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BIRTH

Indian Summer

Giving Birth To Thunder - 2025 Repress

    The fourth leg on the early emo table of Rites of Spring, Moss Icon, and Cap’n Jazz, Indian Summer’s Giving Birth To Thunder compiles their complete discography. Emo’s second wave crashed into the Bay Area in the summer of 1994 in a rage-filled capsule of quiet and loud, octave chords, angry sons, Spock haircuts, and screaming. At the eye of this pissed-for-the-hell-of-it storm were Indian Summer. In the quartet’s 12-month existence they wrote ten songs, appeared on half a dozen singles and comps, and played over 100 gigs across the U.S. and Canada before burning out, passing out, and moving out of their Blue House in Oakland. Their hand-screened aesthetic is replicated in alarming detail in the accompanying 28-page book with detailed liner notes, flyers, and miscellaneous propaganda.

    TRACK LISTING

    A1 Aren't You Angel?
    A2 Mm.
    A3 Woolworm
    A4 Reflections On Milkweed
    A5 Sugar Pill

    B1 I Think Your Train Is Leaving
    B2 Touch The Wing Of An Angel...Doesn’t Mean You Can Fly
    B3 Truman
    B4 Orchard
    B5 ???

    The Faint

    Wet From Birth (Deluxe Edition)

      The Faint do it their way.

      Before Electroclash and the wave of 00's Dance-rock there was The Faint, emerging in the late 1990s in Omaha, Nebraska - a place known more for stoic practicality than synth-punk. In that unlikely setting of beige restraint, they pioneered a sound that combined the melodic essence of new wave, the raw edge of post-punk, and the robotic futurism of Detroit electro. Breaking free from indie rock’s humble comfort, they arrived armed with synths, dark eyeliner, and a raw, frenetic energy that dared audiences to actually feel something real, something primal. The late ’90s and early 2000s indie scene was primed for a shock, and The Faint delivered—not just as a band, but as an invitation to cast off coolness, to sweat, to move, and to live fully in the moment.

      By 'Danse Macabre' (2001), The Faint’s new wave postpunk had crystallized into something darker and more expansive - and the world was paying attention. The album fused Berlin’s underground pulse with Omaha’s DIY grit, where punk was as much about rhythm as rebellion. With the addition of death metal guitarist Dapose, the sound tipped their lo-fi technopop into some truly strange territory. The band’s propaganda-inspired album cover served as both a rallying cry for bodily liberation and a veiled warning about the coming digital age.

      As major labels came calling, The Faint chose to stay true to their DIY ethos, maintaining control over their vision and sticking with their hometown imprint Saddle Creek. When 'Wet From Birth' arrived in 2004, it built on their synth-punk foundation. Orchestral layers and more intricate arrangements added depth without taming its confrontational and sometimes paranoid spirit. The band toured relentlessly, including an unexpected arena tour with No Doubt that ended with a stage prank that sent Todd to a New Mexico jail cell. (Don’t worry, Gwen bailed him out.)

      Twenty years removed from its release, The Faint are returning to announce a reissue of 'Wet From Birth'. The reissue includes the original release - meticulously remastered for vinyl from the original tapes by Justin Shturtz at Sterling Sound - two never-before-heard ‘unrealized’ tracks from the album’s sessions, unreleased demos, and previously released remixes.



      TRACK LISTING

      1. Desperate Guys
      2. How Could I Forget?
      3. I Disappear
      4. Southern Belles In London Sing
      5. Erection
      6. Paranoiattack
      7. Dropkick The Punks
      8. Phone Call
      9. Symptom Finger
      10. Birth
      11. Zealots (Unrealized)
      12. Mister (Unrealized)
      13. Birth (Thailand Demo)
      14. Desperate Guys (Demo)
      15. Symptom Finger (Demo)
      16. Paranoiattack (Demo)
      17. Hypnotised
      18. I Disappear (FC Kahuna Remix) 

      Geezer Butler

      Into The Void : From Birth To Black Sabbath

        With over 70 million records sold, heavy metal pioneers Black Sabbath are one of the most influential bands of all time. From the very beginning, Geezer Butler was at the heart of their success. He named the group, provided the bass behind their distinctive sound and wrote the lyrics that resonated so powerfully with fans around the world.

