house . techno . electronica . ambient . neo-classical


Genre pick of the week Cover of Volume I by Secret Witness.
Bienvenue Recordings presents the first recordings of Secret Witness. Created in winter 2020, the band brings together producers Gabriel Rei and Gene Tellem, singer/songwriter Laroie and drummer Pascal Deaudelin. ‘Volume I’ is presented as the fruit of this reunion, an ideal pairing for seekers of dancefloor influenced reflection. Night tunes to best capture the driving and soulful essence of deep house, with lyrical play to help you imagine. Recorded between Saint-Sauveur and Montreal, this six track mini-album reaches for sophistication, playfulness and romance... we can all agree that it is a useful triptych to base a theme...


Matt says: High fidelity, DSP production, sun blushed aesthetic, deep soulful vocals and a house music mindset make this the surprise late summer winner. RIYL: Andras Fox, Lou Hayter, Ruf Dug, Ron Trent & Larry Heard.


A1. Endless Nights
A2. Secret Witness
A3. Refuge
B1. Influence
B2. My Love Is Dark (Everlasting Fight)
B3. More For Us

Belief (Stella Mozgawa & Boom Bip)


    With a back catalogue at Lex Records that spans half a dozen studio LPs as Boom Bip, plus another two as one half of electronic pop duo Neon Neon, Bryan Hollon has already made a name for himself as a Mercury prize-nominated producer and multi-instrumentalist. Equally impressive are the credits to Warpaint drummer Stella Mozgawa’s name; she’s contributed percussion to albums by Kurt Vile, Cate le Bon, Courtney Barnett, Sharon Van Etten, and Kim Gordon, among others. But as improvisational techno duo Belief, the pair make music that harkens back to ‘90s acts like LFO and 808 State – artists that indelibly, but near-anonymously, altered club and rave culture, mostly identifiable by clean, bold logos on 12” sleeves. “They didn’t have much of an image – you didn’t really know what the guys looked like, it didn’t matter at all,” says Hollon. “Their logos kind of define them.”

    Hollon met Mozgawa just after she joined Warpaint, when Boom Bip shared a rehearsal space in Echo Park with the band. The two quickly bonded over a love of early Warp Records, drum breaks, acid house, and Y2K-era rave flyers. They swapped playlists and ideas when Mozgawa played drums for Neon Neon’s 2013 West Coast tour, but due to busy schedules, it would be another three years before they packed every piece of gear they collectively owned into Eric Wareheim’s Absolutely Studios for an initial jam session. “The actual rat’s nest of midi cables was so overwhelming and intense. But for some reason when we just started jamming, it just felt like we intuitively knew how to make something sound the way that both of us wanted it to sound,” says Mozgawa. “We had a kind of mutual taste or something. It just came so easily once there was another mind there.”

    Instinctively playing to each other’s strengths and whims – and recording the session to build on later – allowed Mozgawa to explore a style of music she’d long considered a dark art, and pushed Hollon, known for his meticulous planning in previous work, to be more spontaneous. “There is a looseness and jam quality to it that my other music doesn’t have. We have hours of improvised sessions, which is something I always wanted to do but never took the time in my solo work nor have I ever trusted anyone as much as Stella in knowing exactly what to do and when to do it,” Hollon says. “We connect on another level that you can only tap into when improvising.” They found pockets of time to revisit the project over the next four years, even playing some early shows where they billed themselves as ‘Beef’ – a comedic wink to the project’s pulsating minimalism.

    While it was all in good fun, more reverent threads began to emerge as they began finalizing and recording headier, more enigmatic tracks. “As the music started developing, it was a bit more soulful and deep,” Hollon says. “There was always that little bit of a religious element in early rave culture… it gave us a bit of a box to work within.”

    When they’d hit on something during a performance, they’d make a note to record it; samples they’d used as placeholders were reworked with the duo’s personal touches; Mozgawa tapped bandmate Emily Kokal to record some vocal textures during Warpaint studio time; Hollon chopped, looped and arranged the jungle breaks Mozgawa had recorded from memory; and finally, the two returned to a mostly complete album during pandemic down time to flesh out and warm up some of the cooler machine-like tones, an invaluable final step.

