- Record Label
- Rough Trade
About this item
“Anohni has arrived at the high table of electronic nowness. She has moved from the lush pastoral piano modern compositional landscape framing her voice into a more immediate world of dance-mutated electronica... Was pop ever so revelatory or so profound?” - Geoff Travis, London 2016
Anohni, the singer of Antony And The Johnsons, releases her new album, ‘Hopelessness’, on Rough Trade. A collaboration with Oneohtrix Point Never and Hudson Mohawke, ‘Hopelessness’ is a dance record with soulful vocals and lyrics addressing subjects including surveillance, drone warfare and ecocide. The album seeks to disrupt assumptions about popular music through the collision of electronic sound and highly politicized lyrics.
To coincide with the Climate Conference in Paris last December, Anohni released her debut single, ‘4 Degrees’ and The Guardian called it “Hugely affecting… instantly earns its place in the pantheon of great musical protests.”
‘Drone Bomb Me’ is the beautiful yet brutal second single from ‘Hopelessness’. As described by Anohni, “‘Drone Bomb Me’ is a love song written from the perspective of a young girl in Afghanistan whose family has been executed by unmanned US drones. She dreams of being annihilated.” The powerful video for ‘Drone Bomb Me’ was directed by Nabil and features an astonishing performance by Naomi Campbell.
“‘Hopelessness is the genius of Anohni and her masterful songwriting. The long low sexy beats, the skittering colorful and playful rhythms surround her voice, which is the silky center… ‘Hopelessness’ is an entirely new mix of love and power, sex and despair delivered with her heavenly voice and incantatory melodies.” - Laurie Anderson, NYC 2016
“Once, some time ago, Anohni, who sings so exquisitely on this new record which is really about defiance and naming names-the name you want to be called, your birthright-was known as Antony but it didn’t measure up to what was felt inside, and it is my belief that Anohni’s voice would have closed up if Anohni had stayed Antony and the words would have stopped, too, because the naming was not as accurate as Anohni’s soul required to sing what needed to be sung... The record is fierce-fierce in its desire to breathe and be heard.” - Hilton Als, NYC 2016