        At long last, Geezer is ready to tell his side of the Sabbath story, from early days as a scrappy blues quartet through to the many lineup changes, the record-breaking tours and the international hell-raising with Ozzy Osbourne, Tony Iommi and Bill Ward. Featuring Geezer’s candid reflections on his working-class childhood in Luftwaffe-battered Birmingham, his almost-life as an accountant and his fascination with horror, religion and the occult, Into the Void reveals the softer side of the heavy metal legend, while holding nothing back. Like Geezer’s bass lines and the story of Black Sabbath themselves, Into the Void is original, dramatic and one hell of a ride.

        Matt Anniss

        Join The Future : Bleep Techno And The Birth Of British Bass Music

          Matt Anniss's critically acclaimed alternative history of UK dance music in the acid house era returns in updated and expanded form. Named by Rolling Stone UK as one of the best books on British music culture, Join The Future puts forward a persuasive new argument about the origins of UK club culture's longrunning love affair with bass. Since the dawn of the 1990s, Britain's dancefloors have moved to a string of styles built around skeletal rhythms and heavy sub-bass, including breakbeat hardcore, jungle, drum & bass, dubstep, UK garage, grime and bassline. Yet another previously overlooked sound pre-dated them all: bleep and bass, or bleep techno, the first distinctly British form of electronic dance music.

          Miles Davis

          Birth Of The Cool - 2024 Reissue

            In the summer of 1948 Miles Davis, in collaboration with the arranger Gil Evans, whom he had met several years earlier, decided to carry out his project by detaching himself from the principles of bebop to participate in a new form of jazz. Installed in New York, he founded a new group, intermediate between the big band and small bebop groups. Cool jazz was born, but it was not an immediate revolution: the nonet was quickly dissolved, and this new music took several years to establish itself among jazz musicians and the public.

            On September 18, 1948, the nonet performed for the first time in public, opening for Count Basie's show at the Royal Roost in New York under the title "Nonet by Miles Davis, arrangement by Gerry Mulligan, Gil Evans and John Lewis ". An unusual name which betrays the desire to create music based largely on arrangements.

            This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


            TRACK LISTING

            1. Move
            2. Jeru
            3. Moon Dreams
            4. Venus De Milo
            5. Budo
            6. Deception
            7. Godchild
            8. Boplicity
            9. Rocker
            10. Israel
            11. Rouge

            Birthmark

            Birth Of Omni

              On Birthmark’s latest album, Birth of Omni, songwriter & multi-instrumentalist Nate Kinsella delivers his most thematically dynamic and experimental album to date. The album highlights the gargantuan shift in perspective that comes along with becoming a parent, including core themes of identity, duality, sexuality, overwhelming responsibility, feminism, and fear of men. Over the course of the album’s ten songs, Kinsella takes the listener on a wild ride, full of emotions and inner thoughts. On “Rodney,” Kinsella enlists Shudder to Think’s Craig Wedren on vocals for a track that explores sexuality and desires, while “Boyfriend” touches on how things change between partners in a relationship while raising children.

              In addition to Kinsella’s work with Birthmark, Nate also plays in two other bands with his cousin Mike Kinsella – American Football and Lies. He’s also collaborated with artists such as Tim Kasher, Joan of Arc, TTNG, and others. Kinsella’s work has been featured in outlets such as Pitchfork, Fader, Rolling Stone, Stereogum, NPR, and many others.



              TRACK LISTING

              1. Snowflake In My Palm (Not For Long)
              2. Butterfly
              3. Birthday (Product Of Our Lust)
              4. Rodney
              5. Baby Woncha Come On Home
              6. Boyfriend
              7. Green Skies
              8. Red Meadow
              9. I’m Awake
              10. Pretty Flowers

              Birth Control

              Here And Now - 2022 Reissue

                The German progressive / hard rock legend's last studio album (2016) with Bernd "Nossi" Noske - released posthumously in 2016 two years after the sudden death of the band's mastermind, singer and drummer.

                Birth Control

                Open Up

                  A new studio album by the German progressive / hard rock legends. In the 1970s, Birth Control were one of the most internationally successful German rock bands . Since their spectacular album debut in 1970 on the cult label Ohr, the band has released more than thirty long players, including timeless classics such as "Operation", "Hoodoo Man" (which includes the disco hit "Gamma Ray") and "Plastic People".

