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Essential Logic

John Peel Session 21.02.79

    Shortly after parting company with X-Ray Spex, post-punk icon Lora Logic went into the BBC’s Maida Vale Studios with the first incarnation of her own band, Essential Logic.

    Now officially released for the first time by Precious Recordings of London to coincide with its 45th anniversary, this is that legendary four-song session for John Peel – pre-dating the group’s debut LP, ‘Beat Rhythm News’, for which these tracks would be re-recorded, and a famous 30-date Rough Trade UK tour with Stiff Little Fingers and The Normal.

    TRACK LISTING

    Wake Up
    Shabby Abbott
    Alkaline Loaf In The Area
    Quality Crayon Wax OK

    Various Artists

    The Bristol Punk Explosion 1977-79

      This compilation is designed to give all fans of Punk a snapshot of what Bristol Punk was all about from the period 1977-1979.

      We celebrate our heroes of the time, let them be remembered for ever! Feat The Cortinas, The Pigs, Social Security, The X-Certs and more.

      The Scientists

      Not For Sale: Live 78/79

        For fans of The Scientists, The Flamin’ Groovies, Johnny Thunders & The Heartbreakers, The Undertones, The Boys, The Hoodoo Gurus, The Hollywood Brats.

        The Scientists’ pre-“Swampland” days in Perth are brilliantly encapsulated on this collection of mostly unreleased live material from ’78 and ‘79. These were the days when former Victims and future Hoodoo Gurus drummer James Baker led the band alongside guitarist/singer Kim Salmon, and when their poster read "Rock’n’Roll in the tradition of The Groovies and The Heartbreakers".

        The Perth-based line-ups of The Scientists recorded the brilliant "Frantic Romantic" single and self-titled EP highlighted by "Last Night." They also recorded a posthumously released LP - the 'pink album' - which came as a massive disappointment due to bad production and a reduced line-up. “Not For Sale: Live’ 78/79” is a collection of live and rehearsal tracks that captures the band making the same noises as on those 45's, and presents live versions of the fan faves and vastly superior versions of most of the LP tracks as well as coughing up a bunch of hitherto unreleased originals and covers to boot. This is "The Legendary Scientists" - as they were dubbing themselves within months of forming - as they should be heard.

        The main set comes from late 1979; a live-to-air broadcast from Melbourne’s 3RRR. "Frantic Romantic" was in the shops and the EP was in the can. If you only know tracks like "It’ll Never Happen Again," "That Girl. "Making a Scene" and, "She Said She Loves Me" from the limp pink album versions you’ll be knocked sideways by the raucous and rocking versions here. Covers of The New York Dolls, the Groovies ("Slow Death" and their version of "Have You Seen My Baby") and The Undertones' "Teenage Kicks" are a bit throwaway but show where their heads were at. And yes, a couple of these appeared back on the 'fan club' cassette "Rubber Never Sleeps" back in '82 and have since appeared on other collections, but those were third or fourth generation cassette dupes. What we have here is the whole set, taken directly from 3RRR's master reels.

        The same line-up is also present on a handful of primitive live recordings, made by a friend at one of the group's regular haunts, the Governor Broome Hotel in ‘79. What they lack in clarity they make up by letting us hear some otherwise lost original tunes. Play this really loud and it sounds like you're right there in the pub - shitty PA and all. The original "Kinda Girl" is maybe the pick here; it's James and Kim channelling their beloved Troggs. Also included, for the first time anywhere, is a Scientists’ version of "Drop Out", a Baker/Salmon song that its writers later made famous with The Beasts of Bourbon. 