    “The house-y acid-y stuff works really well in the live setting but when it came to recording the stuff, some of it just didn’t feel as warm or as whole as it should, to represent Stella and I,” says Hollon. “We were able to go back and inject a lot of personality into the music, so I’m really happy that we didn’t rush it and spent more time digging a little bit deeper into the songs.”
    “We were also very aware of not overcooking it,” adds Mozgawa. “It’s such a delicate balance.”

    Though governed by the central question – What Would Mark Bell Do? – Belief were careful not to create anything too derivative. “It’s something that really does come up a lot when we’re making decisions in the studio. We felt a kindred connection with one another over that music,” says Mozgawa. “It’s definitely a record that we made with our own influences and capabilities but there’s still this prevalent thread of wanting to add to that conversation in the musical universe, like making a contribution to that out of reverence to what came before.” Born out of an oddly divine foresight the duo share, Belief pays homage to the pioneers of techno, the synergy of two devout tastemakers building a shrine to inner peace and outward pleasure.


    Side A
    1. I Want To Be
    2. Anx
    3. Bayo
    4. Luther
    5. Dreams
    Side B
    1. Nebo
    2. WOT
    3. Ulu
    4. Jung
    5. Art Of Love

    Black Bones

    Nairobi Night Train / FAD

    Shamanically leaning late night tribalism here from Black Bones with a unique take on afro, techno and post punk which puts the production duo firmly in the covenstead of Hoga Nord. This is their first 7" on the label but with the diecast sonic voodoo they're demonstrating here, I doubt it'll be there last display!

    Black Bones use familiar components in surprising ways: electronics and loops swirl over sequenced pounding backbeats, but when the aggressive stereo bass kicks in on “Nairobi Night Train”, Kenya’s border stretches all the way up to the British Isles and a huge savannah opens its horizons just south of Belfast.

    This is an alluring mix of European and African music tradition - harness by electronic wizardy and wrapped in a magic that'll tempt everyone into the dance! 


    Matt says: Höga Nord Rekords continue to provide the aural spells for the witch's coven. Broomsticking into datura realms of sound and space. Only for the spiritually strong!


    A. Nairobi Night Train
    B. F.A.D

    Long-established house talent Bontan makes a much-anticipated return to Hot Creations. Gifting us with the two-track "Gold Teeth", it showcases the UK-native at his best - tribal, big room house music with a forward focused sensibility.

    Shamanic-like drums create a hypnotic vibe right from the word go, as we’re graced with echoing chants and sharp vox on "Gold Teeth". There’s an air of tribalism throughout via shimmering maracas and rhythmic hi-hats, before "Heart Shaped Leaf" takes on a techy edge. Cow bell percussion undulates beneath a low-slung bassline whilst spacey lyrics repeat nearby, forming a peak-time, club-ready cut that's clean, infectious and mesmerizing.

    Quality double header from this rising talent. Recommended.


    Matt says: First Hot Creations we've had for a while but I couldn't let the new tribal rampage of "Gold Teeth" go unexplored. The sound of late nights in Tisno; these are the joints that rock the beach stage at Love International till the early hours.


    A. Gold Teeth
    B. Heart Shaped Leaf

    Make A Dance change things up for their third release, ushing in rising Yorkshire post-punk outfit Deadletter to collaborate.

    "Line The Cows" is a kinda wobbly, post-punk reggae-disco jam. Like Yard Act meets ESG and Jah Wobble with lyrical direction from John Cooper Clarke. A skeletal drum machine groove supporting winding bass and Zac's deadpan, well pronounced vox cutting through like a knife and providing some clever and insightful phrases. The second track is a recording of the band doing a full live take in London’s Pony Studios showcasing just how tight this 6 piece band are.

    On the flip Make A Dance get to work with the remix package with broken beats and arpeggiated baselines, turning the track into a dark twisted monster fit for a 4am bass bin workout.