                  Their 21st regular album is the first since the death of the band mastermind, singer and drummer Bernd Noske. Birth Control has always had a completely unique sound, showing the creativity and range of the current line-up on this album and gets to the heart of their wealth of ideas in 54 minutes, bringing 8 new studio tracks to the turntable, including a reworking of the 1972 hit Gamma Ray. Furthermore, seven new songs from the compositional pen of their songwriter duo Kühn/Ettrich, a brilliant mix of progressive/hard rock, blues and funk.

                  TRACK LISTING

                  1. Gamma Ray 2.0
                  2.The Last Word
                  3. Wrestling Mama
                  4. Open Sesame
                  5. I Don't Mind
                  6. Wannabe
                  7. Plans Get Lost
                  8. These Are The Days

                  Martin James

                  French Connections : From Discotheque To Daft Punk - The Birth Of French Touch

                    Revised reissue of the acclaimed first-ever book-length investigation into French Touch.

                    "Updated version features previously unpublished interviews with Daft Punk, Laurent Garnier, Cerrone, Jean Jacques Perrey, Motorbass, Chris Le Friant (aka Bob Sinclar), Air, Etienne de Crecy, La Funk Mob, Cassius, The Micronauts, Stardust, Benjamin Diamond, Modjo, DJ GilbR, i-Cube, DJ Cam and many more...

                    During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map.

                    Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world.

                    Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France’s significant contribution to dance music culture that paved the way for the French Touch explosion."

                    Birth

                    Live In Tucson

                      Cardinal Fuzz are proud to present to you Birth – Live In Tucson. Birth is the project of Grant Beyachau and Nik Rayne from The Myrrors who performed as Birth for this live improvisational performance in Tucson (USA). The performance was captured onto a handheld recorder (you can hear instrument leads buzz and cut out for a second here and there as things start up) as Birth, seated on the floor, journey towards a state of transcendence in front of a small but appreciative audience.

                      Taking cues from Terry Riley, LaMonte Young as well as Spacemen 3 (Dreamweapon) – minimalist artists who offer no concessions to the listener except to surrender yourself to the drone. Grant creates swirling cyclic passages via analogue synthesizer and tape machine loops as Nik conjures subliminal notes via guitar and space echo. Over 25 minutes they create an experience of devotional music influenced by Middle Eastern and Sufism cultures – as notes bleed and swirl together in a lysergic haze. Its fluidity is its greatest strength as the piece offers no navigation points – all they ask is that through a mixture of drone, repetition and simple melodies that you surrender yourself to the trance-like and hallucinatory delirium created. It is captivating.

                      Live in Tucson is a one off 300 pressing – all black vinyl. Housed in a 350gsm sleeve and given a private press like presentation via the sleeve and labels. Download Code Included.



                      Following their 2012 mini-album on Jigsaw and hot on the heels of a 7" on Dufflecoat Records, Manchester's Amida have given us a full-length (finally!), with 13 songs in under half an hour. The band has managed to follow-up on the promise that their previous releases have made, with a collection of songs that are as biting as they are melodic. Sounding like a mix between the Wolfhounds, the Monochrome Set and even a little Big Flame (and similarly noisy bands on the "other" side of C86), the speedy/jangly guitars seem to be fighting the propelling bass guitar for control, giving us some very compelling music in the process!

                      STAFF COMMENTS

                      Ryan says: I've been following Amida for a while now, I've loved everything they've done and now there's this. Packed full of short and precise Flying Nun-esque jangly masterpieces. You need this!

                      Masaaki Hirao And His All Stars Wagon

                      Nippon Rock'n'Roll - The Birth Of Japanese Rokabirii

                      “Nippon Rock’n’Roll” documents the rise of Masaaki Hirao. Dubbed “The Japanese Elvis”, Hirao was one of the famed Rokabirii Sannin Otoko (Three Rockabillies), alongside singers Mickey Curtis and “Kei-chan”, Keijiro Yamashita. In early 1958, the rokabirii buumu (rockabilly boom) was born, the first youth music tribe in the Land Of The Rising Sun.

                      Rokabirii may resemble US rockabilly, but this Nipponese version is a more varied dish. Hirao and his band’s covers of Eddie Cochran, Elvis Presley and Little Richard are not kitsch renditions, but raw, desperate rockers. Hear a Paul Anka makeover, but put through a rocking mangle; a smattering of jazz; a twist of New Orleans; and some Japanese folk songs with a greased-down quiff. American occupation a distant memory, these boys wanted to party.

