This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It’s one of my therapies and one of the ways I interrogate the past.” Released in 2018, Big Red Machine’s self-titled debut album evolved from improvisation and what Dessner calls “structured experimentalism,” with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original “Big Red Machine” as an improvisation-based performance piece. They later took that show to the PEOPLE collective’s Berlin residency and festival, and to Dessner’s Haven Festival in Copenhagen. “Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it,” says Dessner.” Vernon agrees: “I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff.”
STAFF COMMENTS
Barry says: It won't be a gigantic surprise i'm sure, to hear that Big Red Machine's newest LP is as stunningly accomplished and wonderfully listenable as it's long list of collaborators would suggest. Brimming with beautiful folk charm and uncompromising melodic direction, there's very few people who wouldn't find something to enjoy here.TRACK LISTING
1. Latter Days (feat. Anaïs Mitchell)
2. Reese
3. Phoenix (feat. Fleet Foxes And Anaïs Mitchell)
4. Birch (feat. Taylor Swift
5. Renegade (feat. Taylor Swift)
6. The Ghost Of Cincinnati
7. Hoping Then
8. Mimi (feat. Ilsey)
9. Easy To Sabotage (feat. Naeem)
10. Hutch (feat. Sharon Van Etten, Lisa Hannigan And SharaNova [My Brightest Diamond])
11. 8:22am (feat. La Force)
12. Magnolia
13. June’s A River (feat. Ben Howard And This Is The Kit
14. Brycie
15. New Auburn (feat. Anaïs Mitchell)