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Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed-smokin’ and LSD microdosin’ Americana troubadours writing and singing songs today. The New York Times, NPR and Rolling Stone will all gladly corroborate. Steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle, power-pop and psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls.
‘Karma For Cheap’ is Tasjan’s third album and second for New West Records. The record was coproduced by Aaron and his friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer (Albert Hammond Jr.) and features Aaron Lee’s road band - guitarist Brian Wright, bassist Tommy Scifres and drummer Seth Earnest - with whom he’s been touring heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned 70s-country-channeling 2015 debut, ‘In The Blazes’, to his more sophisticated, introspective and lushly produced 2016 follow-up, ‘Silver Tears’, was relatively incremental, Karma’s rocked-up Brit-pop-influenced Beatles-Bowie-Badfinger vibes underscore a significant departure. The album boldly reimagines these vintage sounds, pushing the boundary of what can be considered Americana.
The roots of Tasjan’s ‘Karma For Cheap’ stretch deep, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon - back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. A huge sonic touchstone for Aaron’s new record is ‘The Beatles Anthology’, one of his childhood favourites. In songs like ‘If Not Now When’, ‘Songbird’ and ‘The Rest Is Yet To Come’ you can hear echoes of George Harrison’s vibrant guitar riffs and Jeff Lynne’s lavish production on those lo-fi John Lennon demos the surviving Beatles dug up and polished off in the mid 90s.
Perhaps the most poignant moment on ‘Karma For Cheap’ is the anthemic, hypnotic ‘Heart Slows Down’, a tune rife with musical and lyrical references to The Beatles and Tom Petty, anchored by an unforgettable chorus with a Traveling Wilburys vibe that finds the sweet spot between Tasjan’s two earliest musical heroes. “When I was a kid, my favorite CD to fall asleep to was Tom Petty & The Heartbreakers’ ‘Greatest Hits’, and the last song is a cover of that Thunderclap Newman song ‘Something In The Air’. From the time I was a little kid to when I was teenager, I used to listen to that song on headphones almost every night - I heard it in that space between wake and sleep so many times. And Tom’s passing - he was a really big hero of mine, so it hit me pretty hard. We were in Seattle playing a show when I heard, and it was a heavy thing to process. But all of those elements are there in ‘Heart Slows Down’. The chorus, ‘I will always be around,’ is a reminder that all the good you ever got out of listening to this music is still around you. You’ll always have that.”
Aaron Lee Tasjan says he aims to use his music for good but he’s no protest singer. And ‘Karma For Cheap’ isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist. With ‘Karma For Cheap’ Tasjan establishes himself as an artist who not only evolves over time but isn’t afraid to risk reinventing himself completely from one record to the next.
For fans of Tom Petty, Harry Nilsson, The Beatles, David Bowie.
Barry says: Off-kilter blues-tinged ballads, whimsical but direct and comprised of huge slide guitars, White Stripes-y thumping drums and swinging, swaggering rock and/or roll.
If Not Now When
The Truth Is So Hard To Believe
The Rest Is Yet To Come
Heart Slows Down
End Of The Day
Set You Free
Crawling At Your Feet