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Jackson C. Frank

1975 Mekeel Sessions

    For years, Jackson C. Frank was as ghostly a legend as they come. Even the relatively few record collectors who revered his work were only aware of the lone LP released during his lifetime. For all most listeners knew, Frank made an incredible album in 1965 and then vanished, despite that record having been produced by Paul Simon.

    '1975 Mekeel Sessions' features six tracks recorded in the mid-’70s at a studio in Lake Hill, New York about five miles from Woodstock where Frank was living at the time. Only uncovered decades later, these recordings hum with the same mysterious warmth that defined Jackson at his peak. His guitar work, alternating between strummed and fingerpicking, is perfectly understated. His stark and somber voice, more weathered than the lighter tone on his debut.

    While the Mekeel tapes were intended for Frank’s sophomore album, it never came to be. What one hears is not a singer-songwriter fading out of view, but rather a singular artist who never stopped trying to build his own world—even when no one was watching. For fans of everyone influenced by Jackson: from Nick Drake, Sandy Denny and Bert Jansch to more contemporary acts like Elliott Smith, Vincent Gallo and Iron And Wine who surely used Frank’s sparse approach as a template.

    TRACK LISTING

    1. Marlene
    2. Marcy's Song
    3. Madonna Of Swans
    4. Relations
    5. Cryin' Like A Baby
    6. The Visit

    Third Ear Band

    Third Ear Band - 2025 Reissue

      “For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band’s approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music—without plugging in.

      “Third Ear Band’s 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band’s self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists’ doctrines.

      “On this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West’s countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.

      “The long songs here stream forth from their skilled hands, evoking a communal transcendence in sound—a hypnotic swirl that doesn’t swing, but rather wafts and undulates with cloistered beauty. TEB’s music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.”

      — Dave Segal (excerpt from the liner notes).

      TRACK LISTING

      1. Air
      2. Earth
      3. Fire
      4. Wind

      Errol Brown & The Revolutionaries

      Dub Expression - 2025 Reissue

        Recorded and mixed at Duke Reid’s storied Treasure Isle studio by Duke’s nephew, young engineer Errol Brown, 'Dub Expression' collects dubbed up treatments of seminal rockers rhythms crafted for Marcia Griffiths, John Holt, Dennis Brown and more.

        Propelled by the drums of Lowell “Sly” Dunbar, the appropriately named Revolutionaries (with their tough and radical sound) were the ideal group to reflect a turbulent period in Jamaican politics. While the band’s personnel remained fluid—depending on which players were available and frequently overlapping with other seminal sessions bands such as Joe Gibbs’ The Professionals and Bunny “Striker” Lee’s The Aggrovators—The Revolutionaries were most known as Channel One’s house band in the mid to late ’70s.

        The decision to top-bill The Revolutionaries, rather than feature an individual artist as was customary at the time, was made by Kingston’s most celebrated female producer, Sonia Pottinger who shrewdly determined that The Revolutionaries’ name alone would be a can’t miss selling point. One only needs to spend a minute with Dub Expression to hear why.

        Originally released in 1978 on Pottinger’s High Note label, 'Dub Expression' represents the essence of dub in its purest form. An absolute classic. Liner notes by JR Gonne.

        TRACK LISTING

        1. The Gun Court Dub
        2. Ital Stew
        3. Super Tracks
        4. Dread At The Controls
        5. Ghetto Dub
        6. Ranking Marshal
        7. Down Town Ting
        8. Bond Street Rock
        9. Melodious Dub
        10. Mark Dis Yah Dub

        Horace Andy

        Get Wise - 2025 Reissue

          With his honeyed falsetto, Horace Andy has long been considered one of roots reggae’s most inimitable voices. His signature tune, 'Skylarking', is one of a handful of songs that can be instantly recognized by even the most casual of reggae fans. Making his debut with producer and mentor Phil Pratt at the age of sixteen, Andy’s expressive vocal style is immediately distinctive, bearing the soulful influence of American artists Otis Redding and Smokey Robinson as well as fellow countryman Alton Ellis.

          1975’s 'Get Wise' collects a series of singles produced by Pratt including versions of hits 'Money, Money' ('Root Of All Evil') and 'Zion Gate' ('I Don’t Want To Be Outside'). Recorded between 1972 and 1974, these sides were captured at legendary studios Channel One, Black Ark, Dynamic Sound and Randy’s Studio 17 with house engineers Ernest Hoo Kim, Lee Perry, Carlton Lee and Errol Thompson at the helm.

          Originally released on Pratt’s Sunshot label, the album doubles as a showcase for The Soul Syndicate Band, a typically ad-hoc session group which featured Sly & Robbie, Aston “Family Man” Barrett and Earl “Chinna” Smith, among others.

          'Get Wise' delivers ten tracks of Andy’s finest material and should be in the collection of any aficionado of the classic ’70s Kingston sound. Liner notes by JR Gonne.

          TRACK LISTING

          1. I Will Forgive You
          2. Root Of All Evil
          3. Holy Mount Zion
          4. Sexy Jean
          5. Let The Teardrops Fall
          6. I Don’t Want To Be Outside
          7. Eighty Percent Badness
          8. Get Wise
          9. Youth Of Today
          10. Feel Good


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