    Matt says: Make A Dance present rising Yorkshire firm Deadletter. The OG should appeal to fans of Yard Act and ESG whilst MAD are on hand with two wobbly, electrified disco-not-disco jams. Killer!


    A1. Line The Cows
    A2. Line The Cows (Live At Pony Studios)
    B1: Line The Cows (Make A Dance Remix)
    B2: Line The Cows (Make A Dance Dub)

    C Duncan


      ‘Alluvium’ is the fourth album from C Duncan, Glasgow’s classically trained multi-instrumentalist and singer-songwriter, released through Bella Union. After the haunting raptures of Architect (2015), the Twilight Zone-inspired reveries of The Midnight Sun (2016) and the richly melodic Health (2019), Alluvium is a sublime palate-refresher for Duncan (C for Christopher), brimming with revitalised fluency: a warming dispatch from the daylight zone, if you like.


      We Have A Lifetime
      Bell Toll
      You Don’t Come Around
      I Tried
      Sad Dreams
      The Wedding Song
      Upon The Table

      Ensemble Intercontemporain

      Steve Reich: Reich/Richter

        Nonesuch Records releases the first recording of Steve Reich’s Reich/Richter, performed by Ensemble intercontemporain and conducted by George Jackson. The composition was originally written to be performed with German visual artist Gerhard Richter and Corinna Belz’s film Moving Picture (946-3).

        Reich describes Richter’s book Patterns, which served as source material for the film: “It starts with one of his abstract paintings from the ’90s. He scanned a photo of the painting into a computer and then cut the scan in half and took each half, cut that in half and two of the four quarters he reversed into mirror images. He then repeated this process of ‘divide, mirror, repeat’ from half to quarter, eighth, sixteenth, thirty-second, all the way up to 4096th. The net effect is to go from an abstract painting to a series of gradually smaller anthropomorphic ‘creatures’ (since the mirroring produces bilateral symmetry) to still smaller very fine stripes.

        “Belz described the film in terms of ‘pixels’. It begins with two-‘pixel’ stripes and the music begins with a two-sixteenth note oscillating pattern. When the film moves to four ‘pixels’, the music moves to a four-sixteenth note pattern, then to eight, and sixteen,” the composer continues. “After that, I began introducing longer note values – initially eighth notes, and later to quarter notes. By the middle of the film, when the images move from 512 to 1064 pixels, the music really slows to dotted half notes. Finally, as the ‘pixel’ count begins to diminish, the music moves back into more rapid eighths and then ending with the most intense rapid sixteenth movement.”

        After more than one hundred performances of Reich/Richter at The Shed in New York in 2019, it was performed in London at the Barbican by the Britten Sinfonia conducted by Colin Currie and then in Paris at the Philharmonie, where this recording was made. The Austrian ensemble Windkraft Tirol, led by Kasper de Roo, will perform Reich/Richter on September 8 at Szentrum, Silbersaal in Schwaz, and the LA Phil New Music Group, led by Brad Lubman, performs the piece, accompanied by Richter and Belz’s film, at Walt Disney Concert Hall in Los Angeles on April 1, 2023.

        Nonesuch has recorded every new piece of music by Steve Reich since 1985, beginning with The Desert Music and continuing through 2018’s Pulse/Quartet, resulting in twenty-two albums and the two box sets Phases in 2006 and Works: 1965-1995 in 1997. The label will put out a collection of his complete works in 2023.

        Reich released a book last month, Conversations, that includes dialogues with past collaborators, fellow composers, musicians, and visual artists who have been influenced by his work, including: David Lang, Brian Eno, Richard Serra, Michael Gordon, Michael Tilson Thomas, Russell Hartenberger, Robert Hurwitz, Stephen Sondheim, Jonny Greenwood, David Harrington, Elizabeth Lim-Dutton, David Robertson, Micaela Haslam, Anne Teresa de Keersmaeker, Julia Wolfe, Nico Muhly, Beryl Korot, Colin Currie, and Brad Lubman. Booklist said in its review, ‘Iconoclastic American composer Steve Reich is singular in his own right, and when he is in conversation with other equally iconoclastic composers, conductors, sculptors, musicians, percussionists, and video artists, sparks not only fly, they sparkle. Reich and his colleagues conduct lovely give-and-takes during which they share stories, creative approaches, and viewpoints. Reich's Conversations is the best kind of eavesdropping.’

