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AGNES OBEL

“To me, sounds have always been more interesting than words,” says Agnes Obel. “I love it when the voice becomes an instrument and you almost forget it’s a human voice.” Never is this more apt than on this beautifully programmed and bewitching selection of music.

Agnes’ 2010 debut album Philharmonics went platinum in France and Belgium and, unsurprisingly, quintuple platinum in her native Denmark, where she also won five Danish Music Awards (equivalent to the Brits) in 2011. The follow-up Aventine, released in late 2013, was imbued with the same measured calmness as her debut. It went platinum in Belgium and gold in Denmark and France.

For the mix you have in your hands it feels almost as if Agnes has scoured the world looking for kindred spirits – or kindred songs. There’s a quietude about it all, the antithesis of a rush hour, like a frozen lake on a Sunday morning. This is aided by a veritable cornucopia of new Obel material, including a haunting reading of Danish song ‘Glemmer Du’, Inger Christensen’s ‘Poem About Death’ set to original music, and an Agnes original, ‘Bee Dance’.

Among them, there’s the enigmatic Jamaican singer Nora Dean who weighs in with the hypnotic and slinky Duke Reid production, ‘Ay Ay Ay Ay (Angie-Lala)’ and the sparse, sardonic ‘Party Girl’ by Michelle Gurevich, so good it inspired the eponymous French movie. There are the plangent voices, The Bulgarian Folklore Choir, Nina Simone, Ray Davies and Agnes herself, ringing true. Somehow, Ms Obel makes even makes the electronic tracks bow to her needs as with Yello whose ‘Great Mission’ is more Martin Denny than Underworld and cult Greek composer Lena Platonos’ ‘Bloody Shadows From A Distance’ pulses gently rather than throbs and Can’s recently rediscovered ‘Obscura Primavera’, unusually hushed.

"I was surprised at how much time I ended up spending on this. I collected all the songs together with my partner Alex and we just spent time listening to records, trying to see what would fit together. Some of the music I’ve included here is on mixtapes we made when we were just friends as teenagers. Each one of the tracks produces stories in my head." - Agnes Obel, February 2018


TRACK LISTING

1. Henry Mancini - The Evil Theme
2. Roger Webb - Moonbird
3. Eden Ahbez - Eden's Island
4. Lee Hazelwood - The Nights
5. Nora Dean - Ay Ay Ay Ay (Angle-Lala)
6. Yello - Great Mission
7. Quarteto Em Cy With Tamba Trio - Aleluia
8. Lena Platonos - Bloody Shadows From A Distance
9. Ray Davies - I Go To Sleep
10. Alfred Schnittke - Piano Quintet, V
11. Agnes Obel - Stretch Your Eyes (Ambient Acapella)
12. The Bulgarian State Radio & Television Female Choir – Pilentze Pee (Pilentze Sings)
13. Agnes Obel - Glemmer Du (Exclusive Track)
14. Agnes Obel - Bee Dance (Exclusive Track)
15. Sibylle Baier - The End
16. Michelle Gurevich - Party Girl
17. CAN - Oscura Primavera
18. David Lang - I Lie
19. Nina Simone - Images (Live In New York 1964)
20. Agnes Obel - Poem About Death (Exclusive Track)

Agnes Obel

Citizen Of Glass

    Highly anticipated stunning third album from Danish born singersongwriter Agnes Obel, the follow up to her UK breakthrough record ‘Aventine’.

    Recorded, mixed and produced by Obel in Berlin, where she currently resides, ‘Citizen Of Glass’ is a work of haunting beauty and an expansion of Obel’s mesmerising world.

    The title surfaced in Obel’s mind while touring ‘Aventine’ and, inspired by modern composers, the album conceptually and thematically revolves around the leitmotif of transparency.

    On this record Obel experiments with her vocals in inventive new ways, in order to manipulate them into alternative versions of her own voice, as can be heard on first single ‘Familiar’.

    Obel also incorporates a number of different instruments, such as the Trautonium (an extremely rare instrument that possesses a glistening, glass-like sound), alongside vibraphone, cembalo, cellos and more.

    STAFF COMMENTS

    Martin says: Agnes Obel has a voice so exquisite, pure and crystalline it seems as if it might shatter into a thousand beautiful shards at any moment. Up until this release it has been given plenty of room by a simple, beautiful debussy/jazz inspired piano accompaniment; but while 'Citizen Of Glass' does share the same sparse framework, it is lent added texture and depth by the addition of rare and unusual instruments, again applied with sparing delicacy to frame, rather than intrude on Obel's beautiful intonation.

    TRACK LISTING

    Stretch Your Eyes
    Familiar
    Red Virgin Soil
    It’s Happening Again
    Stone
    Trojan Horses
    Citizen Of Glass
    Golden Green
    Grasshopper
    Mary

    Agnes Obel

    Aventine

      ‘Aventine’ is the second album release from Berlin-based Danish phenomenon Agnes Obel, the follow up to her critically acclaimed debut ‘Philharmonics’ of 2010 which has sold close to 500,000 worldwide since release.

      Originally from Copenhagen, Agnes has lived in Berlin since 2006, where ‘Aventine’ was recorded at her Chalk Wood Studios between January and May 2013.

      Like ‘Philharmonics’, the new album was written, arranged, and produced by Agnes, who provides piano and vocals. The album features a small ensemble including cellist Anne Müller, who has also played with Nils Frahm, along with Mika Posen of Timber Timbre playing the violin and viola on ‘The Curse’, ‘Pass Them By’ and ‘Fivefold’. Robert Kondorossi of Budzillus plays guitar on ‘Pass Them By’.

      Building on the sonic template of her debut, ‘Aventine’ is a deeper and darker (though none the less elegantly sublime) affair, with songs of genuine heart stopping beauty in the likes of first single ‘The Curse’, ‘Dorian’ and ‘Fuel To Fire’.

      Agnes is a Danish singer, songwriter and musician. She began playing the piano when she was a child and in her late teens she founded the Copenhagen based band, Sohio, together with the Danish musician and producer Elton Theander. The two worked together for several years but nowadays she writes, plays, sings, records and produces her material on her own.

      Feeling musically related to Roy Orbison, Agnes currently lives in Berlin and possesses the rare gift of a songbird’s voice, bringing to mind Ane Brun, Joanna Newsom or even Ricki Lee Jones.

      STAFF COMMENTS

      Darryl says: Beautiful and delicate piano led folk from this Danish starlet. The arrangements are kept simple and minimal allowing her amazing vox to take centre stage.

      TRACK LISTING

      1. Falling Catching
      2. Riverside
      3. Brother Sparrow
      4. Just So
      5. Beast
      6. Louretta
      7. Avenue
      8. Philharmonics
      9. Close Watch
      10. Wallflower
      11. Over The Hill
      12. On Powdered Ground


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