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********[THE DRINK]

Aja Monet

The Colour Of Rain

aja monet is a Surrealist Blues Poet, recording artist, and bandleader whose work moves fluidly between poetry, music, and political expression. Emerging from New York City’s Lower East Side spoken word scene, she became the youngest recipientof the Nuyorican Grand Slam Poetry title before expanding her practice into genre-defying musical performance rooted in jazz, blues, and experimental sound.

Her debut poetry album, when the poems do what they do, earned a Grammy Award nomination for Best Spoken Word Poetry Album in 2024, positioning monetas a singular voice in contemporary Black music and performance. The project blends poetry with live instrumentation and improvisation, exploring themes of resistance, love, and joy through a collaborative, ensemble-driven approach. As a touring bandleader, she has performed at major festivals and venues worldwide, including Newport Jazz Festival, North Sea Jazz Festival, Montreal Jazz Festival, the Guggenheim, Lincoln Center, the Barbican Centre, and Fremantle Biennale.

In addition to her recorded work, monet is an acclaimed poet and author. Her first full poetry collection, my mother was a freedom fighter (2017), earned a NAACP Image Award nomination for Poetry. Her most recent book, florida water, published by Haymarket Books, draws from several years living and organizing in South Florida and continues her exploration of place, movement, and collective memory.

Her honors include the Marjory Stoneman Douglas Award for Poetry, the Nelson Mandela Changemaker Award, the Harry Belafonte Voices for Social Justice Award, the EBONY 100 Artist in Residence Award, and the Malcolm X & Dr. Betty Shabazz Vanguard Award. She also serves as Artistic Creative Director for V-Day, the global movement to end violence against women and girls, and is the creator of VOICES, a 2022 audio play amplifying the stories of Black women across the diaspora and the African continent.

aja monet’s sophomore studio album, the color of rain, will be released in May 2026 on drink sum wtr.

TRACK LISTING

01. say it with your chest
02. elsewhere (feat. Meshell Ndegeocello & Georgia Anne Muldrow)
03. withness
04. hollyweird
05. skinfolk
06. for the Congo
07. i came to the poem
08. to sister (feat. Ganavya & Brandee Younger)
09. i know that i don’t know
10. working class musicians
11. love is a choosing (feat. Mereba)
12. song of myself
13. melting clocks (feat. Mick Jenkins & Vic Mensa)
14. every media minute
15. indigo

Your Grandparents

The Dial

Your Grandparents are fascinated with time. It can neither be created nor killed; there’s never enough of it, but it can stretch on forever. Time is a form of currency that can be saved, spent, and gambled away. In the end, it makes fools of us all. On their drink sum wtr debut, 'The Dial', the Los Angeles trio — producer Cole Thompson and vocalists DaCosta and Jean Carter — deeply consider these disparate ideas. The record works as a meditation on time, but posits that in order to truly grasp the concept and all of its ambient qualities, one must remain rooted in the present. The group, who met in middle school in Culver City and are now in their mid-late 20s, has been making music for a decade, patiently watching the pieces of their career fall into place. They seemed to snatch their genre-agnostic but hip-hop-rooted songs from the cosmos, seizing on a moment of inspiration — a loop here, a turn of phrase there — and proceeding in a stream of consciousness. The Dial took shape more slowly, with what DaCosta calls “focused intentionality.” Your Grandparents chipped away at the material, careful not to rush any one element into place. The result is stunning: a kaleidoscopic trip through heartaches and joys, moments of frustration and hope. Their vocals effortlessly switch between elastic band rap flows and golden-hued melodies as the production reaches through time, gathering up influences — from house-meets-G-funk slink to Dilla-time boogie to ESG-informed dance-punk — all meshed together into a singular whole.

TRACK LISTING

1. The Dial
2. All Dem Times
3. Tea Lounge/Blossom (feat. Iyana)
4. I Got High One Day
5. Ali & Jenn
6. Met-A-Morphosis
7. BAD NEWS
8. Be Cool
9. Hypnotized (feat. Blackwave.)
10. Down
11. Conversations
12. White Flags

********[The Drink]

The Drink [********]

******** are re-releasing their first and final record ‘The Drink’.

‘The Drink’ is a twelve-track album addressing a duo’s contemporary and indifferent existence in The West. ******** are comprised of Ailie Ormston, who works in a kitchen and Ω, one half of the partnership Edinburgh Leisure.

