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ADRIAN YOUNGE, ALI SHAHEED MUHAMMAD

Adrian Younge & Ali Shaheed Muhammad

The Midnight Hour - 2025 Repress

    'The Midnight Hour' is comprised of Ali Shaheed Muhammad and Adrian Younge, alongside a tight rhythm section and a full orchestra. This album is Black excellence: an ode to the cultural sophistication that the Harlem Renaissance established for its people. Featuring: Cee Lo Green, Eryn Allen Kane, Estelle, Raphael Saadiq, Keyon Harold, Questlove and more. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

    TRACK LISTING

    1. Black Beacon
    2. Mare Feat Ladybug Mecca
    3. It's You Feat Raphael Saadiq
    4. Questions Feat. CeeLo Green
    5. So Amazing Feat Luther Vandross
    6. Gate 54
    7. Do It Together Feat Bilal
    8. Redenph In B-Minor
    9. Better Endeavor
    10. Smiling For Me Feat Karolina
    11. Don't Keep Me Waiting Feat Marsha Ambrosius
    12. Bitches Do Voodoo Feat Angela Muñoz
    13. Possibilities Feat Eryn Allen Kane
    14. Mission
    15. Dans Un Moment D'errance Feat Laetitia Sadier, Questlove And Keyon Harrold
    16. Love Is Free Feat Eryn Allen Kane
    17. Together Again Feat NO I.D. And James Poyser
    18. Feel Alive Feat Karolina And Loren Oden
    19. There Is No Greater Love Feat Loren Oden And Saudia Yasmein
    20. Ravens

    Dom Salvador, Adrian Younge & Ali Shaheed Muhammad

    Dom Salvador JID024

      Dom Salvador, the unassuming godfather of Brazilian soul music, has left an indelible mark through his unique fusion of jazz, soul, funk, samba, and Brazilian rhythms. His legacy continues with 'Dom Salvador JID024', produced by Adrian Younge and Ali Shaheed Muhammad. The album honors Salvador’s pioneering sound, continuing the vibrant dialogue between Brazilian and American music and inviting listeners to experience his rich, groundbreaking style.

      TRACK LISTING

      1. OS ANCESTRAIS
      2. NAO PODEMOS O AMOR PARAR
      3. DEBAIXO DA PONTE
      4. AS ESTACOES
      5. MUSICA FAZ PARTE DE MIM
      6. MINHA MELANINA
      7. SAFIRA

      Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad

      Ebo Taylor JID022

        At 88 years of age, the Ghanian highlife and afrobeat pioneer Ebo Taylor travelled to the US for the very first time to perform at the now iconic Jazz Is Dead concert series, selling out venues across the country. It was during this time that Ebo recorded a psychedelic afrobeat album alongside Adrian Younge & Ali Shaheed Muhammad. This mind-blowing collaboration is one that could not have been anticipated by Ebo fans worldwide and will surely satisfy connoisseurs of classic West African funk. “Collaborating with Ebo Taylor is a bucket-list accomplishment. For me, it is the equivalent of working with musical genius Fela Kuti, because of how much I have studied both of their work and influence on the genre of Afrobeat. Seriously, recording the genius to analog tape while highlighting the raw recording styles of 1970s Africa is a dream I never thought could come to reality! It was also great to work with Ebo’s son, Henry Taylor, who is a true musical force in his own right.” – Adrian Younge.

        The swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa’s most prolific and revolutionary artists of all time. Recorded inside of Younge’s Linear Labs studio, this album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove that rhythm is key. The ensemble of Ghanian background vocalists emanates a uniquely spiritual sound that takes the listener back to Ebo’s prime. However, one of the most exhilarating components to this album is Ebo’s signature approach to vocal stylings. His heartfelt lyrics about love, peace and spirituality echo nearly a century of experience and wisdom. Songs such as “Beye Bu, Beye Ba” demonstrate how God provides for his people as songs like “Kusi Na Sibo” teach life lessons on gratitude. This is an afrobeat classic that stands as a true highlight in the canon of Ebo Taylor’s undeniable catalog and a crown jewel in the Jazz Is Dead library.