        Steve Reich has been called ‘America’s greatest living composer’ (Village Voice), ‘the most original musical thinker of our time’ (New Yorker), and ‘among the great composers of the century’ (New York Times). His music has influenced composers and mainstream musicians all over the world. Music for 18 Musicians and Different Trains have earned him two Grammy Awards, and in 2009, his Double Sextet won the Pulitzer Prize. Reich’s documentary video opera works – The Cave and Three Tales, done in collaboration with video artist Beryl Korot – have been performed on four continents. His recent work Quartet, for percussionist Colin Currie, sold out two consecutive concerts at Queen Elizabeth Hall in London shortly after tens of thousands at the Glastonbury Festival heard Jonny Greenwood (of Radiohead) perform Electric Counterpoint followed by the London Sinfonietta performing his Music for 18 Musicians.

        In 2012, Reich was awarded the Gold Medal in Music by the American Academy of Arts and Letters. He has additionally received the Praemium Imperiale in Tokyo, the Polar Music Prize in Stockholm, the BBVA Award in Madrid, and the Golden Lion at the Venice Biennale. He has been named Commandeur de l’Ordre des Arts et des Lettres and has been awarded honorary doctorates by the Royal College of Music in London, The Juilliard School, and the Liszt Academy in Budapest, among others. ‘There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history and Steve Reich is one of them’, states the Guardian.

        Pierre Boulez founded the Ensemble intercontemporain in 1976 with the support of Michel Guy (who was France’s Minister of Culture at the time) and the collaboration of Nicholas Snowman. The Ensemble’s thirty-one soloists share a passion for twentieth and twenty-first century music. Under the artistic direction of Matthias Pintscher, the musicians work in close collaboration with composers, exploring instrumental techniques and developing projects that interweave music, dance, theater, film, video and visual arts. In collaboration with IRCAM (Institut de Recherche et Coordination Acoustique/Musique), the Ensemble intercontemporain is also active in the field of synthetic sound generation. New pieces are commissioned and performed on a regular basis. Resident of the Cité de la musique – Philharmonie de Paris, the Ensemble performs and records in France and abroad, taking part in major festivals worldwide.

        George Jackson, winner of the 2015 Aspen Conducting Prize, came to attention after stepping in at short notice with Orchestre de Paris, where he stepped in for Daniel Harding. Recent highlights include leading Ensemble intercontemporain at Festival Romaeuropa, the Rainy Days Festival in Luxembourg, and Festival D’Automne in Paris, as well as conducting the RTÉ National Symphony Orchestra, the orchestra of Opéra de Rouen and the world premiere of Tscho Theissing’s Genia with Theater an der Wien. His varied operatic experience includes performances at Opera North, Hamburg State Opera and Opera Holland Park, as well as conducting a new production of Hänsel und Gretel at Grange Park Opera.


        Reich/Richter: Opening
        Reich/Richter: Patterns & Scales
        Reich/Richter: Cross Fades
        Reich/Richter: Ending

        Peggy Gou

        Moment EP

        International house sensation Peggy Gou launches her own Gudu Records with the "Moment" EP, a killer double header of dance floor majesty, informed by 30 years of club music and transformed into something all of her own.
        The A-side kicks off with "Starry Night" (surely the only Radio 1 daytime play in history with a Korean vocal?) a beautiful fusion of emotional SAE melodies and proto house elements. The pinging bassline and punchy piano could come straight from a Prelude classic, while the sweet synth strings are totally AZN, providing an infectious and energetic backdrop for Peggy's fierce vocal. Top. On the flip "Han Pan" hits us with glassy / metallic synth melodies, a stepping rhythm and hints of island life in the lead line, once again topped by a choice vocal from Peggy. Timeless, anthemic and totally irresistible, this is another essential release from the latest house superstar.


