The third album from Pale Blue Eyes is called 'New Place' – invocation of fresh horizons; swapping creamy Devon for the synth central of Sheffield. The album arrives on the back of extensive and emotional transit. For PBE, 2024 started with a wonderful tour of 12 European countries with Slowdive. Over 12,000 kilometres. Snow and deep cold in Norway and Poland. Drought-stricken landscapes in France and Spain. On and on, joyously so. The year’s end brought more movement for the married couple at the core of Pale Blue Eyes, singer and guitarist Matt Board and drummer and synth queen Lucy Board. Sadly, family tragedy catalysed a move from South Devon to South Yorkshire.

“Change is a theme throughout the new album,” says Lucy. “It’s about being in a new place, starting again but reflecting on the journey and what and who got us to this place. It's a celebration of making it to this point and starting again.”

That new start is fully manifested on Pale Blue Eyes’ new album, released on the band’s Broadcast Recordings label. Return single 'How Long Is Now' brought uplifting synth carousels and was titled after a Berlin mural and art installation. On 'Pieces Of You' gorgeously deliquescent guitar ripples out over Matt’s distinctive tenor voice. Be There is meditative, delicate, with guest vocals from Rachael Swinton of Glasgow electronic-rock duo Cloth. Aubrey made his own fretless bass. It features on the track 'Seven Years'. Several tracks have input from two musicians who have featured in the PBE live line-up – Tom Sharkett, music producer and guitarist with W.H. Lung, and music producer and musician Lewis Johnson-Kellett.

“The new album comes with a new landscape,” says Matt, summing up. “We were in new surroundings with new city sounds – a bit overwhelming for me, but also exciting. I hope the result is uplifting, driving, a perpetual forward motion." There are new sounds but also a steadfast Krautrock influence, alongside some of the band’s other favourite moods and flavours. The album reflects the end of an era and embracing new beginnings in a new place.

STAFF COMMENTS

Barry says: Beautifully rich shoegaze soundscapes with shimmering chorused guitars and dreamy, lysergic vocals swimming over the top. There are echoes of classic 90's 'gaze here, but it's accomplished with an injection of modern sounding pop song structures and a keen production ear. Wonderfully hazy, but without being muddied, Pale Blue Eyes take the best elements of shoegaze, synth and pop and bring them together perfectly.

TRACK LISTING

1. How Long Is Now
2. Scrolling
3. Pieces Of You
4. On The Surface
5. The Dreamer
6. Travel Day
7. Rituals
8. Our Lost Words
9. Now And Again
10. Be There
11. Half Light
12. Seven Years 

Distant Call is a collection of early demos of songs by Trish Keenan and James Cargill that would subsequently appear as finished productions on the albums Haha Sound, Tender Buttons and The Future Crayon.

The album also includes two songs discovered by James after Trish’s passing: “Come Back To Me” and “Please Call To Book”. These were her response to Broadcast’s 2006 ‘Let’s Write A Song’ project, where fans were asked to submit lyrics on a postcard which would then be worked into a finished song.

Distant Call is a closing of the door on Broadcast and will be the last release from the band.

TRACK LISTING

1. Tears In The Typing Pool [Demo]
2. Still Feels Like Tears [Demo]
3. Come Back To Me [Demo]
4. The Little Bell [Demo]
5. Distant Call [Demo]
6. Valerie [Demo]
7. Colour Me In [Demo]
8. Ominous Cloud [Demo]
9. Flame Left From The Sun [Demo]
10. Where Youth And Laughter Go [Demo]
11. Poem Of A Dead Song [Demo]
12. O How I Miss You [Demo]
13. Pendulum [Demo]
14. Please Call To Book [Demo]

Spell Blanket - Collected Demos 2006-2009 comprises songs and sketches drawn from Trish's extensive archive of 4-track tapes and MiniDiscs. The recordings lay the groundwork for what would have been Broadcast’s fifth album, offering a window into Trish and James’ creative process during the post-Tender Buttons period from 2006-2009.

Photography used in its artwork is by Trish and James and the artwork is designed by Broadcast's long-time collaborator Julian House.