                      Country and hillbilly music was a mainstay of young Japanese musicians working the GI base and jazz café circuit of the 1950s. Following the runaway success of a Japanese cover of ‘Heartbreak Hotel’ (Hirao’s version here has dynamite in its teeth), demand grew for more of this strange, new music. The need was met with a huge gala, the Nichigeki Western Carnival, which showcased the new rokabirii groups to thousands of screaming Japanese teenagers. Wild footage of the concerts, alongside that of burgeoning radical student movements, put fear of a wave of delinquency into the heart of the establishment.

                      The studio numbers here are hardboiled, with unkempt live recordings that really rock. Tough drums back up honking sax, in a pedal steel pandemonium with slap bass. In the words of Elvis: these guys “get real gone”.

                      TRACK LISTING

                      01. Lawdy Miss Clawdy (Live)
                      02. Itsuki No Komoriuta Rock
                      03. Hoshi Wa Nandemo Shiteru 2 (Live)
                      04. Crazy Love (Live)
                      05. Jailhouse Rock

                      Side 2
                      01. Jenny Jenny (Live)
                      02. Ooh My Soul (Live)
                      03. One Way Ticket
                      04. Miyo-chan
                      05. Blues De Memphis

                      Various Artists

                      The Blue Beat Explosion! The Birth Of Ska

                      Classic collection of early Prince Buster related material - a 23 track CD and 16 track LP compilation of early Blue Beat tracks featuring Prince Buster, Buster's Group, or other Prince Buster groups, The Blue Beats, The All Stars, The Torchlighters and Voice Of The People amongst others.

                      Various Artists

                      Dirty Water 2 - More Birth Of Punk Attitude

                      Such was the response from press and public to "Dirty Water - The Birth of Punk Attitude" that Kris Needs has been filling the bathtub again with another riotous selection of proto-punk scorchers, garage band delights and seminal figures who either revolutionised a movement or upset their chosen apple-cart; all filling the arteries which would explode in 1976 and change the world.

                      The new set casts its net even wider than the first, corralling sonic marauders such as Germany’s Faust, New York’s wilfully shambolic Godz, George Clinton’s barrier-trampling Parliament, original folk activist Woody Guthrie and deathly 60s electronic trailblazers United States Of America. The set stretches back to primitive rock‘n‘roll‘s early salvos, including Bo Diddley and Johnny Thunders’ favourite Eddie Cochran, plus the hot-wired tremors of UK outfits such as Kilburn and the High Roads, Doctors Of Madness, Stack Waddy, Hammersmith Gorillas and the Edgar Broughton Band. New York City is represented by Patti Smith, Blondie, the mighty Jayne County, demented Holy Modal Rounders and Dizzy Gillespie representing the bebop movement which flame-blasted cool jazz’s rigid trouser-seat, leaving a wide open orifice for the raw, spiritual anarchy of Albert Ayler.

                      Needs also exercises his long-standing fixation with obscure, unhinged 60s US garage-psych with the Misunderstood, Zachary Thaks, Human Expression and high-energy Detroit garage bands Unrelated Segments and Tidal Waves.

                      Akron/Family

                      S/T II: The Cosmic Birth And Journey Of Shinju TNT

                        This album was written in a cabin built into the side of Mount Meakan, an active volcano in Akan National Park, on the island of Hokkaido, Japan. It was recorded in an abandoned train station in Detroit with Chris Koltay (Liars, Women, Deerhunter, Holy Fuck, No Age).

                        Akron/Family spent the end of 2009 and half of 2010 exploring the future of sound through bent acid punk diamond fuzz and underground Japanese noise cassettes, lowercase micro tone poems and emotional Cagean field recordings, rebuilding electronic drums from the 70s and playing them with sticks they carved themselves.

                        Andrew Makin

                        So Long After Birth

                          Born in Northern Ireland and growing up in South Wales before settling in Manchester, Andrew Makin has been writing and playing music for almost a decade. His influences range from Rolling Stones, Led Zepplin and Early Aerosmith to Nine Inch Nails, A Perfect Circle and Velvet Revolver. "So Long After Birth" is a dynamic rock track with a solid bass line and heavy guitar riff.


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