        Patrick says: How does she do it? Peggy Gou distils Prelude boogie, proto house and bubblegum style groove into a glorious two track 12" on her new Gudu Records. Featuring her bilingual vocals once again, along with a perfect combination of bump and melody. A true summer anthem!


        A. Starry Night
        B. Han Pan

        Seven years since releasing two back to back dancefloor hits, Jack J returns to the airwaves with this amazing LP on Mood Hut Records. Laid back, sun drizzled house music was the previous inclination; and here Jack seems to continue to the mood, featuring his own vocals against a backdrop of vintage synth swells, organic 4/4 drums and sumptuous bass guitar licks. It's still wrapped in that 4:20 stoned glow as we get Balearic (read: Vancouver Riviera) flavours washing up against the Pacific coastline.

        There's a playfulness, a sincerity, and yet a naivety which sees J's emotions painted firmly across the record. The interplay between Rhodes, vox and synthesized elements his unique calling card and one that's executed with such an effortless calm - you just can't help but be sucked in by this guy's music! Well worth the wait! 


        Matt says: Seven years after those two, genre-defining 12"s, Vancouver Riviera OG Jack J returns with his debut LP. Already huge with Ryan Horsebeach and Pasta Paul we reckon this'll blow up big.


        A1. If You Don’t Know Why
        A2. Opening The Door
        A3. The Only Way
        A4. Only You Know Why
        B1. Clues (Part I)
        B2. Clues (Part II)
        B3. I Saw Fire
        B4. Closing The Door

        John Carroll Kirby

        Dance Ancestral

          Dance Ancestral is the latest addition to the prolific artist John Carroll Kirby’s fast-growing and distinctive body of work. Kirby debuted on Stones Throw in 2020 with My Garden, an album influenced by jazz, New Age and early music which he synthesised into his unique and instantly recognisable sound signature. Since then, he’s released the instrumental piano album Conflict, the Cryptozoo original feature film soundtrack, and the jazz fusion suite Septet. For Dance Ancestral, Kirby invited Canadian producer Yu Su to join him on production duties for a record with a more electronic sound.


          1. Dawn Of New Day (ft. Laraaji)
          2. Pan’s Dance
          3. Repettos For You My Lord
          4. Pause On The Ancient Ballcourt
          5. Frog Life
          6. Ghost In A Mist
          7. Messages In Water
          8. Tiptoe To The Grave
          9. Gabriel’s Gig

          Dave Maze

          Moog Groove

          Chicago native and deep house don Dave Maze drops a tasty two-track, one-sided doozy on D&E, straight outta his windy city.

          "Moog Groove" is the kinda luxurious, percussion driven, organ-fuelled deep house groove you'd usually expect from Moods And Grooves or Ron Trent's Electric Blue series.

          "Space Disco" is more, well, disco flavoured, with Dave utilizing a hooky clav and bass phrase, adding seared synth strings, female vox and what I think are flute stabs. It's still got that loopy, house sensibility but the instrumentation should guide it alongside more organic, disco-centric material.

          Top drawer stuff - limited copies - move quick! 


          Matt says: Understated and luxurious deep house and disco-house double header from the delectable John Maze. If you dig Ron Trent and Glenn Underground this one's for you.


          1. Moog Groove (6:04)
          2. Space Disco (6:51)

          Jamal Moss keeps up the momentum on his resurrected Members Only series, bringing forth two more volumes this week. Volume 3 kicks us off with a frenzied percussive disco jam, "Sweet Back - those wild congas, cowbells and clavs combining into a frothing, dizzying mess that'll cause dancer's feet to spark ignition against the wooden dancefloor - forest fire alert!

          "Journey Into Ur Feelings" is equally rampant, pots and pans drums flailing out of control against female whoops and intermissive bass trills before Jamal lets all the tape heads loose against one of those gigantium Philly disco joints he keeps to himself that's like a pressure cooker about to pop! Dynamic disco explosion here folks - stand well back unless you want to be smothered in disco ball destruction!