STAFF COMMENTS

Barry says: There are few bands who could put out such an extensive collection of demos and sketches and have it be not only a great insight into their creative processes (it is definitely that), but a sonically imperfect but thematically impeccable collection. There's a reason Broadcast are so respected, and this is it.

TRACK LISTING

1. The Song Before The Song Comes Out
2. March Of The Fleas
3. Greater Than Joy
4. Mother Plays Games
5. My Marble Eye
6. Roses Red
7. Hip Bone To Hip Bone
8. Running Back To Me
9. I Blink You Blink
10. Infant Girl
11. I Run In Dreams
12. Luminous Image
13. A Little Light
14. Hairpin Memories
15. My Body
16. Follow The Light
17. Tunnel View
18. Where Are You?
19. Singing Game
20. I Want To Be Fine
21. The Games You Play
22. Grey Grey Skies
23. Puzzle
24. The Clock Is On Fire
25. Petal Alphabet
26. Tell Table
27. Fatherly Veil
28. Dream Power
29. Heartbeat
30. Call Sign
31. Crone Motion
32. Sleeping Bed
33. Join In Together
34. Colour In The Numbers
35. I Am The Bridge
36. Spirit House 

The Flaming Lips 2002 album “Yoshimi Battles The Pink Robots” was a huge album in the UK, selling over 300,000 units on its way to Platinum certification. The success was driven by 4 hit singles, including the title track and the Lip’s most popular song “Do You Realize”. The band frequently toured the UK during the album cycle, playing larger venues than previous tours, and were frequent guests on several radio shows.

This release is a recording of the last show of the UK dates in January 2003 at London’s Forum Theatre. The 15-song show was broadcast nationally by the BBC. In addition to playing key songs from “Yoshimi” album, the set list includes fan-favourites such as “She Don’t Use Jelly”, “Waitin’ For A Superman” and “Race For The Prize”.

TRACK LISTING

1. Introduction
2. Race For The Prize
3. Fight Test
4. Lucifer Sam
5. Yoshimi Battles The Pink Robots
6. Lightning Strikes The Postman
7. In The Morning Of The Magicians
8. Happy Birthdays
9. She Don't Use Jelly
10. All We Have Is Now
11. Do You Realize??
12. Waitin' For A Superman
13. A Spoonful Weighs A Ton
14. What Is The Light?
15. The Observer

As well as a wonderful collection of the sessions Cargill and Keenan played at Maida Vale from 1996 to 2003, there are two seperate outings only previously available from Broadcast on tour. The brilliant Microtonics sees the duo lurch from avant off-kilter electronic pop to drastic skittering bunker techno, via flickering folktronca. There are pieces here that are clear influences on bands that have come since, and is yet another piece of the puzzle in the notoriously prolific output of one of the greatest electronic outfits around. A constantly confounding and suprprisingly cohesive selection, considering the gap between the two halves of the cut. 

STAFF COMMENTS

Barry says: A beautiful reissue here, perfectly collecting together two EP's only available from Broadcast's 2003 and 2005 tours. Wonderfully off-piste and quintessentially Broadcast. Sounding and looking wonderful too, what more could you want?

TRACK LISTING

01 Microtronics 01
02 Microtronics 02
03 Microtronics 03
04 Microtronics 04
05 Microtronics 05
06 Microtronics 06
07 Microtronics 07
08 Microtronics 08
09 Microtronics 09
10 Microtronics 10
11 Microtronics 11
12 Microtronics 12
13 Microtronics 13
14 Microtronics 14
15 Microtronics 15
16 Microtronics 16
17 Microtronics 17
18 Microtronics 18
19 Microtronics 19
20 Microtronics 20
21 Microtronics 21

Another wonderful tour-only oddity from Broadcast, issued finally on LP and CD. This one is from 2009 and sees the duo at their most experimental, resulting in some of their msot arresting moments, fractured wisps of melody wrought out of clattering breakbeats and woozy psychedelic swirls both distorted and monolithic. There is little argument from anyone that they were a talented pair, and though this takes a little getting used to, it's even more evidence that their innovative way of doing things resulted in the most sublime of results. Shadowy and percussive, deeply psychedelic and wonderfully weird. 

