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BEYOND BEYOND IS BEYOND

Elkhorn

The Storm Sessions

    The Storm Sessions is the latest glowing proof that Elkhorn are one of the most durable and adventurous platforms of the new guitar age. Snowed in with their friend Turner Williams (Ramble Tamble, Guardian Alien) on the night of an emotionally important gig, the duo-plus-one turned it into a cathartic blizzard-bound collaboration and rumination -- and a new step for Elkhorn.

    A powerful turn outside the duo’s comfort zone, The Storm Sessions consists of two side-long improvisations by guitarists Jesse Sheppard (12-string acoustic) and Drew Gardner (6-string electric) along with Turner’s rare and lovely vibrations (electric bouzouki on one side, shahi baaja on the flip). No strangers to improvisation or collaboration, The Storm Sessions is their most spontaneous studio work yet, and perhaps their most beautifully flowing. Formed by old friends Jesse Sheppard and Drew Gardner in 2013 and naming themselves ‘Elkhorn’ the following year, it’s the pair’s telepathic bond that has made them so much more than two dudes with guitars.

    With Sheppard’s rigorous 12-string acting like a meditative rhythm section for Gardner’s textured flights, the duo’s third voice emerges into a space that often borders on soulful cosmic jazz. Committed collaborators and community organizers in their vibrational corner of the world, both members of the band are deep students of the music. In 2018, Sheppard organized The 1000 Incarnations of the Rose, an already historic three-day festival in Takoma Park, Maryland--John Fahey’s hometown--that showcased generations of wideeared guitarists. Ambassadors to an often-hidden creative lineage as well as an often-hidden network of modern players, Elkhorn have hewn to the most sage advice Timothy Leary ever proclaimed: Find the others. Mark Fosson (who played the 1000 Incarnations of the Rose) was one such Other, forming a crossgenerational bond with Sheppard. Scheduled to play a New York show with Elkhorn in late 2018, the 68-year-old Fosson fell ill and passed away.

    A rescheduled performance featuring Williams (another Other) turned into the extended session in Gardner’s home studio in Harlem. The Storm Sessions is filled with flickering textures that might create warmth on a cold day, or a bubble of human atmosphere inside a dreary dystopian vacuum, no matter the weather outside. Their sixth full-length in five years, Elkhorn are both well into their journey and have only just begun.

    TRACK LISTING

    Electric One (Part A)
    Electric One (Part B)
    Electric One (Part C)
    Electric Two (Part A)
    Electric Two (Part B)
    Electric Two (Part C)

    One Eleven Heavy

    Desire Path

      One Eleven Heavy on this recording are Nick Mitchell Maiato, James Toth (Wooden Wand), Dan Brown (Royal Trux) and Hans Chew. Naming their band after a short story about a plane crash might have been a mistake. Because, for transatlantic, country-infused rockers One Eleven Heavy, it’s been two years of trials and near-death experiences. One Eleven Heavy is lucky to be alive.

      And you only need to listen to the music on this, their brilliant second album “Desire Path” to understand that’s how the band feels. Because it’s a wry, occasionally biting, but always joyful celebration of human endurance and the ability to overcome. The musicianship is a step up from their raggedy, but already accomplished, debut, too.

      The album is laced with lush three-part vocal harmonies and two-part harmonized guitar licks, recalling those classic Allman Bros runs at the same time as it brings to mind timeless classics by Hendrix, the Stones and, of course, the Dead. For One Eleven Heavy, being miraculous is a goal worth striving for. And the only route to it is by the “Desire Path.” Take it.

      TRACK LISTING

      Chickenshit
      Wild Hair
      Hot Potato Soup
      Stir
      Fickle Wind
      Mardi Gras
      House Of Cards
      Too Much, Too Much
      Three Poisons

      Kendra Amalie

      Intuition

        A sweeping introduction to an artist deep into their practice, Kendra Amalie’s Intuition is a star map to a new and developing sound space. An exploratory and (sometimes) shredding finger-style 12-string guitarist (both acoustic and electric), band leader, synthesist, new media creator, and experimental producer, the Wisconsin-based musician is also a songwriter occupying an ethereal zone between galaxy-brain cosmic transmissions and deep, personal expression. There’s a concept and narrative arc to Intuition, too, the action moving from underwater locales to boat to city to global consciousness to farmland to the etheric plane and back to water. Shifting her music-making energies over the past several years, Intuition is the sound of a powerful new voice in focus. Intuition is a sound-based cross-section of a larger body of work. An arrival and a destination, Intuition is also surely a stopover, too. Meet Kendra Amalie.

        TRACK LISTING

        Breathe Underwater
        Boat Ride II
        Facets Of A Holy Diamond
        Patternmaker
        Stay Low
        Crop Circle
        Become The Light
        Improvisation For Mark Hollis
        Look At The Light (Source)

        Dire Wolves

        Grow Towards The Light

          Jeffrey Alexander has always been into the cool, the weird, and the darkness. I consider him a kind of scholar of outsider and avant-garde music; over the years, hes run Secret Eye Records, been a member of Jackie O Motherfucker, Black Forest Black Sea, and managed to find a way to always remain genuinely excited about creating and performing music.