        TRACK LISTING

        Get Up
        Obra Akyedzi
        Kusi Na Sito
        Obi Do Wa (If Someone Loves You)
        Nsa A W'oanye Edwuma, Ondzidzi
        Beye Bu, Beye Ba
        Feeling

        Adrian Younge & Ali Shaheed Muhammad

        Jazz Is Dead 021

          Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.

          TRACK LISTING

          SIDE A
          1. MORENO - THE MIDNIGHT HOUR
          2. 0S ANCESTRAIS - DOM SALVADOR, ADRIAN YOUNGE & ALI SHAHEED MUHAMMAD
          3. AMOR ENFEITICADO - CARLOS DAFÉ & ADRIAN YOUNGE
          4. OBI DO WOA (IF SOMEONE LOVES YOU) - EBO TAYLOR, ADRIAN YOUNGE & ALI SHAHEED MUHAMMAD

          SIDE B
          5. MENINA DO TORORO - ANTONIO CARLOS E JOCAFI, ADRIAN YOUNGE & ALI SHAHEED MUHAMMAD
          6. VANÁ ETÊ - JOYCE E TUTTY MORENO & ADRIAN YOUNGE
          7. VIAJANTE DE PLANETA AZUL - HYLDON & ADRIAN YOUNGE
          8. ATLAS - ADRIAN YOUNGE

          Adrian Younge, Ali Shaheed Muhammad, Lonnie Liston Smith

          Instrumentals JID019

            Instrumentals JID019 captures the musical alchemy produced at the Linear Labs Studio by producers Adrian Younge and Ali Shaheed Muhammad. These instrumental recordings encapsulate the spirit of the Jazz Is Dead concert and recording series, celebrating the African-American art form known as jazz through improvisation, musical collaboration and authentic cross-generational and cross-cultural communication.

            TRACK LISTING

            1. Come As You Are
            2. Love Brings Happiness
            3. Black Rainbows
            4. The Summertime
            5. Love Can Be
            6. People Of The Sun
            7. My Mystic Life
            3 .blackrainbows
            8. Cosmic Changes
            9. Black Love
            10. Visions

            Henry Franklin, Ali Shaheed Muhammad, Adrian Younge

            Henry Franklin JID014

              A native of Los Angeles, Henry Franklin came of age while the city was producing a crop of exciting jazz talent. Frankin’s lasting impact on jazz can be evidenced by the long list of legends who sought him out for tours and recording sessions, Stevie Wonder, Bobby Humphrey, Freddy Hubbard, & Pharaoh Sanders to name a few. Franklin’s solo output is best remembered for his two solo outings with the Black Jazz label- “The Skipper” & “The Skipper At Home”. Together, they form one of the most compelling diptychs in the entire post-bop canon. Recognised by his peers and contemporaries, Franklin’s entry for Jazz Is Dead gives the living legend his flowers and recognises the contributions The Skipper has made as one of jazz’s most influential heartbeats.

              STAFF COMMENTS

              Matt says: The imperative jazz-revival series continues in earnest. Henry Franklin updates crucial material from "The Skipper" and "The Skipper At Home", aided and abetted by Ali Shaheed Muhammad & Adrian Younge. A tour de force of modern jazz expression!

              TRACK LISTING

              1. Karibu
              2. The Griot
              3. People's Revolution
              4. Memories Lost
              5. Feedback
              6. Café Nero
              7. African Sun
              8. A Song For Sigrid

              Katalyst, Adrian Younge, Ali Shaheed Muhammad

              Katalyst JID013

                Founded in 2014, Katalyst Collective has never been one for labels. Rather than strictly a live act, they’ve acted as an incubator for a fresh crop of local talent, helping hone the voices and talents of individual members, while collectively advancing like a phalanx. Each ‘Kat’ writes their own solo material, and everyone contributes and works together on each project, feeding off the communal energy. Leading to the group’s upping collaboration for Jazz Is Dead, Katalyst has poised themselves as the next breakout stars of Los Angeles’ rapidly expanding Jazz universe - a small army of creative firebrands, each burning more brightly together.

