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ÂME

J Dilla

B.B.E. - Big Booty Express (Remixes By Pépé Bradock & Âme)

Taken from Dilla's 2001 BBE debut solo album "Welcome 2 Detroit", "Big Booty Express" gets the remix treatment from German duo Âme and Parisian Pépé Bradock.

Contributing two mixes to the EP, Parisian producer Pépé Bradock AKA Julien Auger needs little introduction to house music fans but hip-hop heads need not doubt his musical credentials. A natural guitarist and turntablist, he's provided solos, riffage, scratches, juggles and chops to numerous rappers and bands before turning his hand to the discipline of house music. Two remixes done in his inimitable style grace the twelve. Slightly skewhiff but deliciously musical, there's no-one quite does it like Pépé!

Also providing a remix of "Big Booty Express" is the German production duo of Frank Wiedemann and Kristian Beyer who work together under the name of Âme. After first meeting in Kristian's record shop in their home town of Karlsruhe and bonding over a shared love of Chicago house and Detroit techno the pair started working together and producing records for Sonar Kollektiv in 2003. Perfectly demonstrating their harmonic discord and big room sound, their remix here is a masterclass of wobbly, peaktime tech-house.


STAFF COMMENTS

Matt says: House remixes of hip-hop legend J Dilla are bound to be divisive. But I'm surprised how well Ame and Bradock have rose to the occasion here - delivering high quality electronic dancefloor hedonism.

TRACK LISTING

1. B.B.E. - Big Booty Express (Âme Remix)
2. B.B.E. - Big Booty Express (Moulin Rouge Remix By Pépé Bradock)
3. B.B.E. - Big Booty Express (Memorex Interlude By Pépé Bradock)
4. B.B.E. - Big Booty Express

‘Fleuves de l'Ame’ is the debut album of Paris-based Tunisan artist Houeida Hedfi, produced with Olof Dreijer of The Knife. Originally a percussionist, ‘Fleuves de l' me’, is an elegant marriage of traditional folk music and contemporary sound design drawing references from Hedfi's drumming expertise and the textures of Tunisian music alongside a startlingly broad array of global genres.

Hedfi came to music late, getting her first drum kit aged 27 when she was already established as an academic in the field of economics / mathematics. Alongside teaching she toured playing a contemporary spin on stambeli, a genre of Afro-Arab sufi trance music heavy on rhythms. “I loved it,” she recalls, “but I had this need for melody. There was no room for that within our group, so I realised I had to start my own project.” She enlisted the help of Tunisian violin player Radhi Chaouali and Palestinian bouzouk player Jalal Nader and began rehearshals. Over nine years of travel between Tunisia, France, and Dreijer’s Berlin studio, Hedfi refined each composition with a perfectionist’s ear and found a home in melody.

During composition it was essential to Hedfi that the songs contained the quarter tones characteristic of Tunisian/Arabic music. “I wanted it to sound like me. In my mind, if you delete these quarter tones, it’s like deleting all the verbs from a sentence.” While her musical influences are not limited to Tunisia, she still views her album as a modern take on Tunisian music. “It’s not just Tunisian,” she adds, “it’s also made by a woman. That makes a difference. My music doesn’t take up so much space, it has nuance. If I had to put a nationality to my music, I would also put a gender to it.”

Each track is named for a different river, referencing both the safety found in the sound of water and the sinuous drama of each composition, which often starts peacefully, before evolving to encompass drama and tension, conflict and resolution. 


STAFF COMMENTS

Barry says: A beautiful marriage of swooning modern classical and traditional Tunisian folk music, with moments of elegiac pensiveness and more exuberant, shimmering beauty. A wonderfully written and beautifully crafted masterpiece.

TRACK LISTING

Side A
Souffles Du Nil
Namami Gange (Obéissance Au Gange)
Side B
Envol Du Mékong
Appel Du Danube
Side C
Baisers Amers De L’Euphrate
Les Cloches De Yamuna
Echos De Medjerda
Side D
Cheminement Du Tigre



Âme

Dream House

    In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. Just the other day we (me, Dave and shop 'furniture' Francis Woof) were discussing their long list of club credentials But 2018 reveals their finest achievement yet, their debut full-length album "Dream House". It both sounds unmistakably like Âme and unlike anything you’ve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. It's more cinematic, sprawling and varied, however that keen ear for sound design, plus a unparalleled craft at carving out unique electronics rhythms remains intact; making this a thoroughly stimulating listen from beginning to end!

    STAFF COMMENTS

    Sil says: FUll length by veterans Ame offering you their own vision of house music. It is dreamy as the title suggests, hypnotic, moody at times. But it is also hopeful and melodic. In truth, if you know what they are all about, what you find in this LP is no surprise. It is just good old Ame.

    TRACK LISTING

    01 The Line Ft. Matthew Herbert
    02 Queen Of Toys
    03 Gerne Ft. Gudrun Gut
    04 Deadlocked Ft. Roedelius
    05 Blind Eye Ft. Planningtorock
    06 Positivland
    07 Helliconia
    08 Futuro Antico
    09 No War
    10 Give Me Your Ghost Ft. Jens Kuross
    11 Oldorado

    Aksak Maboul

    Un Peu L'Ame Des Bandits

      Originally released in January 1980, the second album from (Crammed founder) Marc Hollander’s band was the first record bearing the Crammed logo (although the label only really started to exist at the end of that year). More intense and experimental than the first Aksak Maboul album (yet often as playful), “Un peu...” was recorded with a band comprising revered UK musicians Fred Frith & Chris Cutler and contains complex written section, free improv, and a wild variety of elements. If you're looking for a post-punk experience as abstract as it is angular, then you're in luck. Boasting free-jazz horns, stuttering rhythms, abrasive guitar and the occasional thrash moment, "Un Peu" is far from an easy listen, and that's a very good thing. The first reissue on vinyl of Aksak Maboul’s classic 1980 LP. It includes a booklet with various documents, as well as previously-unreleased recordings (available via a digital download code). 


      TRACK LISTING

      Modern Lesson
      Palmiers En Pots
      Geistige Nacht
      I Viaggi Formano
      La Giovent
      Inoculating Rabies
      Ce Qu’On Peut Voir Avec Un Bon Microscope
      Alluvions
      Azinou Crapules
      Age Route Brra! (Radio Sofia)


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