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********[THE DRINK]

Elujay

A Constant Charade

    With 'A Constant Charade', Oakland artist and producer Elujay removes the mask from his multifaceted, genre-crossing craft. “One of the most talented singer-songwriters in the Bay Area” (Hypebeast) makes his solo debut on the art-forward indie label drink sum wtr with a risk-embracing LP that follows nearly a decade of distinct work in the contemporary pop landscape.

    He sees his style as a fusion of unexpected flairs: R&B stirred up with rhythms drawn from yacht rock, sophisti-pop, dancehall, Al Jeel, Lovers Rock, and the tones of his Trinidadian roots. He pushes the sound outward in various directions on 'A Constant Charade', a dynamic collection marked by vulnerability and ambition. Themes touch on social cues, behavioral loops, and the ways we perform for others, “just noticing how I feel when I’m around people,” he says. Whether I’m code switching or acting differently...we all do it, it’s a charade.” With his signature croon and strongest arrangements to date, joined by a cast of collaborators and co-producers, Elujay cuts through the games to get real.

    Recorded in various locations over a three-year period, 'A Constant Charade' caps a breakout 2025 that started with the second installment of 'GEMS IN THE CORNERSTORE' from JEMS!, his dsw-signed project with J. Robb. Like GEMS, the new album leans further into the influences of Caribbean music and leftfield electronic from dance to ambient and a dozen strains in between. “I think it's important to just notice that these people who you work with kind of give credence to new sounds that you find,” says Elujay. He credits much of Charade’s nostalgic quality to Nicholas Creus, “he’s a jazz guitarist and huge fan of The Police and yacht rock, he’s just all over this record.”

    As well as longtime collaborators Martin Rodrigues, Jaden Wiggins, and Ben Yasemsky, whom Elujay has known since childhood. “Benji is just a silent killer, great guitarist, producer, and finisher, always at the 11th hour tidying everything up.” When it comes to working with others, “I don’t have an ego about it, it’s all about: the best idea wins. At the end of the day, it’s for the people, we just want to make the best music possible.

    TRACK LISTING

    1. Rogue Heart
    2. Flotilla
    3. Hyundai
    4. Circles
    5. Deny 06. Natural
    7. Jenny’s Lament
    8. Deadwrong
    9. Anjeli
    10. What I’ll Do
    11. Chabot Hill
    12. Stereo Blasting

    Say She She

    Cut & Rewind

      NYC punk-chic, discodelic funk band Say She She is back with 'Cut & Rewind', their politically-charged, dancefloor-crushing third album and first with their new label partner, drink sum wtr (aja monet, THEY.) Led by the powerhouse vocal trio of Piya Malik, Sabrina Mileo Cunningham, and Nya Gazelle Brown, the group channels progenitors like Minnie Ripperton, Charles Stepney, Liquid Liquid, and Raw Silk to create a groove-forward, psychedelic soundscape of pulsing disco beats, heavenly whistle tones, and soaring three-part harmonies. There’s a feeling of righteous rebellion simmering beneath these songs’ body-moving exterior, though: 'She Who Dares' is a call to fight against a near-future dystopia where women’s rights have been decimated globally; 'Disco Life' decries the racism and homophobia of Steve Dahl’s 1979 'Disco Demolition Night', reclaiming the dancefloor as “a playing field where all are free". 'Cut & Rewind' is protest music dressed up as a sweat-dripping, hip-shaking, mind-expanding good time.

      STAFF COMMENTS

      Barry says: The Brooklyn nu-soul powerhouse return for another blast of smooth basslines, snapping percussion and gorgeous 3-part harmonies, rendering possibly their most addictively funky outing yet. Though the subject matter varies from the playful to the serious, it keeps a solid eye on the past while injecting the discoid revisions with enough modern production and genre-fluidity to keep things exciting. A brilliant return for one of the most singular modern soul acts.

