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Björk

Björk Orkestral - With The Hamrahlíð Choir

The physical release of 'Björk Orkestral - With The Hamrahlíð Choir' - part of the concert series that took place at Harpa concert hall in Reykjavik in 2021. The 24 October show featured the 50-person Hamrahlíð Choir conducted by Þorgerður Ingólfsdóttir and musician Bergur Þórisson on organ and featured songs primarily from Björk's album 'Medúlla'.

These concerts were organized to raise money and awareness for Kvennaathvarfid - a charity that supports women and immigrants of different origin within Iceland.

The Hamrahlíð Choir has been at the forefront of Icelandic musical life for more than four decades. Its members are former students at Hamrahlíð College in Reykjavík, where Þorgerður Ingólfsdóttir formed a choir in 1967 and was its conductor until 2017. The Hamrahlíð Choir, which is made up of graduates of the college choir, has released many widely praised CDs and has frequently performed with the Iceland Symphony Orchestra. Throughout its history, the choir has collaborated closely with Icelandic composers, and over 100 works have been composed especially for the choir. The Hamrahlíð Choir has travelled to 26 countries and has performed at many of the world’s leading choral festivals to great acclaim, including festivals in Europe, North America, and Asia. The Hamrahlíð Choir began its collaboration with Björk in 2017, singing on her 'Utopia'. The collaboration continued with Cornucopia concerts in New York City and Europe in 2019.

TRACK LISTING

1. Show Me Forgiveness (Live at Harpa Hall)
2. Pleasure Is All Mine (Live at Harpa Hall)
3. Hidden Place (Live at Harpa Hall)
4. Cosmogony (Live at Harpa Hall)
5. Sonnets/Unrealities XI (Live at Harpa Hall)
6. Unravel (Live at Harpa Hall)
7. Vertebræ by Vertebræ (Live at Harpa Hall)
8. Who Is It (Live at Harpa Hall)
9. Mouth’s Cradle (Live at Harpa Hall)
10. Where Is The Line (Live at Harpa Hall)
11. New World (Live at Harpa Hall)

Björk

Cornucopia Live

Following the global cinematic release of Björk: Cornucopia, the visionary live experience is now set for its first-ever physical release.

Talking about the film Björk said: “I am so thrilled to share the film for my concert 'Cornucopia' with you. This has been a long journey with hundreds of people helping. I am so beyond enormously grateful to every single one of them. I feel the modern concert film is a matriarchally friendly construct, welcomed in the current climate—where female musicians can share their worlds uncorrupted.”

Directed by Ísold Uggadóttir, Cornucopia is Björk’s most ambitious live production to date — a powerful fusion of nature, technology, and sound. The film features creative direction, musical arrangements, production, and performance by Björk, showcasing her singular vision throughout.
Visual co-creative direction is led by James Merry, with additional contributions from a stellar lineup of artists: Andrew Thomas Huang, Gabríela Friðriksdóttir, Pierre-Alain Giraud, Nick Knight, Tobias Gremmler, and Warren Du Preez & Nick Thornton-Jones. Their boundary-pushing visuals merge seamlessly with Björk’s avant-garde sonic landscapes.

The production also features the talents of producers Sara Nassim and Kat Mansoor, with Bergur Þórisson serving as musical director and re-recording mixer. Artur Tort provides the film’s stunning cinematography, while editing comes from Walter Mauriot.

The film is produced by S101 and Snowstorm, in association with Level Forward (also acting as Impact Producer). Executive producers include Derek Birkett; Adrienne Becker and Roger Clark for Level Forward; and Davíð Helgason for Foobar.vc. Co-executive producers are Ian Wheeler for Talkhouse; Susan Lord and Brogan Bamborgan for Level Forward; Benjamin Ratz for Foobar.vc; and Sigrid Dyekjær.


Bjork

Fossora

each album always starts with a feeling
that i try to shape into sound
this time around
the feeling was landing
( after my last album utopia which was all island in the clouds element air and no bass )
on the earth and digging my feet into the ground
it was also woven into how i experienced the "now"
this time around 7 billion of us did it together
nesting in our homes quarantining
being long enough in one place that we shot down roots
my new album "fossora" is about that
it is a word i made up
it is the feminine of fossore ( digger, delver, ditcher )
so in short it means "she who digs" ( into the ground )
so sonically it is about bass , heavy bottom-end,
we have 6 bass clarinets and punchy sub
i would like to especially thank bergur þórisson and heba kadry
side project , el guincho , hamrahlíð choir , soraya nayyar , clarinet sextet murmuri , siggi string quartet ensemble , emilie nicolas , serpentwithfeet
viibra and last but not least : sindri and dóa .
visuals were made by viðar logi , james merry , m/m , nick knight , andy huang , edda , isshehungry , tomi , sayaka , sunna , sara and heimir
and my ever so loyal and magnificent team : derek , rosamary , catherine , chiara , hilma and móa

STAFF COMMENTS

Liam says: Returning to Iceland during the pandemic, Bjork's tenth record 'Fossora' began as conceptual clarinet album that was in part inspired by the death of her mother. However 'Fossora' ultimately became, as Bjork describes it, an "Iceland album". Much like the volcanic landscape of Iceland, 'Fossora' is a vast, alluring and beautiful record that once again proves that Bjork will always be here to push the boundaries she once set - all whilst dressed as a mushroom.

Björk

Homogenic

By the late '90s, Björk's playful, unique world view and singular voice became as confining as they were defining. With its surprising starkness and darkness, 1997's Homogenic shatters her "Icelandic pixie" image. Possibly inspired by her failed relationship with drum'n'bass kingpin Goldie, Björk sheds her more precious aspects, displaying more emotional depth than even her best previous work indicated. Her collaborators - LFO's Mark Bell, Mark "Spike" Stent, and Post contributor Howie B - help make this album not only her emotionally bravest work, but her most sonically adventurous as well. 


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