STAFF COMMENTS

Barry says: I love broadcast, and I love the way they write music. It's never what you expect but it's ALWAYS worth listening to. This one from their 2009 tour is no different, and as a listening experience is both cathartic and richly rewarding. A weird and wonderful journey.

TRACK LISTING

01 Creation Day The Travel Flute Way
02 In Here The World Begins
03 Elegant Elephant
04 Through The Gates Of Yesterday
05 Milling Around The Village
06 The Aphid Sleeps
07 Growing Backwards
08 I'm Just A Person In This Roomy Verse
09 Never Trust A Rusty Bolt
10 Innocence In Orbit
11 Mother's Milk Means Music [At Home In The Universe]

Broadcast shaped the modern electronica scene with their clever and effective juxtaposition of library and psychedleic sounds of the 60's with a modern edge, culminating in one of the most distinctive and emulated sounds of my musical experience. Keenan and Cargill have written some of the most effecting pieces of music of the last couple decades and this brand new collection sees a full-scale issue of the various shows they've played at Maida Vale over the years. This much needed rarity comes on both double vinyl and CD and is a perfect track of their development, and a wonderful document of their skills as live performers. 

 

STAFF COMMENTS

Barry says: An essential document of the famously wonderful Broadcast live experience, with a selection of their best tracks committed to tape. One part of a trio of exciting Broadcast rarities, and long overdue!

TRACK LISTING

John Peel - 6th October 1996
1. The Note [Message From Home]
2. Untitled [City In Progress]
3. Forget Every Time
4. World Backwards

Evening Session - 1st March 1997
1. Come On Let’s Go
2. Look Outside
3. The Book Lovers
4. Lights Out

John Peel - 9th February 2000
1. Long Was The Year
2. Echo’s Answer
3. Where Youth And Laughter Go

John Peel - 19th August 2003
1. Pendulum
2. Colour Me In
3. Minim
4. Sixty Forty

These 13 is a little bit folk, a little bit gospel, a little bit bluesy, a little bit Hank, a little bit hill country, but most emphatically, it is all heart. Andrew Bird and Jimbo Mathus have climbed the height of their creative ladders in this collection of soul-strung songs, both lyrically and musically, a synchronicity between the two that feels joined in some special imaginative place that can only be visited by the best of songwriters. All songs written and performed by Andrew Bird + Jimbo Mathus  and produced by Mike Viola. Themes: Connection, Humanity, Geography and Collaboration.

TRACK LISTING

1. Poor Lost Souls
2. Sweet Oblivion
3. Encircle My Love
4. Beat Still My Heart
5. Red Velvet Rope
6. High John
7. Stonewall (1863)
8. Bright Sunny South
9. Bell Witch
10. Dig Up The Hatchet
11. Jack O' Diamonds
12. Burn The Honky Tonk
13. Three White Horses And A Golden Chain

April 2002 saw Doves return, with the Roses inspired "There Goes The Fear" single crashing into the Top 3. It was a massive song, all groove, headrush melody and scope, but even that couldn't prepare us for the sheer brilliance of the album that followed. Every single song is fantastic and whilst still heavy on the sadness, this is a defiantly uplifting record. The appropriately titled "Pounding" is testament to that; it's one of many heart-tugging anthems. Elsewhere Doves cover folk, gospel and early-Floyd style psychedelia, effortlessly blending it into a singular listening experience. It was around this time that another musician (I forget who) described Doves as 'pure emotion on tape'. Whoever he was, he was right! 

STAFF COMMENTS

Andy says: Two years on from their debut and lead single “ There Goes The Fear” felt like a Roses style statement of massive intent. It was a monster! Toweringly majestic and superbly arranged, it was the perfect introduction to a record which was a clear step up in every way. Who knew sadness could be so thrilling?!

