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BELL ORCHESTRE

Bell Orchestre

Who Designs Nature's How - 2023 Reissue

    Following the reissue of Bell Orchestre's debut album "Recording a Tape the Colour of Light" and their Juno award-winning second album "As Seen Through Windows" Erased Tapes is excited to announce the reissue of the band's original remix EP "Who Designs Nature's How". Bell Orchestre is a collaborative instrumental, Montreal based group who originally formed back in 1999. The first music they created was predominately live scores for contemporary dance performances and theatrical puppet shows. The fusion of Bell Orchestre's wildly divergent musical backgrounds and the energy created from this connection is the catalyst to the group's signature avantgarde sound. “

    Who Designs Nature's How” features remixes of select songs from Bell Orchestre's second full-length album “As Seen Through Windows” and has been pressed on vinyl for the first time ever - originally only released on CD and exclusively sold on tour. Besides being pressed on vinyl for the very first time, the record features brand-new cover artwork by Munich-based graphic designer Bernd Kuchenbeiser. The album includes the spellbinding reinterpretation of Water / Light / Shifts courtesy of fellow Canadian electronic producer Tim Hecker.

    “Listening to this, 14 years later and having totally forgotten making this one afternoon, was a reminder that things do change. I can hear the old markers of granular synthesis, Nord Modular synth and fake mellotron samples. These are tools left on a past workbench. It has the rough style of probably 5 layers of improvisation stacked against each other, in a way that feels both like home and yet also some distant foreign self.” — Tim Hecker In addition to Tim Hecker's lead single Water / Light / Shifts, The album also features contributions from the late Japanese prodigious composer Susuma Yokota, dub legend Mad Professor, Canadian DJ and producer Kid Koala, as well as long-time friend and collaborator Colin Stetson amongst others. I have some incredible memories from my brief stint as occasionally joining these lovely friends on stages around the world, and I am excited to see this music flitting about once again.

    Bell Orchestre

    As Seen Through Windows - 2023 Reissue

      Erased Tapes are thrilled to announce the reissue of Bell Orchestre second album As Seen Through Windows out on April 28th.

      Bell Orchestre is a collaborative instrumental group based in Montreal. Whose six members come from wildly divergent musical backgrounds, and the unlikely chemistry that results from their collaboration is the very thing that sustains their connection. It’s as if the group as a whole has tapped into a very particular, very distinct energy: like that of an approaching storm. In many ways, Bell Orchestre is the sum of not only its parts but the sum of its influences and inspirations

      Expanding further on the foundation that Recording a Tape the Colour of the Light laid, the group refined and tightened their sound on this masterpiece.

      Bell Orchestre retreated to Banff Centre in the rocky mountains of Alberta to write the follow-up to their debut album. The title As Seen Through Windows is inspired by the rehearsal space where it was written. The room had two exterior walls entirely made of windows, and with the cinematic view of the mountains they saw occasional herds of elks and deer’s passing by.

      The specifics of time and place, the elemental forces at work outside, and those forces that exist inside, all come into play within Bell Orchestre’s musical process. This particular music could be made by no one else at no other time in history.

      The album was produced by John McEntire (Stereolab, Jeff Parker), drummer and producer of the legendary Chicago post-rock band Tortoise. McEntire had been the group’s dream producer to work with. “I think I was more starstruck around John McEntire than I’d been around anyone before,” says violinist Sarah Neufeld. McEntire was up for trying anything in the studio, and inspired the band endlessly.

      Now looking back at the recording sessions, lap steel guitarist Michael Feuerstack remembers “I don’t know how aware we were of the uniqueness of our bond and the resulting methods of music making, but they are very evident across this recording.”

      Following the original release, they went on to tour the world, from festivals and theatres to small venues.