                TRACK LISTING

                1. The Avenue
                2. Daybreak
                3. Corridors
                4. Summer Solstice
                5. Juneteenth
                6. Dogon Cypher
                7. Reflections

                Marcos Valle, Adrian Younge, Ali Shaheed Muhammad

                Marcos Valle JID003

                  Marcos and the other Brazilian luminaries Adrian and Ali hosted for Jazz Is Dead, are able to create an entirely different sound and feel using the exact same palette. Throughout the album Marcos sings in his trademark percussive and melodic style (“wa-di-do-bem, ba di da we da bem”), a distinctly Brazilian take on vocalese. Like the sweet and foreign sounds coming out of his mouth, Marcos and the other Brazilian luminaries Adrian and Ali hosted for Jazz Is Dead, are able to create an entirely different sound and feel using the exact same palette. “It was really interesting how we can play the same instruments, listen to the same music and they can still have their distinctly Brazilian flavor that we admire so, so, so much,” Adrian effuses. “And to just hear our influences mix with theirs and to make something brand new is a dream come true.”

                  TRACK LISTING

                  1. Queira Bem
                  2. Isso É Que Eu Sei
                  3. Oi
                  4. Viajando Por Aí
                  5. Gotta Love Again
                  6. Não Saia Da Praça
                  7. Our Train
                  8. A Gente Volta Amanhã

                  Adrian Younge, Ali Shaheed Muhammad

                  Jazz Is Dead 001

                  Music exists in movement and change, but before any part of it can be pinned down for analysis, it’s often moved and taken on a new face. The transformation is often driven by culture as forward-thinking people avoid the proverbial paths in search of revolution. Even though our pioneers prophesied that the revolution would not be televised, the message has permeated. It’s spreading like wildfire and leaders are defined by those that speak first: Jazz Is Dead. Music is the universal language and we are the interpreter of sound, a message that has been lost in transcription.

                  Under Jazz Is Dead, younger artists are elaborating upon conversations started decades ago; jazz icons are utilizing vintage equipment to create new masters with Adrian Younge and Ali Shaheed Muhammad; the same equipment that recorded their coveted catalogs. The vitality embedded in the new masters epitomizes our quest for new life in music: Jazz Is Dead. This compilation features legendary artists Roy Ayers, Gary Bartz, Marcos Valle, Azymuth, Doug Carn, Joao Donato, & Brian Jackson, who will each have their own individual release, working alongside Adrian Younge and Ali Shaheed Muhammad. 

                  TRACK LISTING

                  01. Hey Lover (feat. Roy Ayers)
                  02. Distant Mode (feat. Gary Bartz)
                  03. Nancy Wilson (feat. Brian Jackson)
                  04. Conexão (feat. João Donato)
                  05. Down Deep (feat. Doug Carn)
                  06. Apocalíptico (feat. Azymuth)
                  07. Não Saia Da Praça (feat. Marcos Valle)
                  08. Jazz Is Dead (feat. The Midnight Hour)

                  Gary Bartz, Adrian Younge, Ali Shaheed Muhammad

                  Jazz Is Dead 006

                  The shadow that Gary Bartz casts over the last six decades of progressive Black music, and his continued dedication to same, makes him a logical and very welcome contributor to the Jazz Is Dead label. An alto saxophonist steeped in the history and tradition of his instrument who is also restlessly experimental and not prone to purism of any kind, he enjoys both the respect and admiration of his peers and the hero worship of several generations after him – including Adrian Younge and Ali Shaheed Muhammad, which inevitably led to Gary Bartz JID 006.

                  A look at his body of work reveals dalliances with bebop, hard bop, free jazz, spiritual jazz, soul jazz, jazz-funk, fusion and acid jazz, all while resolutely remaining unmistakably Gary Bartz. There's early work with Eric Dolphy and McCoy Tyner in Charles Mingus' Jazz Workshop, work with Max Roach and Abbey Lincoln, a stint in Art Blakey's Jazz Messengers, and also one with Miles. There's his groundbreaking and highly influential Ntu Troop albums of the early ‘70s and his jazz-funk work including two classic albums with the Mizell Brothers, one of which supplied A Tribe Called Quest with a sample that was smooth like butter. And while on the subject of samples, the Bartz catalog has provided hip-hop and other genres with a rich source of them, and artists who have gone to his well when producing beats also include Black Sheep, Jurassic 5, Casual, RPM, Warren G, Photek, Statik Selektah, Chi-Ali, 3rd Bass, Showbiz, ZTrip, Young Disciples, and many others.

