang Dynasty poet Li Bai and brings together elements of Welsh and Chinese folk music.

            The album begins with the poet leaving home as a young man to search for a Taoist master in the mountains. It moves through his days of traveling along the great rivers of China in search of patronage as a court poet, and deals with the loneliness and loss that he feels having left his wife and children behind.

            We follow his disastrous career as a military strategist, a path that leads to exile and a journey to the edge of the known world. As time weaves threads of white into his hair we share his incredulity and ultimate acceptance of ageing. Finally, we bear witness to the poet god’s last moments; a spectacular death by drowning in an attempt to embrace the moon reflected in the water (or so the legend goes).

            I hope that this album can capture a part of the serene beauty.

            “Yr Wylan Fry sounds like Ennio Morricone jamming with Belle and Sebastian. Lovely stuff” - Uncut.

            “A warm rush of aural sunlight. Unassumingly lovely” - Folk Roots.


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