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ALTERNATIVE

NoMeansNo

Sex Mad - 2026 Reissue

    In the annals of punk, few albums hit with the seismic force of NOMEANSNO’s 'Sex Mad'. Released in 1986, this was more than a record, it was a detonation. Amid the Cold War and the Reagan era’s cultural tension, 'Sex Mad' erupted as a raw, furious, and utterly fearless statement that redefined what punk could be.

    From the opening blast of 'Dad', NOMEANSNO made it clear they weren’t following anyone’s blueprint. The Wright brothers Rob and John, alongside guitarist Andy Kerr, forged a sound that fused hardcore intensity with the precision of jazz, the elasticity of funk, and the cerebral bite of art rock. The result was unlike anything else emerging from the scene at the time.

    Lyrically, 'Sex Mad' dove headlong into alienation, addiction, and societal rot. These are subjects punk had tackled before, but rarely with such intelligence and emotional gravity. Rob Wright’s snarling vocals and razor-edged bass lines delivered every word with conviction. Even the controversial cover art, an original painting by Andy Kerr was censored by some retailers,. This just underscored the band’s willingness to confront discomfort and provoke dialogue.

    Recorded at Profile Studios in Vancouver with producer Cecil English (D.O.A., Subhumans), 'Sex Mad' captured the raw electricity of NOMEANSNO’s live shows while revealing the intricate musicianship that set them apart from their peers. Though critics at the time didn’t always know what to make of it, 'Sex Mad' has since become a cornerstone of experimental punk. A record that influenced everyone from the Melvins and Primus to Faith No More and System of a Down (and that’s just to name a few). Its daring blend of aggression, intelligence, and innovation continues to inspire new generations of musicians and fans.

    Nearly four decades later, 'Sex Mad' remains a masterclass in musical defiance. It remains challenging, exhilarating, and utterly timeless. Alternative Tentacles Records couldn’t be more proud to finally bring this incredible release back home at last.

    TRACK LISTING

    1. Sex Mad
    2. Dad
    3. Obsessed
    4. No Fgcnuik
    5. Love Thang
    6. Dead Bob
    7. Self Pity
    8. Long Days
    9. Metronome
    10. Revenge

    Lard

    Pure Chewing Satisfaction - 2025 Reissue

      Lard’s Pure Chewing Satisfaction is the second landmark album of the industrial-hardcore collision between vocals of Jello Biafra with the patented wall of noise assault and studio wizardry of Ministry founders Paul Barker and Al Jourgensen!

      Originally released in 1997, Pure Chewing Satisfaction is a dark, frightening look at everything wrong in America, and it rings as true now as it ever has. Lyrically its pessimistic and apocalyptic, tackling topics like looking for work, the legacy of the Me Generation and their failures, to environmental disasters. Sonically, the album is an avalanche of both real and electronic drums, menacing effects galore, and layers of machine gun guitars. Not quite punk rock, nor completely industrial—this is Lardcore for the people!

      A must have for fans of Jello Biafra’s work and of Ministry, the result remains another classic release from this legendary collaboration. This long awaited repress now features in addition to the wide release on black vinyl, a limited solid-pink vinyl edition!

      Praise The Lard!

      TRACK LISTING

      1. War Pimp Renissance
      2. I Wanna Be A Drug Sniffing Dog
      3. Moths
      4. Generation Execute
      5. Faith Hope And Treachery
      6. Peeling Back The Foreskin Of Liberty
      7. Mangoat
      8. Sidewinder

      Dead Bob

      Some Bodies

        Alternative Tentacles proudly welcomes Dead Bob to the family with their brand new 7”, "Some Bodies / We Are The Humans"! Hailing from Vancouver Island, Canada, Dead Bob is the solo project of John Wright—legendary drummer of the now-retired punk rock powerhouse NoMeansNo. In this new incarnation, Wright is joined by Colin MacRae, Byron Slack, Ford Pier, and Kristy Lee Audette, reimagining two incredible covers to mark his reunion with the label that helped launch his legacy. He didn’t have to look far for the track “Some Bodies,” originally a NoMeansNo song from their 1985 release You Kill Me. This new version starts with rich vocal harmonies in the call back to the original a cappella intro and builds into an explosive reworking of the classic—with Audette’s powerful vocals along with bold horn arrangements driving it into new territory. The song loses none of its original intensity, instead gaining new layers and depth. NoMeansNo fans will be thrilled. On the flip side, "We Are The Humans" is a complete reimagining of Kraftwerk’s "We Are The Robots". In the age of AI, the track feels more relevant than ever with the new title and chant. The guitar and bass work is front and center, reminding listeners why John Wright's incredible songwriting legacy endures to this day. There’s a reason we say: Play it loud. With Dead Bob, John Wright and company do what few have managed since NoMeansNo’s retirement— honoring that stylistic past while boldly forging their own path forward. NoMeansNo fans, rejoice: a worthy successor has arrived and their name is Dead Bob.

