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BRIAN ENO

Brian Eno & Beatie Wolfe

Liminal

    Following Luminal and Lateral, artist-activists Brian Eno and Beatie Wolfe present their third collaboration, Liminal. Conceived as a bridge between its predecessors, the album blends the textural expanses of Lateral with the dreamlike atmosphere of Luminal. The result is a hybrid world — part imagined landscape, part emotional terrain — where a human presence navigates, feels, and responds to its shifting, enigmatic spaces.

    Brian Eno & Beatie Wolfe

    Luminal

      Brian Eno is a legendary musician, producer, visual artist and activist who first came to international prominence in the early ‘70s as a founding member of the British band Roxy Music, followed by a series of solo albums, collaborations, and production work with artists such as David Bowie, Talking Heads, Devo, U2, Coldplay, his brother Roger Eno, and most recently, fred again.

      Beatie Wolfe is a Los-Angeles-based, British-American conceptual artist & activist. Named by WIRED as one of the “22 people changing the world,” Wolfe is pioneering new artistic formats that bridge the physical and digital.United by their mutual commitment to art & the environment, the pair team up for Luminal and Lateral. Recorded in London and centered around the concept of “art, and feelings,” both albums feature original music and cover an array of genres/styles: Luminal being a vocal alternative album, and Lateral comprising of a continuous ambient work.

      Brian Eno & Beatie Wolfe

      Lateral

        Brian Eno is a legendary musician, producer, visual artist and activist who first came to international prominence in the early ‘70s as a founding member of the British band Roxy Music, followed by a series of solo albums, collaborations, and production work with artists such as David Bowie, Talking Heads, Devo, U2, Coldplay, his brother Roger Eno, and most recently, fred again.

        Beatie Wolfe is a Los-Angeles-based, British-American conceptual artist & activist. Named by WIRED as one of the “22 people changing the world,” Wolfe is pioneering new artistic formats that bridge the physical and digital. United by their mutual commitment to art & the environment, the pair team up for Luminal and Lateral. Recorded in London and centered around the concept of “art, and feelings,” both albums feature original music and cover an array of genres/styles: Luminal being a vocal alternative album, and Lateral comprising of a continuous ambient work.

        Brian Eno & Bette A.

        What Art Does : An Unfinished Theory

          Why do we need art? What Art Does is an invitation to explore this vital question. It is a chance to understand how art is made by all of us. How it creates communities, opens our worlds, and can transform us.

          Curious and playful, richly illustrated, full of ideas and life, it is an inspiring call to imagine a different future.

          Brian Eno

          Eno (Original Motion Picture Soundtrack)

            For the past 50 years, Brian Eno has been at the forefront of musical creativity, technology, and artistic innovation. The hugely influential British musician, producer, activist, visual artist and self-described “sonic landscaper” began his career as an original member of the legendary Roxy Music in the early 1970s. He left the band to release a series of solo records and later pioneered the genre of ambient music with his 1978 album Ambient 1: Music for Airports. As a producer, Brian Eno has helped define and reinvent the sound of some of the most important artists in music, including David Bowie, U2, Talking Heads, Coldplay, and dozens of others. He also composed what may be the most heard piece of music in the world: the startup sound for Microsoft Windows. Undeniably, Eno has changed the way modern music is made.

            Rich with access to hundreds of hours of never-before-seen footage and unreleased music, Gary Hustwit’s forthcoming documentary Eno employs groundbreaking technology to accomplish something that’s never been done before: a feature film that’s never the same twice. Hustwit and creative technologist Brendan Dawes have developed bespoke generative software designed to sequence scenes and create transitions out of Hustwit’s original interviews with Eno, and Eno’s rich archive of hundreds of hours of never-before-seen footage, and unreleased music. Each screening of Eno is unique, presenting different scenes, order, music, and meant to be experienced live. The generative and infinitely iterative quality of Eno poetically resonates with the artist's own creative practice, his methods of using technology to compose music, and his endless deep dive into the mercurial essence of creativity.