TRACK LISTING

Side A
A1 - Intro
A2 - Words
A3 - There Goes The Fear

Side B
B1 - M62 Song
B2 - Where We're Calling From
B3 - N.Y.

Side C
C1 - Satellites
C2 - Friday's Dust
C3 - Pounding

Side D
D1 - Last Broadcast
D2 - The Sulphur Man
D3 - Caught By The River

Vinyl re-press of the 1997 album from Broadcast.

This was their first album on Warp, a handy compilation of three singles released on various different lables; 'Accidentals' on Wurlitzer Jukebox, and 'Living Room' and 'The Book Lovers' EP on the Duophonic label.

These early tracks showcased the early rumblings of their evocative blend of 60s pop, film soundtracks, psychedelia and avant noises.

TRACK LISTING

A1 Accidentals
A2 The Book Lovers
A3 Message From Home
A4 Phantom
A5 We've Got Time
B1 Living Room
B2 According To No Plan
B3 The World Backwards
B4 Lights Out

Vinyl re-press of debut album from Broadcast, originally released on Warp in 2000.

"After being mired in the studio for nearly three years, Broadcast returned with their first proper full-length album, The Noise Made by People, a collection of more shimmering, weightless pop that is nostalgic for yesterday's visions of the future but remains on the cutting edge of contemporary music. Where their early singles (collected on 1997's Work and Non-Work) painted small, quaint portraits of their retro-futurism, The Noise Made by People delivers their sound in widescreen, filmic grandeur. Richly layered yet airy pieces like the album bookends, "Long Was the Year" and "Dead the Long Year," seamlessly blend symphonic, electronic, and pop elements into smoky, evocative epics, while synth-based interludes such as "Minus One" and "The Tower of Our Tuning" present Broadcast's more detached, scientific side. Likewise, Trish Keenan's air-conditioned vocals sometime suggest a robotized Sandie Shaw or Cilla Black, but her humanity peeks out on "Come on Let's Go" and "Papercuts." "Echo's Answer" and "Until Then" are two of the other highlights from the album, which despite all of its chilly unearthliness, is a noise made by (very talented) people." - All Music.

TRACK LISTING

A1 Long Was The Year
A2 Unchanging Window
A3 Minus One
A4 Come On Let's Go
A5 Echo's Answer
A6 Tower Of Our Tuning
B1 Papercuts
B2 You Can Fall
B3 Look Outside
B4 Until Then
B5 City In Progress
B6 Dead The Long Year

Vinyl re-press of 2009 collaboration between Broadcast and their longtime sleeve designer Julian House (also co-founder of the Ghost Box label) to create a unique mini-album pulling in both collaborators' unique sense of melody and love of library music and film scores.

From their beginnings in Birmingham in 1995, Broadcast's aesthetic has remained a combination of their love for film, library music and electronics with psych-pop colour – a style which has gained them an enthusiastic fanbase including musicians such as Flying Lotus, Tim Gane from Stereolab, Grizzly Bear, Atlas Sound and DangerMouse. Long time friend of the band and renowned artwork designer Julian House (aka The Focus Group) is co-founder of the Ghost Box label, which in the last few years has birthed a cult of its own with releases reflecting its creators' obsessions with library music, English folklore and the eerie feel of vintage programmes for schools and colleges. His music as The Focus Group offers some of the most enchanting distillations of all the above, instantly complementing Broadcast's own long-standing aesthetic. As well as being a long-term visual collaborator with the band, House has provided visuals and artwork for Stereolab amongst many others.

TRACK LISTING

A1 Intro / Magnetic Tales
A2 The Be Colony
A3 How Do You Get Along Sir?
A4 Will You Read Me.
A5 Reception / Group Therapy
A6 A Quiet Moment
A7 I See, So I See So
A8 You Must Wake
A9 One Million Years Ago
A10 A Seancing Song
A11 Mr Beard, You Chatterbox
A12 Drug Party
A13 Libra, The Mirror's Minor Self
A14 Love's Long Listen-In
B1 We Are After All Here
B2 A Medium's High
B3 Ritual / Looking In
B4 Make My Sleep His Song
B5 Royal Chant
B6 What I Saw
B7 Let It Begin / Oh Joy
B8 Round And Round And Round
B9 The Be Colony / Dashing Home / What On Earth Took You?

