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BASIC MOVES

Far over on the West Coast of the USA we find a room full of drum machines, samplers and keyboards. Hard at work is Israel 'Iz' Gravning aka Tone Scientist, who's been using this Seattle studio to produce genre-defying future music for more than 25 years.

Landing somewhere between Luke Vibert's Wagon Christ moniker, Pat Thomas' recently reissued "New Jazz Jungle" LP, Objekt's high-tek bass hybrids and a soundsystem friendly smattering of breaks and bass; Tone Scientist has conjured up something decidedly fresh but totally following the lineage of modern nightclub developments so as to sound natural and logical. An impressive double EP that skirts through numerous tempos and flavours, all with the dub woofers and a heavy sense of rhythm in mind. Recommended! 

STAFF COMMENTS

Matt says: A more breaksy offering from Basic Moves and Tone Scientist who observes the early days hardcore, jungle and broken beat and re-packages the vibe for modern dancefloors. Plenty of bass across a jam packed double 12" pressed super heavy and nice for the DJs sticking two fingers up at the controller brigade.

TRACK LISTING

Tone Scientist - Discrepancy
Tone Scientist - Heartache
Kris Moon - Bossman (tone Scientist Remix)
Tone Scientist - Pyramids On Mars
Tone Scientist - Things Get Done
Zion12 (aka Tone Scientist) - Esoteric Junglist

Welcome to BM-18, the biokinetic realm created by Dana Kuehr, a lush audio environment where organic and synthesized matter coalesce. As we float disembodied above this verdant pixel plain, Dana offers us shifting repetitions and sequences in disguise, each track a landscape within a world created in the utmost detail, from the minute bleeps and chirps to the enveloping and bumping bouncy basslines. Flickering drums explode like dandelion seeds in a breeze, searching for a place to lay, grow, and flourish. Sounds are captured (fingers tapping, rain patter, Belgian parakeets released from a '70s zoo, vocal oohs and ahhs) and hybridized with patterns, samples, and musical manoeuvres (jungle breaks, west coast hip hop, layered drums, IDM crunch and twinkle, reverb, delay, '90s R&B, underwater video game soundscapes). As in any imaginary sphere, there are characters who exchange and converse: rivers, coasts, clouds, lakes, echoes of dolphins, and peaceful frogs. Amidst their complex chatter, the sounds of BM-18 extend an invitation to dance, to feel our bodies alive and present, to acknowledge the impulse of movement and the pulsing heartbeats of each track. An ode to the Taoist consideration that all creatures live together in mystic unity, co-evolving and feeding each other, Dana brings together cloud ethereal with earth pounding, and like an orca's tail upon a restless sea, it slaps!

All tracks written and produced by Dana Kuehr between April 2020 and November 2021 in Brussels, and mixed by Dan Piu at Checkpoint Charly Studio in Zurich between November 2021 and March 2022. Mastered and cut by Stefan Betke at Scape in Berlin. Original artworks by Camiflage and text by Ailsa Cavers. 

STAFF COMMENTS

Matt says: High grade dance music whether your penchant is 4/4 beats, proggy breaks or acid-drenched box jams. Dana Kuehr distils a whole host of nightclub tropes into one, fresh new package for 2022. High quality pressing as well that'll make digi-DJs blush.

TRACK LISTING

How Do We Continue
Almagest Slide
Cloud B

Great Lakes Empty Branches
Realm 8
Dana Kuehr Because


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