Doctors Of Madness

Dark Times

Image of Doctors Of Madness - Dark Times
Record Label
Molecular Scream

About this item

The Doctors of Madness are “the missing link between David Bowie and The Sex Pistols” (The Guardian May 2017). Exploding onto the music scene in 1975 with their theatrical, William Burroughs-inspired Sci-fi nightmare, they were misunderstood by many, but those who knew understood the importance of the band’s dangerous, uncompromising approach to lyrics, to music and to performance.

Among the many fans of the band were acts as diverse as The Damned, Vic Reeves, Joe Elliott of Def Leppard, Spiritualized, Julian Cope, The Adverts, The Skids and Simple Minds. The Sex Pistols supported them, so did The Jam. Oh, and Joy Division. They were the first to combine the avant-garde approach of The Velvet Underground with a distinctly European aesthetic. The blue hair, exotic stage-names, the lyrical themes of urban decay, political propaganda, mind control and madness were all taken up by the punk bands who followed in their wake. The Doctors of Madness were trailblazers, pioneers, adventurers…pushing the boundaries of rock music and theatre to see how far it would go before it bust. What happened after them was due, in no small part, to what they achieved in 3 short years.

In the period since the last Doctors of Madness gig in 1978, Richard has written a memoir, collaborated on a cantata with internationally celebrated composer Gavin Bryars, worked as an actor on films with Tim Burton, Martin Scorsese, Harmony Korine and Jack Nicholson, toured the world in a Russian version of Hamlet with James Nesbitt as his grave-digging co-star, played Glastonbury, sung baritone in the British premiere of Frank Zappa’s200 Motels at the Royal Festival Hall, executed John Cleese in nine different ways for a Norwegian chocolate commercial, directed a multi-media evening celebrating the life and work of William Burroughs, won Best Art Film Prize at the Portobello Film Festival last year, had his own live talk show, opened a Cabaret club, played a butler on a long running German TV show, worked with Tom Waits and Marianne Faithfull on the William Burroughs/Robert Wilson stage play The Black Rider, curated events for the Tate Gallery, and sung Walt Disney songs with Jarvis Cocker. Oh, and he still finds time to teach contemporary music to degree students from Finland, Sweden, Japan, Portugal and the USA.

TRACK LISTING

1/ So Many Ways To Hurt You
2/ Make It Stop!
3/ Sour Hour
4/ Walk Of Shame
5/ This Kind Of Failure
6/ This Is How To Die
7/ Blood Brother
8/ Dark Times

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