********’s vision of the world is portrayed through “rudimentary bass and de(con)structive guitar” (Neil Cooper). With hacked drum machines and preprogramed keyboards, they create compositions that complement their lyrical content, itself demonstrating a harsh and contemptuous reality. The album presents a series of theatrically characterised scenarios; universal summaries of the day-to-day; habitual and excessive; promising and disparaging.

Recorded during a six-month period and originally released solely on YouTube, the album itself addresses new modes of working and an interest in musical versatility.

Being unrehearsed, unknowing and capable of compromise are key to the ******** ethos, with an emphasis on changing the form of each song to suit different performative environments. Authorship and individualism are discouraged; preciousness of ownership is challenged. 85% honest, 15% misquoted; 100% sincere.

You will find them in the pub. Drink the dark, depressive drink.

“I’m a huge fan of ********!” - Saul Adamcweski, Insecure Men / ex-Fat Whites

“******** are the future” - Rosy Bones, Goat Girl

“Like having a pint with Brass Eye. One of my favourite albums, ever.” - Liam Ramsden, Mellah

TRACK LISTING

The Drink
I’m A Zookeeper (Not A Goalkeeper)
Trish
Kinderpunsch
Bowling Green
Practical Song (aka The Logical Song)
Signs Of Life In The Computer
Comedian
Readymade
Schweppes Bitter Lemon
Scottish Water
Doberman

First there was Paul McCartney, Phil Lynott and Lemmy, and now in 2017 Bill Botting swells the esteemed ranks of bass-players-with-moustaches-come-charismatic-front-men. Following Allo Darlin’s triumphant farewell back in Dec 2016, their ever-buoyant bass player Bill Botting is releasing his debut solo album on Fika Recordings & WIAIWYA. He gathered a supergroup of siblings and indie legends including Allo Darlin’ bandmate Paul Rains, Jonny Helm from The Wave Pictures, Tom Wade from Owl & Mouse, Laura K from Tigercats, Darren Hayman and Hannah Botting from home and christened them the Two Drink Minimums.

Better Friends is simply described as indie mixed with country, or country mixed with indie. Or like if Lou Reed went to a Linda Ronstadt Concert in 1988 and decided to have a change of direction. Imagine the soundtrack to a 1970's road movie directed by John Hughes, with a little power pop, some cosmic American music and some post-punk, pre-indiepop jangle, all played through an Australian indie filter, with a Paul Simon cover thrown in for good measure. You can hear the Go-Between's in there, some solo McCartney, perhaps an Antipodean Kinks and even some classic Hall and Oates. Better Friends was predominantly written on the move: on 3 hour night buses, tour vans and cross country trains. There are tales of hotel rooms without spare keys [Paulie’s Girl], absurd ‘sexy’ Halloween costumes (Sexy Mental Patient, Sexy Zombie etc) [Feeling Sad Again] and the difficulty of explaining depression to your eldest child [Difficult Stuff].

The cover of Graceland came from hearing Willie Nelson’s version while waiting for the rest of the band to arrive for the first rehearsal. Having thought it was uncoverable, Bill proceeded to cover it with the gang. And he still modestly maintains that The Two Drink Minimums’ version is the second best of the three. It's honest and personal, melancholy and joyous... like a warm hug from a new friend at the end of a boozy night. 

TRACK LISTING

01 Better Friend
02 Burning Bridges
03 Knew You When
04 Treating You Right
05 Graceland
06 Feeling Sad Again
07 The Rug
08 Paulie's Girl
09 Difficult Stuff 

The Isrights

Drinking Game / Summer '05

Whilst the visceral energy of their live performance has always been enough to attract a large crowd, The Isrights have come a long way since their days of making promoters sweat by packing out venues with rowdy, underage kids.

Now coming into their own as adept musicians, The Isrights have fully realised their own sound, following in the long tradition of fusing UK music with Jamaican sensibilities, resulting in a hybrid that's anything but formulaic.

With the solid foundation of Jack Hendrie's metronomic beat and Andy Gill's driving bass, Matt McNamara and the band's frontman Che Wilson are able to bounce off each other with a nuanced guitar style that adds a psychedelic element to the mixing pot.

Drawing from the world around them, the band paint a picture of what it's like to be young in these turbulent and uncertain times, with lyrics that look to bring back some sincerity to an increasingly cynical and shallow world.





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