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Last time Prins Emanuel flexed his musical muscles on Copenhagen's vibrant Music For Dreams he delivered 'Arbete / Fritid' a double LP of analogue disco, Balearic boogie and leftfield house soaked in inventive melody, multi instrumentation and studio wizzardry. A big hitter with Balearic beards, disco heads and anyone with; a) taste and b) ears, the debut delight set a very high watermark for the Swedish producer. So, it's with complete incredulity that I sit here and tell you that "Diagonal Musik" is even better!
Over the course of eight delicate and divine compostions there's nary a kick drum in sight. In fact, Prins Emanuel ignores the dancefloor entirely, swapping the studio trickery for the honesty and immediacy of an entirely acoustic approach. Guitar in hand, accompanied by the most subtle of organic percussion, the Swede strums, picks and slides his way through a gorgeous set of jazz-folk instrumentals. Think autumn leaves, rain on the window pane and cold coffee - cigarette smoke and a tear stained moleskine. If you'd told me this was a lost folk private press from 70s Europe, I'd be calling Basso and demanding he source me a copy. Forget genres, labels, press or playlists, "Diagonal Musik" is absurdly beautiful; and when you're old(er) and gray(er) you'll still be listening to it.
Patrick says: I've been a big fan of Prins Emanuel for a long time now, and his weirdo disco gem 'Arbete / Fritid' has been in my record box ever since it came out. Here he throws us the most delightful curveball, dodging the dance floor and delivering eight gorgeous acoustic guitar compositions. Intimate, otherworldly and deeply evocative, this is the kind of record you'll listen to until the day you die.
4. I Skyn