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ART BLAKEY

Art Blakey & The Jazz Messengers

Moanin' - Blue Note Essentials

More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’—featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt—was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

Art Blakey & The Jazz Messengers

Strasbourg '82

Cut from the original master tapes and never-before released, Gearbox
Records add another true AAA production to their astonishing archive of
important gems - this time from drum legend Art Blakey.

The recording itself stands as the earliest full- length live document of the Terence Blanchard/Donald Harrison edition of the Jazz Messengers - a unit that would define the band for the next few years and help power the Young Lions movement from revivalism into something deeper.

At 62, Blakey certainly was not mellowing with age. If anything, he was doubling down on the mission. "You go to school to get your diploma," he once said. "You come with me to get your education." Strasbourg 82 is that education in progress: live and unfiltered, and captured at the very moment the university was being rebuilt.


TRACK LISTING

1. Little Man
2. Along Came Betty
3. Fuller Love
4. Eighty One
5. I Can't Get Started
6. New York
7. Old Folks
8. Blues March
9. Moanin'

Art Blakey

Jazz Messengers - 2025 Reissue

The formation heard here marks the third incarnation of Art Blakey and the Jazz Messengers, with trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt, plus the addition of trombonist Curtis Fuller. 'Jazz Messengers!!!!', originally issued on the Impulse! label, marked the first time the group was expanded to a sextet, and the last recording made with Timmons, who would later be replaced by Cedar Walton.

"An absolutely wonderful 1961 set from Blakey and company, who demonstrate here how to be note-perfect without leeching away the emotion of a performance." - **** Steven McDonald, AllMusic

"Morgan is brilliant from beginning to end. Shorter keeps improving. He seems to have the necessary confidence now. He, too, does not let down throughout the album and is especially effective in his dramatic entrance on 'Invitation'. Blakey, as usual, is a tremendous unifying and driving force at the core of the whole unit." - ***** Ira Gitler, DownBeat

TRACK LISTING

Alamode [a La Mode]
Invitation
Circus ..
Blue Lace
You Don't Know What Love Is
I Hear A Rhapsody
Gee Baby, Ain't I Good To You
Blue Ching

Art Blakey

Moanin' - 2025 Reissue

The formation heard here marks the third incarnation of Art Blakey's Jazz Messengers, which included trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merritt. Benny Golson penned four of the songs from Moanin' and added several perennial compositions to the group's repertoire, among them the two bonus tracks on this edition, 'Whisper Not' and 'I Remember Clifford', the latter in memory of trumpeter Clifford Brown. Pianist Bobby Timmons contributed such hits of his own as the title track, 'Moanin'.

"Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. Certainly a complete and wholly satisfying album, Moanin' ranks with the very best of Blakey and what modern jazz offered in the late '50s and beyond." - Michael G. Nastos, AllMusic

TRACK LISTING

Moanin'
Are You Real
Along Came Betty
I Remember Clifford
The Drum Thunder Suite
Blues March
Come Rain Or Come Shine
Whisper Not

Art Blakey & The Jazz Messengers

A Night In Tunisia - 2024 Reissue

On the jazz standard "A Night in Tunisia" composed by Dizzy Gillespie in 1942, Art Blakey and the Jazz Messengers, realised this album with a legendary ensemble the lineup includes Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass.

Recorded on August 7 and 14, 1960 this album is one of the most celebrated for the powerful solos and intricate arrangements, epitomizing the hard bop style. Blakey's versions of "A Night in Tunisia" are renowned for their intense energy and complexity, the piece itself features a distinctive Afro- Cuban rhythm in the introduction and the main theme, transitioning into straight-ahead swing for the improvisational sections. In summary, Art Blakey and the Jazz Messengers' renditions of "A Night in Tunisia" are celebrated for their dynamic interpretation, technical proficiency, and influential impact on the jazz genre.

Their recordings are a testament to the enduring legacy of both Blakey and Gillespie in the world of jazz. His band, the Jazz Messengers, served as a springboard for many future jazz stars.

TRACK LISTING

A Night In Tunisia
Sincerely Diana
So Tired
Yama
Kozo's Waltz

Art Blakey & The Jazz Messengers

The Witch Doctor

Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers’ all-time great line-ups: Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass. Shorter and Morgan each contribute two tunes, with Timmons penning one.

Highlights include Morgan’s spectacular 6/8 modal piece “Afrique” and Shorter’s minor masterpiece “Those Who Sit And Wait.” Bobby Timmons brings the deep soul goods on his composition “A Little Busy,” and the album closes with a fleet-footed romp through Clifford Jordan’s tune “Lost and Found.”

Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tapes, 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

TRACK LISTING

1. The Witch Doctor (Side A)
2. Afrique (Side A)
3. Those Who Sit And Wait (Side A)
4. A Little Busy (Side B)
5. Joelle (Side B)
6. Lost And Found (Side B)

Art Blakey & The Jazz Messengers

Moanin'

More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

TRACK LISTING

1. Moanin’
2. Are You Real
3. Along Came Betty
4. The Drum Thunder Suite
5. Blues March
6. Come Rain Or Come Shine

Art Blakey & The Jazz Messengers

Just Coolin'

Blue Note Records release Just Coolin’, a never-before-released studio album by Art Blakey & The Jazz Messengers that was recorded on March 8, 1959 in Rudy Van Gelder's living room studio in Hackensack, New Jersey. The session featured a short-lived line-up of The Jazz Messengers with drummer Art Blakey, trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. 

The session for Just Coolin’ finds The Jazz Messengers’ saxophone chair in transition. The band had last recorded in October 1958 when they cemented their place in jazz history with the classic album Moanin’ featuring Benny Golson on tenor saxophone. By July 1959, Blakey had recruited tenor saxophonist Wayne Shorter who would remain a fixture of the band until 1964.

The interim saw the return of Mobley, who was a charter member of The Jazz Messengers when the band first formed in 1954 and appeared on their debut recording The Jazz Messengers At The Café Bohemia in 1955. Mobley also filled an important role as the band’s resident composer. In fact, three of the six tracks on Just Coolin’ were written by Mobley: “Hipsippy Blues,” “M&M,” and “Just Coolin’.”

However, five weeks after the studio session Blue Note founder and producer Alfred Lion decided to record the band again at the legendary club Birdland in New York City on April 15, 1959, capturing an assured live recording that included four of the six titles that had been recorded in March. The Birdland sessions ended up superseding the studio date when Lion instead released the two-volume live album Art Blakey & The Jazz Messengers At The Jazz Corner Of The World later that year.

“In 2020, it’s great to find more Morgan, Mobley and Timmons in their prime,” writes Bob Blumenthal in the liner notes for Just Coolin’. “The music had clearly settled in during the month that separated studio and live versions, but the fire of these six tracks has an appeal of its own.”

Now, 61 years later jazz fans all over the world will have the chance to listen for themselves.

TRACK LISTING

SIDE 1
1. Hipsippy Blues (Hank Mobley)
2. Close Your Eyes (Bernice Petkere)
3. Jimerick (unknown)

SIDE 2
1. Quick Trick (Bobby Timmons)
2. M&M (Hank Mobley)
3. Just Coolin’ (Hank Mobley)


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