      TRACK LISTING

      1. Stripes
      2. Elephants
      3. Icicles / Bicycles
      4. Water / Light / Shifts
      5. Bucephalus Bouncing Ball
      6. As Seen Through Windows
      7. The Gaze
      8. Dark Lights
      9. Air Lines / Land Lines

      Erased Tapes announce Bell Orchestre’s House Music — an immersive ecosystem of an album to be released on March 19, and the first full-length work released by the acclaimed Montreal-based outfit in over a decade. House Music unfolds as one long piece, a recorded-then-sculpted improvisation that vastly expands their work, coalescing classical and electronic instrumentation in the creation of genre-defying musical worlds. After having shared the short film “IX: Nature That’s It That’s All.” — which layered archival visuals of blissed-out crowds at a carnival over one of the later, dreamier sections of House Music — Bell Orchestre presents a video for the one-track album’s most anthemic and explosive segment, “V: Movement”, directed by band member Kaveh Nabatian.

      In the album’s liner notes, the group recalls countless moments when, in kinetic moments of improvisation, “a nuanced piece of music would emerge organically, completely formed, without any plan or discussion or rational thought” — and then be lost because it wasn’t recorded. In conceiving a new album, they decided to celebrate the spontaneous and accidental, to centrally situate the act of collaborative, democratic creation in their finished work. With the legacies of improvisation-exploring greats like Talk Talk, The Orb, Bitches Brew-era Miles Davis and the late Ennio Morricone in mind, on House Music, Bell Orchestre captures the impulsive, connective, mysterious poetics of musical invention happening in real-time.


      With help from engineer Hans Bernhard, the band wired every corner of Sarah Neufeld’s (Violin, vocals) multi-story rural Vermont house. She and the mini orchestra’s other five members — Pietro Amato: French horn, keyboards, electronics; Michael Feuerstack: Pedal steel guitar, keyboards, vocals; Kaveh Nabatian: Trumpet, gongoma, keyboards, vocals; Richard Reed Parry: Bass, vocals; and Stefan Schneider: Drums — assigned themselves to different rooms. They spent two weeks together in camaraderie, creation, and focused isolation to record their improvised sessions every day, but ultimately structured a 45-minute album out of a one hour-and-a-half long improvisation.

      “If you sliced away the front wall of the house and looked in, you’d see the horn section — with so many different things going on — down on the first floor of what would normally be the living/dining room, and it was full chaos with tables and tables of kalimbas and harmonicas and synthesizers and horns. Then you travel up a floor, and there’s me and Richie in an empty, warm sounding wooden bedroom. Mike was on pedal steel in the bathroom, on the same floor as us. And then up the stairs, through the ceiling and in the attic, was Stefan, alone on drums. It’s a big piece of land, and if you went outside to take a break, you’d look over and hear all of this crazy shit coming out of all the different floors, and it filled this valley, and there were lots of rocks so the sound would bounce around. It was spooky and glorious”, describes Sarah.

      While edited and trimmed, and occasionally added to, the album itself is in large part the original recording — with the broad structure of its movements kept intact. This single piece of music — written almost entirely as it was being recorded — emerged with no parameters beyond the inclusion of a short harmonic loop Parry had brought in as a starting point, which coheres and propels the album as it moves forward through the birth; vigorous, unrestrained growth; and ultimate slowdown of the musical ecosystem it creates. What the band generated is an album that lays bare the contours of a lived musical moment.

      “Most of my favorite recordings have some element of an explorative and accidental feeling within the music, a feeling which reflects the truth of musical minds which are partially super focused on specific musical ideas and partially wandering, exploring the musical world surrounding those ideas,” says Parry. “I think it’s really satisfying as a listener when you can hear a musical mind exploring an idea — not just a musician who has pre-formed an idea and rehearsed it 100 times until it’s totally perfect and ironed out. In this recording, every one of the six of us is simultaneously exploring our own ideas,

      STAFF COMMENTS

      Barry says: As one of my favourite labels, it's always an exciting time when Erased Tapes put a new one out, and Bell Orchestre sees Arcade Fires' Sarah Neufeld and Owen Pallett percussionish Stefan Schneider team up with a host of others to create this jazzy, downbeat chamber classical gem.

      TRACK LISTING

      I: Opening
      II: House
      III: Dark Steel
      IV: What You're Thinking
      V: Movement
      VI: All The Time Sorrow
      VII: Colour Fields
      VIII: Making Time
      IX: Nature That's It That's All.
      X: Closing


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