            Hustwit’s collaboration with Eno first began in 2017, when Eno created an original score for Hustwit’s film Rams, about the German designer Dieter Rams. Says Hustwit, “Much of Brian’s career has been about enabling creativity in himself and others, through his role as a producer but also through his collaborations on projects like the Oblique Strategies cards or the music app Bloom. I think of Eno as an art film about creativity, with the output of Brian’s 50-year career as its raw material. What I’m trying to do is to create a cinematic experience that’s as innovative as Brian’s approach to music and art.”

            STAFF COMMENTS

            Barry says: An interesting idea for a film indeed, but to what shall we listen while we watch? This soundtrack features a number of Big Brian's collaborations and a few unreleased numbers too. You might know some of these pieces, you might not but it wouldn't be over the top to say it's all genius, and it's all worthwhile to have on your record shelf.

            TRACK LISTING

            1. Brian Eno - All I Remember *Previously Unreleased*
            2. Brian Eno With Daniel Lanois And Roger Eno - The Secret Place
            3. Brian Eno & Fred Again - Cmon
            4. Brian Eno & Cluster - Ho Renomo
            5. Brian Eno - Sky Saw
            6. Brian Eno & John Cale - Spinning Away
            7. Brian Eno & Tom Rogerson - Motion In Field
            8. Brian Eno - There Were Bells
            9. Brian Eno - Third Uncle
            10. Brian Eno & David Byrne - Everything That Happens
            11. Brian Eno - Stiff
            12. Brian Eno With Leo Abrahams And Jon Hopkins - Emerald & Lime
            13. Brian Eno - Hardly Me
            14. Brian Eno & David Byrne - Regiment
            15. Brian Eno - Fractal Zoom
            16. Brian Eno - Lighthouse #429 *Previously Unreleased*
            17. Brian Eno & Roger Eno - By This River (Live At The Acropolis) *Previously Unreleased.

            Brian Eno, Holger Czukay, J.Peter Schwalm

            Sushi. Roti. Reibekuchen

              Groenland Records are proud to announce that, in May 2024, they will be releasing a document of a unique – if until now little-known – performance given by BRIAN ENO, HOLGER CZUKAY & J.PETER SCHWALM, in which they were accompanied by Raoul Walton and Jern Atai, members of Schwalm’s group, Slop Shop. Billed as a “High-Altitude-Food-Performance with Incidental Music by Slop Shop and Brian Eno”, with Can co-founder Czukay’s appearance kept under wraps in advance, it was recorded on August 27, 1998 outside the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland – the Art and Exhibition Hall of the Federal Republic of Germany – in Bonn, Germany, at the opening party for an exhibition of Eno’s Future Light-Lounge Proposal multimedia installation. 

              TRACK LISTING

              1. Sushi
              2. Roti 
              3. Wasser 
              4. Reibekuchen
              5. Wein 

              Brian Eno

              The Ship - 2023 Reissue

                1LP Coloured Vinyl Edition of Brian Eno’s ‘The Ship’ in eco-packaging – Newly remastered by Miles Showell at Abbey Road – celebrating Eno’s first-ever solo tour, ‘Ships across Europe’, joined by Baltic Sea Philharmonic conducted by Kristjan Järvi in October 2023.

                “The Ship is a great, unexpected record. The title track and “Fickle Sun (i)” on their own and as a connected piece of music are marvelous accomplishments, distinctive in Eno’s catalog. And “I’m Set Free” immediately ranks among the most perfect-sounding pop songs Eno has ever had a hand in making.” – Pitchfork.

                “The music of “The Ship” is tolling and elegiac, while “Fickle Sun,” with lyrics about the “dismal work” of a soldier’s life, is in constant metamorphosis. Electronic sounds melt into orchestral upheavals and guitar distortion; voices, natural and synthetic, loom from all directions.” – The New York Times.

                “The Ship is the work of someone who fully believes in the power of art as an empathic tool, as a means to invoke a particular viewpoint, an unconsidered perspective.” – The Quietus.

                “sits somewhere between the chilly calm of Music for Airports and the eerie evocations of the Suffolk landscape found on 1982’s On Land” – The Guardian.

