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BING & RUTH

Bing & Ruth

Species

    Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, has announced details of a new album, scheduled for release this summer. While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass (played respectively by founding members Jeremy Viner and Jeff Ratner), the title Species is a nod to both humanity and humility – a devotion to the godly intuition with which we are all endowed, and the humbleness required of us to perceive it. It’s also about suspended time and trance; not just a steady movement from A to B, but as something that flows, meanders and eddies, like water.

    Species, and the transcendental state it embodies, was inspired by two recent loves of Moore’s: the desert and long-distance running. Briefly relocating from his New York base to Point Dume, between the Pacific Ocean and the desert, Moore was able to indulge in both passions, which in turn provided stimulus for new work. He says, “I’d found myself in places unfamiliar enough that I could easily lose all sense of direction, size and, more than anything, all sense of time. The music I was making became a kind of reflection of these intentional detachments - and a place to mirror that feeling of trance that had pushed them out in the first place.”

    STAFF COMMENTS

    Barry says: Shifting swathes of reverberated electronics, bright echoes and soaring synths slowly evolve into euphoric slo-mo key changes and aquatic phrases. It's an ambient lovers dream, and one that will be on my stereo for some time to come.

    TRACK LISTING

    Body In A Room
    Badwater Psalm
    I Had No Dream
    Blood Harmony
    Live Forever
    The Pressure Of This Water
    Nearer

    Bing & Ruth

    No Home Of The Mind

    Ever-evolving, Bing & Ruth is steered by composer David Moore, a pianist from Kansas and graduate of New York’s school of Jazz and Contemporary Music at the New School.

    Their line-up has transmuted from the eleven-strong line-up that created debut album City Lake (“A stunning, humble record built on traditions we all understand, yet, somehow feels dizzyingly new.” – The Quietus) to a cast of seven for 2014’s Tomorrow Was The Golden Age (“One of the finest leftfield releases of the year.” – Pitchfork).

    With No Home of the Mind, the ensemble has been streamlined to five and, after a year of heartfelt composition and with everything meticulously rehearsed in advance, the whole album was recorded in two days and in the fewest takes possible. An attempt to recreate the immediacy of classic session-style musicianship, where one-take recordings were a standard to keep costs down, No Home of the Mind explores piano’s percussive qualities alongside running woodwinds, warbling tape delays and splattered upright bass lines that stare out with a wide-eyed transcendence, taking so-called “classical” music to new limits.

    STAFF COMMENTS

    Barry says: A beautiful suite of brittle modern-classical drones and twinkling piano, crafted together with subtlety and grace. A startling and riveting journey, filled with moments of tentative meditation and glimmers of pure joy.

    TRACK LISTING

    1. Starwood Choker
    2. As Much As Possible
    3. Scrapes
    4. Chonchos
    5. The How Of It Sped
    6. Is Drop
    7. Form Takes
    8. To All It
    9. Flat Line/Peak Color
    10. What Ash It Flow Up


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