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‘Valley Tangents’ is Blues Control’s fourth all-new full-length album since 2006.
Now located in the Woodstock of east Pennsylvania, Lehigh Valley, Blues Control conceived ‘Valley Tangents’ far from the madding crowds they’d previously swarmed with and composed among. Could this be the reason for the homegrown, natural feel of the music, with the metronomical hissing of summer mosquito-bots behind their signature Debussy via Guaraldi qua Bley qua Hornsby pianisms, and the playful juxtapositions of a full spectrum of rock colours - stadium, industrial, psych and prog (to name just a few)?
Blues Control’s shape-shifting qualities hint at a mystic lounge act, with spacey guitar leads, a clarion synth and the punch of real drums, only to suddenly discover they were instead playing inside a world music bag, wrapping their mellow drugmospheres around a crisp keyboard centre, evoking heat and nature with waves radiating from seemingly formal Western scales.
Upon hearing ‘Valley Tangents’, long-time listeners will surely attest that the band are increasingly capable of anything in the spectrum they feel should be integrated.
As with each of their earlier efforts, ‘Valley Tangents’ is a full (r)evolution ahead of what came before, at times an unrecognizable new blend of sounds to call Blues Control. Closer listens will bring into focus the continuities that make the band who they are and have been. It ultimately doesn’t matter where on earth this was conceived and laid down and mixed, it came from two minds alone, and nobody else but Blues Control are in control of doing it quite like this.
Love’s A Rondo
Opium Den / Fade To Blue