                  The socio-political content of much of Bartz’s work, particularly during the early ‘70s, is another factor that has captured the attention of and influenced many. He was wide awake to the pressing issues of his day, which sadly haven't changed much in a half-century—long before the term "woke" was ever coined—which adds continued relevance and resonance to albums like the two Harlem Bush Music LPs. Speaking his mind and expressing thoughts and feelings lyrically and vocally were a consistent aspect of his work during this era, but even with all this there's always still a space within Gary's oeuvre for the celebration of simple and beautiful basic truths. “Working with Gary Bartz epitomizes the ethos behind Jazz Is Dead,” says Younge. “He’s a luminary that has contributed so much to music culture, for decades. His musical ability is expanding with age and we’re honored to be a part of his world.”

                  "Day By Day" brings Bartz full circle by placing him in a more modern context which he contributed to creating in the first place. It takes certain sonic cues from Muhammad's old group, A Tribe Called Quest, while also calling to mind neo-soul a little bit. But the icing on the cake is the unexpected and gorgeous vocal chorus which is like the sun coming out and which once again harks back to an element familiar to Mizell fans. With its propulsive bassline steadily prodding the track along, "The Message" is strongly rooted in classic ‘70s modal jazz and serves as the spiritual and emotional centerpiece of the album. The instrumental interplay and textures would have been perfectly at home on the Black Jazz label even though there's also a certain almost intangible postmodern, 21st century approach to that style, perfectly in keeping with Bartz's well-known tendency to look forward, not backwards.

                  TRACK LISTING

                  A1. Spiritual Ideation
                  A2. Visions Of Love
                  A3. Black & Brown
                  A4. Blue Jungles
                  B1. Day By Day
                  B2. Distant Mode
                  B3. The Message
                  B4. Soulsea

                  Adrian Younge , Ali Shaheed Muhammad & Azymuth

                  Azymuth

                    The fourth release from Jazz Is Dead records features Azymuth, one of the bands in Brazilian history, redefining Popular Brazilian Music. Having released almost 20 albums in their career, Azymuth proves to be a consistent source for an innovative mix of jazz, pop, MPB, and electronic music. Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio. 

                    TRACK LISTING

                    1. Ao Redor Do Samba
                    2. Sumaré
                    3. Cat Jump
                    4. Fall Afternoon
                    5. Friendship Samba
                    6. Apocalíptico Feat Azymuth
                    7. Pulando Corda
                    8. Queit Storm 

                    Adrian Younge & Ali Shaheed Muhammad

                    Jazz Is Dead

                      Music exists in movement and change, but before any part of it can be pinned down for analysis, it’s often moved and taken on a new face. The transformation is often driven by culture as forward-thinking people avoid the proverbial paths in search of revolution. Even though our pioneers prophesied that the revolution would not be televised, the message has permeated. It’s spreading like wildfire and leaders are defined by those that speak first: Jazz Is Dead. Music is the universal language and we are the interpreter of sound, a message that has been lost in transcription.

                      Under Jazz Is Dead, younger artists are elaborating upon conversations started decades ago; jazz icons are utilizing vintage equipment to create new masters with Adrian Younge and Ali Shaheed Muhammad; the same equipment that recorded their coveted catalogs. The vitality embedded in the new masters epitomizes our quest for new life in music: Jazz Is Dead. This compilation features legendary artists Roy Ayers, Gary Bartz, Marcos Valle, Azymuth, Doug Carn, Joao Donato, & Brian Jackson, who will each have their own individual release, working alongside Adrian Younge and Ali Shaheed Muhammad. 

                      TRACK LISTING

                      1. Hey Lover Feat Roy Ayers
                      2. Distant Mode Feat Gary Bartz
                      3. Nancy Wilson Feat Brian Jackson
                      4. Conexão Feat João Donato
                      5. Down Deep Feat Doug Carn
                      6. Apocalíptico Feat Azymuth
                      7. Não Saia Da Praça Feat Marcos Valle
                      8. Jazz Is Dead Feat The Midnight Hour 


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