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BODY/HEAD

Body/Head

The Switch

Body/Head, the duo of Kim Gordon (CKM, Sonic Youth, Free Kitten) and guitarist Bill Nace (X.O.4, Vampire Belt, Ceylon Mange), release their second studio album, ‘The Switch’, on Matador Records.

Their debut album together as Body/Head, ‘Coming Apart’, from 2013, was more of a rock record - heavy, emotional, cathartic, spellwork in shades of black and grey. ‘The Switch’ is their second studio full length and it finds the duo working with a more subtle palette, refining their ideas and identity. Some of it was sketched out live (if you’ve not had the fortune of seeing them in that natural environment yet, see 2016’s improvisational document ‘No Waves’) but much of it happened purely in the moment.

On ‘The Switch’, their vision and focus feel truly unified. If ‘Coming Apart’ was dark magic, ‘The Switch’ works with light, though it never forgets that these approaches are two sides of the same coin and that binaries - black/white, near/far, emotion/analysis, body/head - are made to be broken open and that the truth of things is in the energy between.

STAFF COMMENTS

Matt says: Stained with biker grease and fried on the engine heat, this basically drum-less excursion into exhaust fume biker blues hits like a spice-laced cigerette in Piccadilly Gardens. Y'ouch!

TRACK LISTING

Last Time
You Don’t Need
In The Dark Room
Change My Brain
Reverse Hard

Body/Head

No Waves

Body/Head, the duo of Kim Gordon (CKM, Sonic Youth, Free Kitten, etc.) and guitarist Bill Nace (X.O.4, Vampire Belt, Ceylon Mange, etc), will release ‘No Waves’ via Matador Records.

Recorded on March 24th, 2014 during Big Ears Festival in Knoxville, TN at the Bijou Theater, this high quality live recording captures Gordon and Nace at peak chemistry, clearing pathways of possibility using great waves of amplification and voice, during the tour supporting 2013’s critically lauded ‘Coming Apart’.

Instead of presenting ‘tracks’ or ‘songs’ from the record, this album should be considered a ‘moment’, one pinnacle set that was beautifully caught in time. World-renowned artist and longtime friend of Gordon’s, Raymond Pettibon, has made an original piece of art for the cover of the album.

“‘Coming Apart’ was arguably the heaviest record of 2013 and received with open arms and blown minds across the world. The fact that a record steeped so heavily in non-traditional structures and improvisation could touch so many people was not a surprise to anyone who had seen Body/Head in a live setting. ‘No Waves’ captures that raw improvisation and harnesses the power into a listening experience of pure, unmediated intensity.” - Ben Chasny (Comets On Fire, Six Organs Of Admittance)

Body/Head

Coming Apart

Body/Head are an electric guitar duo comprised of Kim Gordon (CKM, Sonic Youth, Free Kitten) and Bill Nace (X.O.4, Vampire Belt, Ceylon Mange). They began working together in various loose formats a few years ago, but the Body/Head concept evolved more specifically in early 2012.

Initially their approach was largely instrumental - lattices of interwoven feedback rainbows, with bits recalling everyone from Heldon to Keiji Haino. They often performed against a backdrop of slow-motion film projection, creating a dream narrative of undeniable power and visionary reach. Kim’s voice began creeping more into the mix, and the vocals are now an intrinsic part of their musical architecture. They have even started writing and playing ‘songs’, compositionally distinct from their purely aleatory origins, but still featuring lots of built-in improvisational space.

Body/Head have recorded a single for Dennis Tyfuss’ Ultra Eczema Editions, a tour EP for Nace’s own Open Mouth Productions, and released a collaboration with Dead C’s Michael Morley through Feeding Tube Records.

‘Coming Apart’, their debut album, is released by Matador Records.

“A call-and-response of healing, oceanic feedback.” - Jon Caramanica, New York Times

“Some of the most courageous and emotive singing of Gordon’s career, and some of the most fantastically elastic music currently being produced, shifting form and formlessness without batting an eye.” - Matt Krefting


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