Indietronica, post-rock, avant? Whatever, this is clever and moving stuff from this arty Birmingham 3 piece. There's krautrock, psychedelia, clanging minimalism but it wouldn't matter a jot if it wasn't for singer Trish Keenan's beautiful voice. Weirdly empty yet endearingly childlike, too, she floats over and amongst the occasionally languid, often chaotic music. It's like a dream: a late 60's and Tomorrow's World 70's vision of an electronic future that never seems to arrive. Out of time, out of place. What could be better?

Vinyl re-press of the second album by Broadcast, originally released in 2003.

TRACK LISTING

A1 Colour Me In
A2 Pendulum
A3 Before We Begin
A4 Valerie
A5 Man Is Not A Bird
A6 The Little Bell
A7 Distorsion
B1 Minim
B2 Lunch Hour Pops
B3 Black Umbrellas
B4 Ominous Cloud
B5 Oh How I Miss You
B6 Winter Now
B7 Hawk

Vinyl re-press of the third album by Broadcast, originally released in 2005.

Blending their trademark influences of 60s pop, film soundtracks and psychedelia and avant noises, "Tender Buttons" stands out from their previous work in terms of its stripped back simplicity and emotional boldness.

TRACK LISTING

A1 I Found The F
A2 Black Cat
A3 Tender Buttons
A4 America's Boy
A5 Tears In The Typing Pool
A6 Bit 35
A7 Subject To The Ladder
B1 Corporeal
B2 Arc Of A Journey
B3 Michael A Grammar
B4 Minus 3
B5 Goodbye Girls
B6 You And Me In Time
B7 I Found The End

Vinyl re-press of 2006 double LP collection of 18 tracks taken from rare and limited edition singles, EPs and compilations spanning Broadcast's 10 year career. Since their debut 7" release in 1996, Broadcast have released four full length albums plus numerous EPs and singles. This fantastic album showcases some of Broadcast's most beautiful songs, combining vocal and instrumental blends of 60s pop, psychedelia and electronica with the playful world of European library music and radiophonic arrangements.

TRACK LISTING

A1 Illumination
A2 Still Feels Like Tears
A3 Small Song IV
A4 Where Youth And Laughter Go
A5 One Hour Empire
A6 Distant Call
B1 Poem Of Dead Song
B2 Hammer Without A Master
B3 Locusts
B4 Chord Simple
C1 Daves Dream
C2 DDL
C3 Test Area
C4 Unchanging Window / Chord Simple
D1 A Man For Atlantis
D2 Minus Two
D3 Violent Playground
D4 Belly Dance

The first new Broadcast music in three years, in the form of compelling music for 2012’s most acclaimed indie film ‘Berberian Sound Studio’.

Peter Strickland’s ‘Berberian Sound Studio’, one of the most critically acclaimed indie films of the year, gained comparisons to the mastery of David Lynch and Francis Ford Coppola with The Guardian, The Telegraph and Metro awarding it five stars and Time Out saying that the “stylistically ambitious, morally radical, thematically complex work… deserves the highest praise.”

This turns out to also be an apt description of the film’s sublime soundtrack, composed by Broadcast (aka Trish Keenan and James Cargill), before Trish’s untimely passing last year. On its own, the music sets a sinister and atmospheric tone that still exists well within Broadcast’s sonic universe.

The record also represents the first new music from Broadcast since 2009’s ‘Broadcast & The Focus Group Investigate Witch Cults Of The Radio Age’.

James Cargill wove in sound effects, screams and snatches of dialogue in order to bring elements of the film back into the soundtrack. The outcome is a rare piece of film music that not only enhances the visual, but exists on its own as an independent work, and one that is an invaluable edition to Broadcast’s inimitable history.

