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APPARAT

Apparat

A Hum Of Maybe

Six years after his Grammy-nominated 'LP5', Sascha Ring - aka Apparat - takes a bold dive into the complexities of life with his sixth studio album.

'A Hum Of Maybe' is detailed, finely crafted, and wonderfully unpredictable. At its core, the record is about love - for himself, his wife, and his daughter - and holding onto it, protecting it, and constantly recalibrating as it is in a constant state of flux. As the title suggests, the songs explore being stuck in between: not a clear yes or no, but 'A Hum Of Maybe'.

Ring elegantly combines the perspectives of an electronic producer and a classical composer, working closely with long-time collaborators Philipp Johann Thimm (cello, piano, guitar) - who also co-wrote and co-produced the record - Christoph “Mäckie” Hamann (violin, keyboard, bass), Jörg Wähner (drums), and Christian Kohlhaas (trombone). The album also features Armenian-American artist KÁRYYN - Apparat’s Mute labelmate - on ‘Tilth’, and Berlin-and Rome-based musician Jan-Philipp Lorenz (aka Bi Disc) on ‘Pieces, Falling’.

'A Hum Of Maybe' is complex, deeply personal, and embraces a state of limbo, marking an exciting new chapter for Apparat.


TRACK LISTING

1. Glimmerine
2. A Slow Collision
3. Gravity Test
4. Tilth (Apparat X KÁRYYN)
5. Hum Of Maybe
6. An Echo Skips A Name
7. Enough For Me
8. Lunes
9. Williamsburg
10. Pieces, Falling (Apparat X Bi Disc)
11. Recalibration

Apparat Organ Quartet

Apparat Organ Quartet - 2022 Reissue

The legendary, highly acclaimed first album from Apparat Organ Quartet will be released on vinyl to mark its 20th anniversary this year. The self-titled Apparat Organ Quartet was originally released on CD, on Icelandic label Thule Musik and got rave reviews from around the world and with their unique blend of electronica, experimental music and stadium rock. Apparat Organ Quartet's line-up included the late composer Jóhann Jóhannsson who also produced the record

Apparat

LP5

"LP5" is Apparat’s first release since 2013’s "Krieg und Frieden" (Music for Theatre), and follows two studio albums, "II" and "III" (Mute / Monkeytown) by Moderat, the trio he founded with Modeselektor’s Gernot Bronsert and Sebastian Szary.

Sublime and delicate, the album finds greatness in small things and in unexpected twists; it joins musical fragments together and glows from the cracks in between. For Ring, it is also a document of artistic insight and autonomy. 'I was only able to make the record this way because Moderat exists,' he says. 'Having a huge stage with Moderat gave me a setting for grand gestures and meant I could unburden Apparat from these aspirations. I don't have to write big pop hymns here; I can just immerse myself in the details and the structures.'

Still hymnic, "LP5" doesn’t rely on dramatic gestures and theatrical amplification, instead it lives off delicately sculpted sounds crackling alongside filigree beeping and twitching.

Like previous Apparat albums, the new release sees Sascha Ring collaborate with cellist Philipp Thimm and on the album you can also hear trombone, trumpet and saxophone, a harp, a double bass and other strings. Tracks were developed over endless group improvisations and lavish orchestral sessions – some of these sessions are only apparent in the final mix as fluttering echoes, just barely noticeable. The album was recorded in Berlin at AP4, JRS, Vox-Ton & Hansa Studios, mixed by Gareth Jones and Sascha Ring.

From elegiac techno to deep orchestral pop ballads, Apparat‘s work has always had a common denominator: an elegance that embraces and gives nuanced layers of detail and a near universal beauty.


TRACK LISTING

Voi_Do
Dawan
Laminar Flow
Heroist
Means Of Entry
Brandenburg
Caronte
Eq_Break
Outlier
In Gravitas

Old Apparatus

Compendium

The music of Old Apparatus carves its own niche, leading you by the hand into unknown territory, exotic and mysterious, but shot through with a sense of magic and wonder that always pulls it out of the horror it hints at. A low key audio-visual group, they’ve deliberately worked out of the limelight, and consequently released some of the most ambitious and beautiful electronic music of the last few years. Old Apparatus started life on Mala’s Deep Medi record label 2 or so years ago, releasing two highly praised singles that were some of the best sellers on the label, however they were an unconventional choice, sitting uncomfortably with the dancefloor aimed dubstep that the label was known for, as their beautifully crafted mix of drones, sculptured soundscapes and dub moved far beyond the rulebook, and their audio-visual live shows became renowned for their quality. In 2012, Old Apparatus launched a bid for independence with their own ‘Sullen Tone’ imprint to release their own projects and others. The first of these releases on the label were EPs that spanned the second half of the year, opening with the Derren EP before releasing a series of EPs from three separate members of the group. Compendium draws together the highlights of those EPs into a sequenced mix that draws the sheer drama out of the music, like contrasting scenes in a film, enabling the listener to pick out details in music and get lost in its generous sound world. Starting with Zimmer’s rising strings and watery hiss, rolling seamlessly into the far away shoegaze of Mernom and then the warm, woodblock and acoustic guitar 2-step of Derren. The mood switches up to the jungle atmosphere of Dourado, with hypnotising drums and a feeling of panic, before the chopped and screwed march of Lingle drops the mood down, the club-footed hip hop and ritualistic astral atmosphere of cauliroot, creates a mysterious ambience, before the album hones down into the bell-like melodies and sliding drums of boxcat. Chicago opens next with a bare piano and heartbeat thud, working out of the rainy atmospheres, the shimmering drones Octofish lead into the vast waves of Realise, ending the album on a powerful note.

TRACK LISTING

01. Zimmer
02. Mernom
03. Derren
04. Dourado
05. Lingle
06. Cauliroot
07. Boxcat
08. Chicago
09. Octofish
10. Realise


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