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1965

A trio of tasty remixes of this 6music favourite here. If you haven't heard the original then head to Ray Mang's mix first. He uses the funky white boy vocal to full effect. Under pinned by a classic octave disco bassline and a subtle four to the floor kick it'll work on any dancefloor at any time.
On the flip we have a couple of rerubs from Brooks. He loses most of the vocal and takes the track to a darker place. The 'Dark Moon Dub' is the one for me, stick this on at 2 in the morning and your work is done. Brilliant.

When we last saw Raf Rundell he was stood in a clearing, dressed in a shaman’s robes with a modern day magik staff raised above his head. Looking like the special guest DJ at a post-apocalyptic orbital rave, South London’s finest looked ready to take on all comers.

As one half of the 2 Bears and the self-styled Selfie Boy, he was finding his feet as a solo artist - his first mini LP (‘The Adventures Of Selfie Boy Part 1’) was garnering glowing writeups in the rock press as well as electronic magazines. However, just after the record was released, the world around him changed forever.

Put side by side, the birth of a new child and the rapid rise of a generation of Post Truth politicians don’t appear to have much connection. Seen through the eyes of a sleep deprived postmillennial two-time dad, however, these seemingly separate occurrences knot together into one paranoid, helpless, loving whole called ‘Stop Lying’.

“I think ‘Stop Lying’ feels fairly apposite for our time; it’s my regular cry of help and sanity. It’s the result of a bit of pub talk between me and some mates, the best kind of ‘high’ concept really. It was a desperate cry in the lead up to the last General Election and it quickly became a mantra that I shouted at the TV the whole time. It’s ended up working pretty well with my children… and me.”

One can’t be certain if it’s the age we live in or the age of his youngest that’s most heavily influenced ‘Stop Lying’ - whichever it is, it’s managed to make something pretty close to a perfectly reflective post millennial pop record. It’s Raf’s most confident and strident set of songs to date.

STAFF COMMENTS

Barry says: Rundell brings glitzy keys, rolling grooves and early evening sunset tropicalia, before bringing things into darker territory with jagged downtempo, and weirdo Deconesque synth abstractions. Bonkers, and brilliant.

Wesley Fuller

Inner City Dream

    Coming a year on from the brash debut EP, Melvista, Inner City Dream features twelve tracks of swirling psych, jangly pop and punchy, crunchy glam that show off Fuller’s broadening sonic palette and his progression as a writer and producer.

    He explains: “Melvista was really my first solo expedition and I was learning as I went along. I think by the time I came to record the album I had a better technical knowledge of what I was doing. There's probably a wider span of influences on the album. I wanted to showcase every aspect of my sound.”

    As well as his steady diet of 70s junk shop glam and bubblegum, Fuller’s regular DJ slots around the Melbourne rock scene’s favourite dive bars produced a new fascination for the polyrhythmic ways of Talking Heads during their late-70s/early-80s peak. It inspired Fuller to make tunes of his own that would make people boogie.

    Lyrically, Fuller has also progressed. Moving on from the teenage lust of much of Melvista, Inner City Dream presents the worldview of a young man trying to come to terms with his place, both physically and symbolically.

    Fuller has already started demoing tracks and playing with ideas for his second album, though it may be some time off. The concepts on Inner City Dream and world events have started him thinking about what else could be around the corner.

    “I think the next few years will be a very interesting time for pop music. The world is in a crazy state right now and it feels as though something will have to give pretty soon. There's plenty to write about. But do people want to hear protest songs or do they want to escape reality? Perhaps there's a new sound around the corner. Who will turn on the light?”

    For most of us, 2016 was a tumultuous and ugly year - one steeped in political chaos and an air of uncertainty. For Nadine Shah, these headlines had been a big part of her life for years and ‘Holiday Destination’ - her brilliant and compelling third album out on 1965 Records - sees her stepping out of the shadow of the complicated relationships she examined on her second album ‘Fast Food’ and taking account of the world at large.

    Shah pulls no punches, exploring equally pertinent, difficult topics with similar intelligence and personality; from global issues such as the Calais refugee crisis and the Syrian civil war, to the more personal problems of inner turmoil surrounding the pressure of social conforming, the state of our mental health and simply encouraging others to have empathy. However, despite its themes, ‘Holiday Destination’ is anything but a difficult listen. From the off it immediately becomes apparent that Shah and collaborator, co-writer and producer Ben Hillier’s knack for sharp hooks and rhythms have only progressed further.

    For Shah, the first ideas for ‘Holiday Destination’ came back in 2014: “I saw this really shocking news piece. It was about migrants and refugees turning up on the shores of Kos in Greece by the thousands. There were some holidaymakers being interviewed and they were talking about how ‘they’re really ruining our holiday’. The fact that they had no shame in saying that whilst being interviewed, on national television... it really shocked me. This is what I am seeing across the globe: people unashamedly saying these awful things. It’s like, wow - people really don’t care and they’ll happily talk about how they don’t care. That’s why it’s called ‘Holiday Destination’.”

    FORMAT INFORMATION

    2xLP includes MP3 Download Code.

    ‘The Adventures of Selfie Boy Pt. 1’ is released via 1965 Records.

    Our hero, Raf Rundell (DJ by night, acoustic guitar picker by sunset, sometime music biz impresario and fulltime member of 2 Bears alongside Hot Chip’s Joe Goddard), emerges bleary-eyed from a studio high in a garret clutching the first fruits of a solo recording session. A session that saw the studio’s saloon door banging as queens, kings, crazies, painted ladies, ravers, rockers and ragamuffins partied night after night, each of them adding inspiration and perspiration to Rundell’s embryonic recordings to help the man realise his distinctive musical vision.