        TRACK LISTING

        1 Some Bodies
        2 We Are The Humans

        Lard

        Power Of Lard - 2025 Reissue

          “Jello Biafra and Ministry teamed up for this slab of wax. The title track is great. Imagine Ministry playing thrash, that’s what it is. ‘Hellfudge’ sounds like Flipper meets Jerry Lee Lewis, the lyrics take a nice roundhouse power swing at Jimmy Swaggart. ‘Time To Melt’ is a cool dirge / death rock type of song, but it’s too fucking long (almost twenty-five minutes). Overall this record is really good and Biafra fans won’t be disappointed.” —Thrashead, Flipside (Summer 1989).

          “Jello’s first musical vinyl since the DKs, and you can surely tell it’s him on the title track. He uses his inimitable vocal / lyrical style to good advantage, teaming up with Ministry’s rhythm section to produce a Pailhead type rave like Ian did on their first release. ‘Hellfudge’ takes a ‘Sex Bomb’ riff and basic rock and roll approach, and makes it work, again with Biafra’s commentary. ‘Time To Melt’ takes up the whole side (1/2 hour) and is a painfully slow, atmospheric John Cale-type piece.” TY, MRR (March, 1989).

          TRACK LISTING

          A1 The Power Of Lard
          A2 Hellfudge
          B1 Time To Melt

          Alternative

          In Nomine Patri

            Alternative were a Scottish anarcho-punk band of the early 80s that often drew comparison to Crass for their black attires, logos, firm political beliefs, as well as having their own open house, “The Pad”, where like-minded radicals would join and discuss ideas surrounding pacifism and anti-nuclear armament. The ‘In Nomine Patri’ EP is dark, furious, and articulate.

            Penny continues; “Largely through their fierce commitment to ‘changing the world’, Alternative were often referred to as the Scottish Crass. Knowing that talking the talk could only be a half of it, Alternative resolutely walked the walk. Based in Dunfermline, they set up The Pad, an autonomy centre where, over tea and buns, revolutionary visions of peace and love could fester and grow. Theirs was a studied and often poetic form of anarchy which concentrated on people not power. Their interest was not in themselves, but in others. They knew all too well that the only way forward was to do it yourself, and that’s precisely what they did, a’plenty. After all these years, give ‘em your ears.”

            Penny finally notes that “Our (Crass’) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasn’t a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference – rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.”

            In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crass’ classic line, “There is no authority but yourself”, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while ‘2 By 2 And Back Again’ seems to nail it – “get out of your own way, we’re all in this together”.

            Jamie Collinson

            The Rejects : An Alternative History Of Popular Music

              Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over.

              Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject.

              So, what do you do next?Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards. Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.

              The Lovely Eggs

              This Is Eggland (Alternative Sleeve) - 2023 Reissue

                The Lovely Eggs are one of the most unique, innovative and genuine bands on the British Underground music scene. Heavier and more in-your-face than anything they’ve done previously, Holly Ross (guitar/vocals) and David Blackwell (drums) bring together a fierce DIY ethos, surreal sense of humour and kitchen-sink realism. Working with a producer for the very first time, Dave Fridmann (Mercury Rev, The Flaming Lips) lends his magic dust to bring out the best of The Lovely Eggs’ explosive blend of motorik krautrock, 60s psychedelia and punk rock attitude. They create their own world and invite us to join them in Eggland. The album title is a cheeky nod to Shane Meadows’ series, This Is England. It is a comment on the current state of modern Britain. The album is about being an outsider and doing things differently, eschewing society’s conventions as they have done. The band have built up a cult following, selling out gigs across the UK, as well as gaining support from 6 Music and Radio One. This Is Eggland is a giant leap forward in their wild-ride of a career. The album is like listening in on The Lovely Eggs’ own secret world, with philosophical songs about the mysteries of the universe (“Hello I Am Your Sun”), to abandoning “ the grass is always greener” mentality (“Wiggy Giggy”), to being on the wrong side of society or the music industry (“I’m With You”) and several inspired by local witchcraft. Unashamed to be themselves and have fun while they’re at it, The Lovely Eggs weave an intoxicatingly magnetic magic spell and we’re helplessly and willingly falling under it. 

                TRACK LISTING

                Hello I Am Your Sun
                Wiggy Giggy
                Dickhead
                I Shouldn't Have Said That
                Return Of Witchcraft
                I'm With You
                Repeat It
                Witchcraft
                Big Sea
                Let Me Observe
                Would You Fuck

                Jello Biafra

                Become The Media

                  Sixth spoken word album from former Dead Kennedys front man, Jello Biafra. Three CDs featuring recordings of his work taken from his performances in 2000. Back in stock.

                  Flaming Stars

                  Ginmill Perfume

                    Their first US release on Alternative Tentacles, is a compilation of tracks from their UK releases.


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