                TRACK LISTING

                Side A
                The Ship
                Side B
                Fickle Sun I
                Fickle Sun II • The Hour Is Thin
                Fickle Sun III • I’m Set Free

                Fred Again.. & Brian Eno

                Secret Life

                  Ambient demigod Brian Eno and modern bass & Boiler Room poster boy Fred Again team up for a rather unexpected curve ball. It seems that Brian has taken the lead on "Secret Life", forcing the young upstart to ditch his rampant, ADHD-fueled finger drumming and inferno-causing bass-garage-house hybrids for an exercise in what his next door neighbour (true story), and mentor, specializes at - the most serene ambient music around.

                  It's a delicate, spacious listen; with Eno's famous use of reductive techniques allowing the most precious of elements all the room they need to sparkle - like a tiny Faberge Egg presented in a vast, grandiose, but pin-drop silent gallery. The use of silence given plenty of reverence. There's smeared vocal and string manipulations that reverberate from almost heavenly realms, and in parts, it's like the antithesis to Burials recent dystopian ambient project "Antidawn" - exploring the more optimistic territories of the Skyrim metaverse in a non-linear structure which suspends time and allows you to drift in and out of its liminal reality.

                  It'll sit comfortably by your side on a rain soaked day languidly pottering around the home, or set the perfect atmosphere for your next art show installation; or even serenade your new born into a dreamlike slumber. I can't help feeling its one of those albums that'll be really affected by the environment in which it is aired. Like much of Eno's work, it's a subtle listen that I'm convinced will reward the deeper and more attentive listeners.

                  Produced by Brian Eno and Fred Gibson (aka Fred Again) 4th April 2020 - 23rd December 2022


                  STAFF COMMENTS

                  Barry says: Everyone loves a bit of Eno, right? This collaboration sees Fred Again's chopped-up synthpop / alt r&b hybrid given the Eno treatment and sloooowed into a beautiful, restorative slice of stargazing ambient. A great collaborative endeavour, with more than a little classic Eno.

                  TRACK LISTING

                  Side 1
                  01 I Saw You
                  02 Secret
                  03 Radio
                  04 Follow
                  05 Enough
                  06 Pause
                  Side 2
                  01 Safety
                  02 Cmon
                  03 Trying
                  04 Chest
                  05 Come On Home

                  Brian Eno

                  A Year With Swollen Appendices : Brian Eno's Diary

                    The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition. 'One of the seminal books about music . .

                    . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.'GUARDIAN.

                    At the end of 1994, musician, producer and artist Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell through quickly.

                    What he did do - and write - however, was astonishing: ruminations on his collaborative work with artists including David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to truly be, alongside razor-sharp commentary on his day-to-day tribulations and happenings around the world. A fascinating, candid and intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic, reissued for a new generation of readers.

                    This beautiful 25th anniversary paperback edition has been re-designed in A5, the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original hardback edition) and a two-tone cover that pays homage to the original design.

                    Brian Eno

                    FOREVERAND EVERNOMORE

                      FOREVERANDEVERNOMORE is the 22nd solo studio album from Brian Eno and the first since January 2017’s Reflection. The 10-track album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It’s a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, “Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with our hopes for the future.”

                      Making gardens out of silence in an uncanny valley was originally included in an audio installation which is Brian Eno’s contribution to the London Serpentine’s long-term, interdisciplinary programme addressing the ongoing climate emergency, Back To Earth. 

                      TRACK LISTING

                      1. Who Gives A Thought
                      2. We Let It In
                      3. Icarus Or Blériot
                      4. Garden Of Stars
                      5. Inclusion
                      6. There Were Bells
                      7. Sherry
                      8. I’m Hardly Me
                      9. These Small Noises
                      10. Making Gardens Out Of Silence

                      Brian Eno

                      The Drop

                        Reissue of 1997 album ‘The Drop’. Described by Eno as an interpretation of jazz from a vague, alien perspective, ‘The Drop’ also integrates his interests in the melodic yet percussive basslines of Fela Kuti and the complex, labyrinthine melodies of The Mahavishnu Orchestra. Ever the provocateur, on this record Eno defies classification, avoiding association with pop, existent sonic approaches and even music itself.