          Recorded in Oakland, CA during a two day stretch, “Grow Towards the Light” is Dire Wolves 4th official full-length album (not including the fifteen or so minor releases, bootlegs, and tapes theyve put out over the years), and its the first without Lau Nau on main vocals. Taking over that role is the mystical Georgia Carbone, singing in her own invented language. Regarding the album title: you can really hear the sun pulsating through the space clouds, if you know what I mean. Jeffrey plays guitar and moog here, joined by Brian Lucas on bass, Sheila Bosco (from Faun Fables) on drums and piano, Arjun Mendiratta (Village of Spaces) on violin, and Taralie Peterson (Spires that in the Sunset Rise) on saxophone. Every Step Is Birth features a dark, plodding groove. It sounds like the soundtrack to a sinister after-party in a place you suspect might actually be purgatory.

          Jeffrey tells me the album thematically tries to express the interconnectedness of all things, which makes perfect sense given even during some of the more unsettling jams and eerie melodies, this album always feels like a cohesive whole.Stylistically this is really a broad, painterly album that comes together in a beautiful, unexpected way. - Marissa Nadler, March 2019

          STAFF COMMENTS

          Barry says: I was a big fan of JOMF back in the day, and have tried to see them play on more than one occasion (once at the Ruby Lounge, their visa got cancelled and support act, a little known collective called GNOD had to take the whole show on). This has the hazy, lysergic meandering that JOMF did so well but is a little bit more airy and ambient. Beautifully understated but undeniably engrossing.

          TRACK LISTING

          I Control The Weather
          Every Step Is Birth
          Discordant Angels 
          Spacetime Rider
          Water Bearing One
          Crack In The Cosmic Axis

          Theres only confirmation an intoxicating combination of outlook and output that clarifies and crystallizes the bands many sonic strengths throughout the albums fantastically unfolding forty-plus minutes. From the beginning, with an appropriately Albert Ayler-ish blast of Awakening, to the epic 20-minute B-sidelong excursion, Note From the Underground, the beating heart of The Myrrors current statement. Borderlands will be extremely satisfying to otherworldly music seekers who find aural transcendence through the works of artists such as International Harvester, Taj Mahal Travellers, Trad Gras och Stenar, Kikagaku Moyo, Amon Duul, and Agitation Free, to name a few.

          TRACK LISTING

          Awakening
          The Blood That Runs The Border
          Formaciones Rojas
          Biznagas
          Call For Unity
          Note From The Underground

          Hasta La Victoria comes just one year after Entranced Earth, and serves as its perfect companion piece. And yet, not a moment of the albums thirty-seven minutes ever feels even remotely rushed, or anything short of natural.

          Indeed, in the best possible way, Hasta La Victoria sounds like The Myrrors couldnt be doing anything else. Perhaps its not the victory in the albums title that focuses the bands attention perhaps its the until. Throughout Hasta La Victoria, the band sounds utterly propelled by an invisible force, by the indelible impression that their actions as a band, as artists, as people have an impact, and that impact should continue until victory.

          Be here now or be here later, theres little doubt that The Myrrors will be continuing to walk the path when you get here.

          TRACK LISTING

          Organ Mantra
          Somos La Resistencia
          Tea House Music
          El Aleph
          Hasta La Victoria

          Eerie Wanda is the name given to the relentlessly memorable recorded results of an album delivered by Croatian/Dutch singer-songwriter Marina Tadic, w/ a little help from her friends, including the phenomenal rhythm section of JACCO GARDNER's band. Throughout the album, Eerie Wanda displays a somewhat magical ability of using somewhat standard song structures as the skeletons of their sound, but replacing the dead marrow of those bones with a unique & enlivening mixture of dizzy joy and sparkling sonic lucidity. Tadic's voice is as central as anything else to the album's success: it's a two-toned, barely-accented gem of sweetness & melancholy, a distant cousin to both Hope Sandoval & "I Am the Cosmos" -era Chris Bell. 

          Following the acclaim of "The Current," listed by THE WIRE among the best avant-rock albums of 2013, MIDDAY VEIL return with "This Wilderness," a 7-track opus filled with mysteries of cosmic proportions. Songwriter Emily Pothast gives voice to these mysteries with an uncanny, poetic presence, while the outsized synth wizardry of co-founder David Golightly dazzles under the influence of everything from Stockhausen to Donna Summer's "Love to Love You Baby." The intricate percussion of Garrett Moore, driving bass of Jayson Kochan & explosive, reptilian guitar lines of multi-instrumentalist Timm Mason provide a distinctive foundation for these animated, infectious songs. Features guest spots from BERNIE WORRELL (PARLIAMENT, FUNKADELIC), EYVIND KANG & SKERIK. Produced by Randall Dunn.


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