      TRACK LISTING

      1. Cut & Rewind
      2. Under The Sun
      3. Disco Life
      4. Chapters
      5. Possibilities
      6. Take It All
      7. She Who Dares
      8. Shop Boy
      9. Bandit
      10. Little Kisses
      11. Do All Things With Love
      12. Make It Known

      Yaya Bey

      Do It Afraid

        “Suffering is promised to us all, but so is joy. You have to find peace in that duality,” says Yaya Bey, who commits to life’s delight — humor, love, the power of human movement and connection — even if she has to do it afraid. With her new album, which follows a run of critically acclaimed releases and marks her debut on art-forward indie label drink sum wtr, the Queens, New York singer-songwriter thrives across uplifting, effervescent material. A rejection of past narratives projected onto her, ‘do it afraid’ finds Bey reclaiming her story with resolutely fun, full-hearted, and nuanced songs that pull from R&B, hip-hop, jazz, soul, and dance music, including the soca stylings of her family’s Bajan roots. do it afraid celebrates all sides of Yaya as part of a collective lifeforce that doesn’t subscribe to fear but to the moments that move us.

        STAFF COMMENTS

        Barry says: Super smooth modern soul music, with rippling electric piano and jazzy percussion providing the perfect backdrop for Bey's athletic vocals and crisp harmonies.

        TRACK LISTING

        1. Wake Up B*tch
        2. End Of The World (feat. Nigel Hall & Butcher Brown)
        3. Real Yearners Unite
        4. Cindy Rella
        5. Raisins
        6. Spin Cycle
        7. Dream Girl
        8. Merlot And Grigio (feat. Father Philis)
        9. Breakthrough
        10. A Surrender
        11. In A Circle
        12. Aye Noche (feat. Rahrah Gabor And Exaktly)
        13. No For Real, Wtf?
        14. Blicky
        15. Ask The Questions
        16. Bella Noches Pt. 1
        17. A Tiny Thing That’s Mine
        18. Choice

        Annahstasia

        Tether

          The lead single to Annahstasia's 'Tether', her debut LP on drink sum wtr, welcomes drums, brass, and horns into a sweeping nod to healing. "We are all made of both shadow and light. From some angle, we have all been the villain of the story," she adds, suggesting that often, the only way to move on is through understanding that "we are all trying our best, negotiating survival." At its triumphant peak, above gospel-like shouts, she delivers the reprise with a smile: "Take it / Take it back / This dull knife of memory / I still hear your voice inside my head / Says that I'm the villain of the story." 

          TRACK LISTING

          1. Be Kind
          2. Villain
          3. Unrest
          4. Take Care Of Me
          5. Slow (ft. Obongjayar)
          6. Waiting
          7. Overflow
          8. All Is. Will Be. As It Was. (ft. Aja Monet)
          9. Silk And Velvet
          10. Satisfy Me
          11. Believer

          Your Grandparents

          The Dial

            Your Grandparents are fascinated with time. It can neither be created nor killed; there’s never enough of it, but it can stretch on forever. Time is a form of currency that can be saved, spent, and gambled away. In the end, it makes fools of us all. On their drink sum wtr debut, 'The Dial', the Los Angeles trio — producer Cole Thompson and vocalists DaCosta and Jean Carter — deeply consider these disparate ideas. The record works as a meditation on time, but posits that in order to truly grasp the concept and all of its ambient qualities, one must remain rooted in the present. The group, who met in middle school in Culver City and are now in their mid-late 20s, has been making music for a decade, patiently watching the pieces of their career fall into place. They seemed to snatch their genre-agnostic but hip-hop-rooted songs from the cosmos, seizing on a moment of inspiration — a loop here, a turn of phrase there — and proceeding in a stream of consciousness. The Dial took shape more slowly, with what DaCosta calls “focused intentionality.” Your Grandparents chipped away at the material, careful not to rush any one element into place. The result is stunning: a kaleidoscopic trip through heartaches and joys, moments of frustration and hope. Their vocals effortlessly switch between elastic band rap flows and golden-hued melodies as the production reaches through time, gathering up influences — from house-meets-G-funk slink to Dilla-time boogie to ESG-informed dance-punk — all meshed together into a singular whole.

            TRACK LISTING

            1. The Dial
            2. All Dem Times
            3. Tea Lounge/Blossom (feat. Iyana)
            4. I Got High One Day
            5. Ali & Jenn
            6. Met-A-Morphosis
            7. BAD NEWS
            8. Be Cool
            9. Hypnotized (feat. Blackwave.)
            10. Down
            11. Conversations
            12. White Flags

            ********[The Drink]

            The Drink [********]

              ******** are re-releasing their first and final record ‘The Drink’.

              ‘The Drink’ is a twelve-track album addressing a duo’s contemporary and indifferent existence in The West. ******** are comprised of Ailie Ormston, who works in a kitchen and Ω, one half of the partnership Edinburgh Leisure.