James Cargill (Broadcast) on his inspirations: “Speaking specifically about Italian soundtracks I think it’s the sentiment and texture in the work of composers like Morricone, Nicolai, Cipriani, Trovaioli (too many great composers to mention) that I’m fond of… a lot of it crosses over into the pop and psychedelic music of the time and I like the way they develop strong musical themes and then play with the arrangements, which was what we tried to do with Berberian.”

TRACK LISTING

1. A Breeze Through The Burford Spur
2. The Equestrian Vortex
3. Beautiful Hair
4. Malleus Maleficarum
5. Mark Of The Devil
6. Confession Modulation
7. Monica’s Fall
8. Teresa’s Song (Sorrow)
9. The North Downs Dimension
10. Collatina Is Coming
11. Such Tender Things
12. Teresa, Lark Of Ascension
13. Monica’s Burial (Under The Junipers)
14. Found Scalded, Found Drowned
15. Monica (Her Parents Have Been Informed)
16. The Fifth Claw
17. Saducismus Triumphatus
18. The Gallops
19. They’re Here, They’re Under Us
20. Collatina, Mark Of Damnation
21. Treatise
22. A Goblin
23. The Equestrian Library
24. The Serpent’s Semen
25. Burnt At The Stake
26. All Chiffchaffs
27. The Curfew After The Massacre
28. Poultry In Mind
29. The Sacred Marriage
30. Valeria’s Burial (Under The Fort)
31. Edda’s Burial (Under The Clumps)
32. The Game’s Up
33. It Must’ve Been The Magpies
34. The Dormitory Window
35. Anima Di Cristo
36. His World Is My Shed
37. Collatina’s Folly
38. Here Comes The Sabbath, There Goes The Cross
39. Our Darkest Sabbath

Broadcast (Trish Keenan and James Cargill) have collaborated with renowned designer Julian House (aka The Focus Group) to create a unique mini-album pulling in both collaborators' unique sense of melody and love of library music and film scores. After a long hiatus, it can be said with confidence that Broadcast's return is greeted with much anticipation. From their beginnings in Birmingham in 1995, Broadcast's aesthetic has remained a combination of their love for film, library music and electronics with psych-pop colour – a style which has gained them an enthusiastic fanbase including musicians such as Flying Lotus, Tim Gane from Stereolab, Grizzly Bear, Atlas Sound and DangerMouse. Long time friend of the band and renowned artwork designer Julian House (aka The Focus Group) is co-founder of the Ghost Box label, which in the last few years has birthed a cult of its own with releases reflecting its creators' obsessions with library music, English folklore and the eerie feel of vintage programmes for schools and colleges. His music as The Focus Group offers some of the most enchanting distillations of all the above, instantly complementing Broadcast's own long-standing aesthetic. As well as being a long-term visual collaborator with the band, House has provided visuals and artwork for Stereolab amongst many others.

A collection of 18 tracks taken from rare and limited edition singles, EPs and compilations spanning Broadcast's 10 year career. Since their debut 7" release in 1996, Broadcast have released four full length albums plus numerous EPs and singles. This fantastic album showcases some of Broadcast's most beautiful songs, combining vocal and instrumental blends of 60s pop, psychedelia and electronica with the playful world of European library music and radiophonic arrangements.

Indietronica, post-rock, avant? Whatever, this is clever and moving stuff from this arty Birmingham 3 piece. There's krautrock, psychedelia, clanging minimalism but it wouldn't matter a jot if it wasn't for beautiful singer Trish Keenan's voice. Weirdly empty yet endearingly childlike, too, she floats over and amongst the occasionally languid, often chaotic music. It's like a dream: a late 60's and Tomorrow's World 70's vision of an electronic future that never seems to arrive. Out of time, out of place. What could be better?

TRACK LISTING

Colour Me In 2:51
Pendulum 4:21
Before We Begin 3:22
Valerie 4:04
Man Is Not A Bird 4:52
Minim 3:00
Lunch Hour Pops 3:36
Black Umbrellas 1:08
Ominous Cloud 3:46
Distorsion 2:02
Oh How I Miss You 1:17
The Little Bell 2:48
Winter Now 3:48
Hawk 3:42