                        Brian Eno And David Byrne

                        My Life In The Bush Of Ghosts

                          Originally released in 1981, this critically lauded album was the one of the first major label releases to heavily incorporate sample-heavy 'found sounds' and global beats. Lebanese mountain singers, preachers, exorcism ceremonies, Muslim chanting, Egyptian pop and radio talk shows all make an appearance, spread over hypnotic percussive rhythms and layered instrumentation.

                          Overseen personally by Brian Eno and David Byrne, this new version has been remastered by Greg Calbi at Sterling Sound (Interpol / Kings Of Leon) and features seven previously unreleased bonus tracks of out-takes and ideas from the album's original sessions from 1979 and 1980. The enhanced CD also includes Bruce Conner's film to "Mea Culpa". The packaging differs from all previous Eno reissues – a jewel case within a slipcase, plus very special added extras. The slipcase and artwork have been designed by Peter Buchanan Smith, and 28 pages of sleevenotes have been provided by David Toop and David Byrne.

                          TRACK LISTING

                          America Is Waiting 3:36
                          Mea Culpa 3:35
                          Regiment 3:56
                          Help Me Somebody 4:18
                          The Jezebel Spirit 4:55
                          Qu'Ran 3:46
                          Moonlight In Glory 4:19
                          The Carrier 3:30
                          A Secret Life 2:30
                          Come With Us 2:38
                          Mountain Of Needles 2:35

                          Brian Eno

                          Ambient 1: Music For Airports

                            In 1978, Brian Eno released Ambient 1: Music for Airports, a landmark album in ambient and electronic music. Although it wasn’t the first ambient album, it was the first album to be explicitly labelled as ‘ambient music’. Music for Airports was a continuation of Brian Eno’s experimentation with the tape machine as a compositional tool, a process he’d begun three years prior with 1975’s Discreet Music. It also saw Eno’s further exploration of generative, systems-created music, whereby Eno would focus on creating a system that would generate ambient music, something he continues to explore in the modern age with his range of iOS apps.

                            Acclaimed 1975 album that represents a major turning point in Eno's career, entering the studio with nothing prepared and using 'Oblique Strategies' instructional cards for inspiration. It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. Superior guest musicians include John Cale, Robert Fripp and Phil Collins. From the brain-bending riff of "Sky-Saw", through the elemental creeping of "Sombre Reptiles", from Robert Fripp's looping solos in "St. Elmo's Fire" to the dark swirl of "Spirits Drifting", "Another Green World" creates a superb series of sonic atmospheres that are rhythmic, expansive, strange and beautiful.


                            "Taking Tiger Mountain (By Strategy)", Brian Eno's sophomore solo outing, is a grab bag of freaky, science-fiction-dipped confections. Filled with a battery of innovative, unsettling effects, the album is darker and more complex than "Here Come The Warm Jets". The artist shows an increasing willingness to experiment with texture, as on "The Great Pretender," whose whirling, oozing keyboard line and synthesized vocals approximate delirium tremens or a hatching hive of maggots, or on "Put A Straw Under Baby," which features the Portsmouth Sinfonia, whose members have no knowledge of their instruments.

                            Yet Eno's grasp of melody and songcraft is everywhere: on the bouncing, absurdist / philosophical "Burning Airlines (Give You So Much More)," and on straight-out rockers, like the deliciously intense "Third Uncle" (which is propelled by the churning guitar of Roxy Music's Phil Manzenera, and is, arguably, the album's highlight). Concurrent with David Bowie's "Aladdin Sane"-era alien aesthetic, Eno's tunes are even more otherwordly and warped than his glam cohort, making use of the full palette of bizarro synthesizer effects and creepy-cheeky postures. The songs, however, are as inventive and appealing as their treatments, and make for Eno's most solid - and experimental - pop album. "Taking Tiger Mountain" holds up magnificently, even years on in the artist's brilliant career.



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