              ********’s vision of the world is portrayed through “rudimentary bass and de(con)structive guitar” (Neil Cooper). With hacked drum machines and preprogramed keyboards, they create compositions that complement their lyrical content, itself demonstrating a harsh and contemptuous reality. The album presents a series of theatrically characterised scenarios; universal summaries of the day-to-day; habitual and excessive; promising and disparaging.

              Recorded during a six-month period and originally released solely on YouTube, the album itself addresses new modes of working and an interest in musical versatility.

              Being unrehearsed, unknowing and capable of compromise are key to the ******** ethos, with an emphasis on changing the form of each song to suit different performative environments. Authorship and individualism are discouraged; preciousness of ownership is challenged. 85% honest, 15% misquoted; 100% sincere.

              You will find them in the pub. Drink the dark, depressive drink.

              “I’m a huge fan of ********!” - Saul Adamcweski, Insecure Men / ex-Fat Whites

              “******** are the future” - Rosy Bones, Goat Girl

              “Like having a pint with Brass Eye. One of my favourite albums, ever.” - Liam Ramsden, Mellah

              TRACK LISTING

              The Drink
              I’m A Zookeeper (Not A Goalkeeper)
              Trish
              Kinderpunsch
              Bowling Green
              Practical Song (aka The Logical Song)
              Signs Of Life In The Computer
              Comedian
              Readymade
              Schweppes Bitter Lemon
              Scottish Water
              Doberman

              First there was Paul McCartney, Phil Lynott and Lemmy, and now in 2017 Bill Botting swells the esteemed ranks of bass-players-with-moustaches-come-charismatic-front-men. Following Allo Darlin’s triumphant farewell back in Dec 2016, their ever-buoyant bass player Bill Botting is releasing his debut solo album on Fika Recordings & WIAIWYA. He gathered a supergroup of siblings and indie legends including Allo Darlin’ bandmate Paul Rains, Jonny Helm from The Wave Pictures, Tom Wade from Owl & Mouse, Laura K from Tigercats, Darren Hayman and Hannah Botting from home and christened them the Two Drink Minimums.

              Better Friends is simply described as indie mixed with country, or country mixed with indie. Or like if Lou Reed went to a Linda Ronstadt Concert in 1988 and decided to have a change of direction. Imagine the soundtrack to a 1970's road movie directed by John Hughes, with a little power pop, some cosmic American music and some post-punk, pre-indiepop jangle, all played through an Australian indie filter, with a Paul Simon cover thrown in for good measure. You can hear the Go-Between's in there, some solo McCartney, perhaps an Antipodean Kinks and even some classic Hall and Oates. Better Friends was predominantly written on the move: on 3 hour night buses, tour vans and cross country trains. There are tales of hotel rooms without spare keys [Paulie’s Girl], absurd ‘sexy’ Halloween costumes (Sexy Mental Patient, Sexy Zombie etc) [Feeling Sad Again] and the difficulty of explaining depression to your eldest child [Difficult Stuff].

              The cover of Graceland came from hearing Willie Nelson’s version while waiting for the rest of the band to arrive for the first rehearsal. Having thought it was uncoverable, Bill proceeded to cover it with the gang. And he still modestly maintains that The Two Drink Minimums’ version is the second best of the three. It's honest and personal, melancholy and joyous... like a warm hug from a new friend at the end of a boozy night. 

              TRACK LISTING

              01 Better Friend
              02 Burning Bridges
              03 Knew You When
              04 Treating You Right
              05 Graceland
              06 Feeling Sad Again
              07 The Rug
              08 Paulie's Girl
              09 Difficult Stuff 

              Victoria Williams

              Water To Drink

                Although a much larger production than her 1998 album "Musings of a Creek Dipper", Victoria Williams has lost none of her down home Louisiana on her latest release "Water to drink", she has the same concerns and preoccupations as usual with an all pervading Christian compassion.


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