    1965 Records (visionary home of modern psych, electro-roll and North London deep south boogie) chased down Rundell and begged to be the sole outlet for his sonic art. Bending to their iron will, Raf eventually surrendered the mastertapes which is where our story really begins.

    Man & The Echo release their eponymous debut album, produced by Neil Comber (MIA, Django Django), via 1965 Records.

    The release follows a string of acclaimed single releases from the Warrington fourpiece within the past twelve months, with plays across Radio 2, Radio 4, 6Music, Radio X and Absolute Radio, as well as an invite to play Billy Bragg’s Leftfield stage during this year’s Glastonbury Festival.

    ‘Man & The Echo’ is a soulful, poetic, eleven track statement from a band clearing their own space amidst a cluttered musical landscape.

    The album skirts numerous musical signposts, spanning the likes of The Smiths, Dexys, Pulp, 50/60s crooning, blue eyed soul and much more, arriving at a sound that isn’t retro as much as ricocheting through pop’s many decades and landing squarely in the post- Brexit, conflicted, chaotic UK of the here and now.

    “Man & The Echo seem to take each step with remarkable precision. The past 18 months have brought a steady series of singles, each stamped with a biting sense of intelligence.” - Clash

    FORMAT INFORMATION

    LP Info: Heavyweight black vinyl LP includes digital download
    code.

    The English duo of Rebekah ‘Beck’ Wood and John Ridgard release new album ‘Peel’, the band’s second album.

    Apparently marked by Coves’ shift from Leamington Spa to London, the new album is seemingly “split between fury and misery.”

    Following the celebrated release of debut ‘Soft Friday’ in 2014, Beck ran into producer Cam Blackwood (George Ezra, London Grammar). Keen to work with the band, he took the home recordings that Beck and John had made during ‘red wine holidays’ at John’s East London spare room studio to Studio Voltaire in Clapham and honed the pop side until it was as sharp as their psychedelic garage edge. The result was a second album, completed in October 2015 and cleaner, harder and just as fiery as ever.

    “Coves make crisp, inspiring rock music with a shoegaze edge… ‘Stormy’ is an almost ludicrously contagious return, with the sighing melody matched by a biting lyric.” - Clash

    “Bolshie choruses buoyed the Leamington duo’s woozy Mazzy Star obsessions, giving them a punk edge that many bands with the same set of influences (you can add The Jesus And Mary Chain and The Raveonettes to Hope Sandoval’s troupe) simply don’t ever come close to having. It all made for a thrilling ride, and one that they’ve gone even further on with comeback single ‘Stormy’’’ - NME

    FORMAT INFORMATION

    Coloured LP Info: White vinyl format includes digital download code.

    Black Peaches

    Fire And A Water Sign - Inc. Joe Goddard Remix

      Rob Smoughton is probably best known as a longtime member of Hot Chip and Scritti Politti, while his alter-ego Grovesnor has released a number of albums to critical acclaim. Now he unveils his new band, Black Peaches. · A midway point between the swamp and the tropics, Black Peaches’ music is gloriously looselimbed and strung-out: a psychotropic stew of country boogie, spiritual jazz and funk.

      Inspirations include 70s Nashville combo Barefoot Jerry and their guitarist Mac Gaden - that combination of Southern soul and country coming together with Caribbean or South American music seeped in. Then from Brazil, the rhythm section of Baden Powell Sambas’ 1966 album ‘Os Afro Sambas’ and the double guitar attack of the psychtinged Novos Baianos, alongside Chicago’s funky post-rockers 5Style and Krautrock legends Can.

      The band release a 12” of their first single ‘Fire And A Water Sing’ on 1965 Records. The 12” includes a glorious remix courtesy of Joe Goddard from Rob Smoughton’s old band Hot Chip.

      Dave McCabe & The Ramifications

      Too Damn Good

        Recorded at Ape Studios on The Wirral in the second half of 2014, ‘Church Of Miami’, the debut album from Dave McCabe & The Ramifications, is preceded by the release of the ‘Too Damn Good’ single.

        Holy Ghost Revival

        Twilight Exit

        Eleven track debut on 1965 label from these wild US rockers. Produced by Ryan Hadlock (Gossip, Strokes, Modest Mouse) this is a strange mix of primeval rock, incendiary guitar riffs, thrash metal and histrionic vocals.

        The Metros

        Talk About It

        Taken from their forthcoming debut album "More Money Less Grief", "Talk About It" is a three minute blitz through the wonderful world of The Metros. Bottled down it is essentially a rhythmic, anthemic, schizoid punkoid stream of tourettes-iousness that fits as much sound tracking mischief on the streets of their native Peckham as on any in this Fair Isle. This summer's most wonderfully belligerent sing-a-long is here. Produced by their mate Baxter Dury, "More Money Less Grief" avoids the clichéd one dimensional formula often adopted by young bands today; incorporating and invoking pop hooks, thrashy punk rock, hummable choruses, tongue-in cheek humour, frank pub-crawl tales of teenage sex and adventure, whilst still capturing the youthful exuberance that makes them uniquely The Metros.

        FORMAT INFORMATION

        Ltd 7" 2 Info: 7" part 2 is a picture disc, featuring "Kapital K" on the flipside.

        CDS Info: The CD single also includes "Half a Job Jones" and "Talk About It" (Video).


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