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Baby Cool

Infinity Baby

Grace Cuell writes songs as a way of making sense of the world around her. On Infinity Baby, her second album as Baby Cool, she takes a gentle look at what it means to be human as the pendulum swings between shadow and light. Where her debut Earthling on the Road to Self Love felt almost whimsical in its search for meaning, Infinity Baby is more grounded and honest. The songs move through desire, cynicism, devotion and surrender, sometimes defeat, but always circle back to a kind of hope. It’s a record about patterns: the ones we inherit, the ones we repeat, and the ones we choose to keep. Working alongside producer Samuel Joseph who has worked with the likes of King Gizzard, Family Jordan and more, the album was made in the hills of the Northern Rivers. Musically, Baby Cool continues to blur psychedelia, folk and kraut-pop, with the spaciousness of her natural surroundings ever-present in the songwriting and production. On “Mirage,” hope flickers against a world that feels broken. “Loop” sits with the strange repetition of daily life, walking the same road and expecting something to shift. “Everything” captures the exhaustion of trying to squeeze meaning from every moment, while “Devotion” unpacks the way we fall in love with ideas that exist mostly in our own minds. “Sacred” steps away from romantic love and lands somewhere steadier, friendship as the deepest, most enduring form of connection. And at the heart of the record is “Infinity Baby,” a song rooted in a childhood fear of endlessness. Instead of resisting that fear, Cuell writes through it. The song feels like a small act of soothing for her younger self, and maybe for anyone else who has ever felt overwhelmed by the scale of it all. Infinity Baby doesn’t offer answers. It sits in the spin of things. And somewhere in that spin, it finds a quiet kind of acceptance.

TRACK LISTING

1. Intro
2. Mirage
3. Loop
4. Sky
5. Desert
6. Everything
7. Devotion
8. Island
9. Sacred
10. Infinity Baby
11. Otherside

Crows

Reason Enough

Crows have arrived. ‘Reason Enough’, their third studio album, is the one the band have taken the longest to write. Partly because they had to fit the exercise around working full-time jobs, but also because of the freedom that was afforded to them around this specific project, which takes the post-punk four piece’s historically adrenaline-fuelled sound into fresh territory. Though the band’s punk spirit remains intact, sonically, they’re more refined and cohesive than ever; it’s the most mature Crows have ever sounded, without compromising any of their intrinsic grit. Following 2022's 'Beware Believers' and their 2019 debut 'Silver Tongues', 'Reason Enough' lands September 27th 2024 via Bad Vibrations.

For the occasion, James Cox (vocals), Steve Goddard (guitar), Jith Amarasinghe (bass) and Sam Lister (drums), swapped their usual rehearsal space, a small studio in Homerton, East London, for the cavernous walls of a “weird little studio” – as Goddard puts it – in Stroud, Gloucestershire. More specifically, a former Catholic church and convent where the band parked themselves up in the crypt, which was more conducive to inspiring the foundations for ‘Reason Enough’. “Having a more relaxed approach this time around meant we could explore different stuff,” Goddard says. “We don’t want to sound the same as we did before – this is our third album, we have to move on. And so we fucked around a bit more.”

Armed with dozens of ideas, they returned to London in a bid to finesse them all alongside Mercury Prize-nominated producer and master of the polished indie record Andy Savours (Black County, New Road, My Bloody Valentine). The result: a concise, 10-track album which goes a long way to show Crows’ sonic versatility. It’s more melodic work than what Crows have previously done, “rather than being all-out punk”, as Goddard puts it. “It feels less lo-fi, cleaner and more well-rounded as a result,” Cox adds.

Lyrically, Cox drew heavily from a difficult year, both personally and in terms of facing up to a heavy-going news cycle. “I went pretty unhappy with the lyrics and vocals,” he says. “I wanted to moan a bit. If the last album was angrier, this one is definitely sadder.” Indeed, a general sense of malaise, isolation, unease and a desire for growth in spite of it all permeate ‘Reason Enough’ – an album which strikes a satisfying balance between existentialism, soul-searching, and a discerning brand of indie-rock: “We’re doing the same thing, but a lot better. This is Crows in high definition.”


TRACK LISTING

Side A
1) Reason Enough
2) Bored
3) Is It Better?
4) Vision Of Me
5) Land Of The Rose

Side B
6) Every Day Of Every Year
7) Lie To Me
8) Living On My Knees
9) Silhouettes
10) D-Gent

C.O.F.F.I.N

Australia Stops - 2025 Repress

Sydney Northern Beaches' very own hard-biting rockers C.O.F.F.I.N are proud to announce their fifth full-length studio album entitled 'Australia Stops', the highly-anticipated follow-up to their monumental 'Children In Finland Fighting In Norway' album from 2020. Originally released September 15th 2023 via Bad Vibrations in Europe, and now on its second vinyl pressing, the new album comes off the back of the band’s world tour with Amyl and the Sniffers in 2022, and their recent UK headline dates this May where C.O.F.F.I.N stunned audiences with the high-intensity rock action they are renowned for. 'Australia Stops' was recorded in January 2023 at The Pet Food Factory studio with producer Jason Whalley (Frenzal Rhomb) behind the desk. A record that showcases a collection of diverse and gripping new works that highlight the band's evolution into more melodious, 1970's Australiana and boogie rock and roll. Frenzied, high-voltage guitars, thumping rhythms, flowing melody and clever, captivating lyrics exhibit an undeniable progression in composition and songwriting, while still unmistakably the C.O.F.F.I.N that fans world-wide have come to worship over their 18-year lifespan.

TRACK LISTING

1. Give Me A Bite
2. Cut You Off
3. City Sun
4. Keep It Dark
5. Lover's Leash
6. Beasts
7. Australia Stops
8. Factory Man
9. Night Breaker
10. Through The Sewer
11. Faceless


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