About this item
When Escape-ism—nom de guerre of mythic rock ’n’ roll provocateur / theorist / revolutionary Ian Svenonius (performer, author, filmmaker, etc.) announced the imminent release of its second long-player, The Lost Record, it shook the foundations of the hermetic swamp / tundra known as “underground music.” In the music world, a “lost record” is the term for an LP that was passed over, unappreciated maybe not even released but is later discovered, unearthed, and celebrated by in-the-know tastemakers and canny connoisseurs. Many of our culture’s favorite records are “lost” records; once despised or unheard, they’re now in heavy rotation in the clubhouse and in the car. However, the process a record has to go through to be “lost”and then found again is arduous. It’s also quite risky, since most lost records are really just lost: tossed aside and forgotten forever. So, when Escape-ism—the most exciting group in the world announced its new and highly anticipated release The Lost Record, it created a commotion. For some, it seemed unfair for Escape-ism to jump ahead of the usual protocol and not go through the degradation that a historic “lost record” suffers: the endless time spent in a bin in the basement or a remote warehouse. Unshipped, unloved, unappreciated. But for Escape-ism, it seemed easier to circumvent the rigmarole and just get on with it. The Lost Record is a classic, destined to bewitch the minds, hearts, and dancing shoes of any rock ’n’ roll fan who happens to discover it, for as long as such creatures exist. Without the high-octane hype machine of the mind-control minstrels who hypnotize the hapless through the mass media, The Lost Record is bound for inevitable obscurity, but with its timeless tunes, poignant message, and innovative sound rediscovery and immortal status is equally assured! The Lost Record, being what it is, has enormous selling potential. Music enthusiasts will be thrilled to be the ones clever and kind enough to have rescued this platter from oblivion. It’s a no-brainer that The Lost Record will be both unfairly neglected but also enshrined as a pinnacle achievement for subterranean civilization. Listen to Escape-ism. See Escape-ism. Feel Escape-ism. Breathe Escape-ism. Live Escape-ism.
Barry says: It's true, everyone does a 'Lost Record' don't they, which more often than not begs the question, why did you lose it if it was good? I mean, if it's rubbish I wouldn't mind popping it on the seat of the bus whilst i get my book out, or using it to hold down my price labels whilst I write them etc. When things get confusing is when they're new records, but called 'The Lost Record' like this one from Escape-ism. Do they think it's going to get lost? Let's hope not because it's good.
The Lost Record
I’m A Lover (at Close Range)
(I’m Gonna) Bite The Hand That Feeds
The Feeling’s Mutual
I Don’t Know Where Those Words Have Been
You Darken My Night
Alphabet’s Gotta Be Changed
Rome Wasn’t Burnt In A Day
What Sign (Was Frankenstein?)