        TRACK LISTING

        SIDE 1
        1. Have You Seen My Baby?
        2. Melodramatic Touch
        3. That Girl
        4. Shadows Of The Night
        5. She Said She Loves Me
        6. It's For Real
        7. Last Night
        8. Teenage Kicks

        SIDE 2
        1. Slow Death
        2. Frantic Romantic
        3. Shake (Together Tonight)
        4. Makin' A Scene
        5. Girl
        6. Pills
        7. It'll Never Happen Again

        SIDE 3
        1. Kinda Girl
        2. There She Goes Again*
        3. Make It
        4. Drop Out
        5. Walk In The Room*
        6. Pretty Girl
        7. Pleasure Boy
        8. Turn Up Your Radio*
        9. I?m Looking For You
        10. Sorry Sorry Sorry

        SIDE 4
        1. She Said She Loves Me*
        2. Girl *
        3. Don't Lie To Me
        4. Frantic Romantic
        5. Walk The Plank
        6. Baby You're Not For Sale

        * LP Edition Only

        Ramones

        Live At The Palladium, New York, NY (12/31/79)

          THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

          Double LP of Ramones - Live At The Palladium, New York, NY (12/31/79) which first appeared on CD only as part of the 40th Anniversary Deluxe set of “Road To Ruin”. This then previously unreleased recording of the band’s entire 1979 New Year’s Eve concert, was mixed live by Stasium, and broadcast on WNEW-FM. Recorded in New York City at The Palladium, with audio sourced from Tommy Ramone’s original cassette of the console recording, it features blistering performances of “Blitzkrieg Bop,” “Rockaway Beach,” and “Sheena Is A Punk Rocker,” along with several songs from Road To Ruin: “I Don’t Want You,” “I Wanna Be Sedated,” and “I Wanted Everything”. This will be its first release on vinyl.

          Hawkwind

          The Charisma Years 1976-79

            Atomhenge, the label home for the Hawkwind catalogue between 1975 – 1997 is pleased to announce the release of “The Charisma Years 1976 – 1979”; a 4 CD set comprising all four of Hawkwind’s albums originally released by the Charisma label – “Astounding Sounds, Amazing Music”, “Quark Strangeness & Charm”, “Hawklords: 25 Years On” and “PXR 5”.

            These recordings saw the influence of lyricist and front man Robert Calvert come to the fore in the band. The originally and breadth of Hawkwind’s music was expanded greatly during this period and the four albums released between 1976 and 1979 are now regarded as ground-breaking classics.

            This official 4CD clamshell boxed set features each album in a replica card sleeve wallet and includes an illustrated poster.

            Tunji Oyelana

            A Nigerian Retrospective 1966-79

              During the golden age of Nigerian music in the 1970s, as thousands of records were produced in a wide spectrum of styles and marketed to an immense audience of ardent consumers, very few people - including the producers of the music themselves - seriously entertained the possibility that any of these popular entertainments could be considered as art.

              Enter the multifaceted artist Tunji Oyelana. Equal parts singer-songwriter, actor, bandleader, dramatist, comedian and academic, Oyelana elevated the realm of pop music by infusing it with the poetic storytelling of Yoruba folklore. Backed by his crack backing group, The Benders (named for their ability to traverse - and blend a variety of styles) Oyelana blended the fashionable sounds of highlife, afrobeat, afrorock, funk, calypso, juju and reggae and transformed them into something timeless and utterly unique.

              Tunji’s first records came out in 1969 but it wasn’t until two years later that the first record credited to Tunji Oyelana & The Benders, ‘Agba Lo De’ b/w ‘Koriko Nde’, was released. The record turned out to be the smash that put the name Tunji Oyelana & The Benders on the national map. More significantly, the record’s unique sound - along with that of Fela Ransome-Kuti’s ‘Jeun K’oku’ (‘chop and quench’), which arrived mere weeks before it - signaled the emergence of a new era and a new genre in Nigerian music.

              Oyelana himself attributes his life as a professional artist to meeting Wole Soyinka, one of the unimpeachable doyens of Nigerian arts. They met in 1960 at the age of twenty-one, commencing a partnership that endured for more than five decades. In 1983, Soyinka joined The Benders for the album Unlimited Liability Company, which proved to be wildly popular with audiences across the country but angered Nigeria’s civilian government with its satirical critique of political corruption. Years later, Soyinka and Oyelana would run afoul of military dictator Sani Abacha while touring internationally with Soyinka’s play The Beatification Of Area Boy in 1996 and find themselves charged with treason, forcing them into exile until Abacha’s death in 1998.

              For Oyelana himself, the golden age continues as he lives with his family in London and continues to perform several nights a week at Emukay, the restaurant and cultural centre that he runs with his wife, which has become a mecca for fans eager for the privilege of beholding a living legend at work.



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