          "Restart The Flame" takes a tempting disco drum loop that's just outta my current radar range and atomizes it against the chorus of Dan Hartman's "Relight My Fire" - resulting in a discombobulating push-push whirlpool that gathers a concentric building energy ready for skilled DJs to utilize like radioactive isotopes in the nightclub reactor.

          A truly combustible 12" from the master editor and Ron Hardy advocate - highly recommended! 


          Matt says: Two more from the hallowed Members Only vaults. Exclusive edits for the more risk-taking audio collagers that pursue that authentic Muzic Box flavour.


          A1. Sweet Back & Pound Cake
          A2. Journey Into Ur Feelings
          B1. Restart The Flame
          B2. Binary Disfunction

          Members Only

          The Worst Edits Vol 4

          Jamal Moss continues the much welcomed return to his Members Only series. After gifting us "The Worst Edits 1 & 2" a couple of weeks ago we get another pair this week, 3 & 4 (logically).

          As usually it's high grade, VHS frazzled, sherm-disco; taking source material from the vast annals of disco history and recklessly blending them with Ron Hardy-esque editing techniques, spoken word mash-ups and lysergic percussion workouts. This, volume 4 is a special one: A1's precursor escapes me, but the alchemical explosion of hi-nrg electro-disco thrust is a spectacular and quintessentially Members Only end product that'll heat up any dancefloor. A2 snips up some John Cooper Clark dialogue (Jamal LOVES Manchester by the way! - Ed) over an experimental industrial noise jam; drawing attention to 'housing prima-donnas found within us'. This'll twist melons deep into the late night sessions!

          Only side B and we get another strew out, highly narcotic blend of disco, tribal drums and Muzic Box energy; a totally indecipherable, FGTH-styled propulsion of almost orgasmic electricity; strap in tight! Finally, The Dell's "No Way Back", already the subject for both DJ Harvey and Theo Parrish edits, gets thoroughly PCP'd through Jamal's space-age hardware arrays, tearing it across dimensions and firing it down our ear's with maximum proton-thrust.

          For edits that are totally off-grid and spontaneously gratifying, the Members Only series is one of the best there is. Stunning stuff from the Chicago legend. 


          Matt says: Two more from the hallowed Members Only vaults. Exclusive edits for the more risk-taking audio collagers that pursue that authentic Muzic Box flavour.



          Moonchild Sanelly


            The trailblazing South African musician Moonchild Sanelly - real name Sanelisiwe Twisha - signed to Transgressive Records in 2020, kicking off with diverse mini-LP Nüdes. Now, she returns to the international label with her genre-crossing second album Phases. Forming a sonic foundation that veers between Amapiano, Gqom, grime, pop, house and R&B while showcasing her vocal talents on more downtempo songs, Phases 19-tracks document the varying chapters of a toxic relationship and subsequent freedom. A double album, the first side is a journey through the relationship with production reflecting those different moods and aspects of her personality; the second side, meanwhile, leads into a clubbier amapiano space. Collaboration has always been core to Moonchild’s alternate world.

            Since her 2015-released award-winning first album Rabulpha! put her on the global map, she has collaborated with local favourites Maphorisa, Sho Madjozi and Thandiswa Mazwai. In the years that followed, she caught the attention of a host of international superstars, leading to high-profile collaborations with artists including Wizkid, Beyonce (featuring on “My Power”) and Gorillaz (on “With Love To An Ex”). Phases is a highly collaborative record, too, with production and guest features from Sad Night Dynamite (their track “Demon” is already a huge hit), Wesley Joseph, Xavier Thomas (Débruit), TOKiMONSTA, Holly and Aramboa.

            The album’s title takes on a multitude of meanings: via the range of genres covered across its runtime, the different sounds and styles that it encompasses and the personal journey that Sanelisiwe Twisha has taken to get to this point. But, for Moonchild Sanelly, it’s more literal than that: “I think that, with this album, I’ve managed to piece all the different parts of me together, because I’m known for different things in different parts of the world. I think you get to know me better with Phases - all the different sides of me.”

            TRACK LISTING

            1. Undumpable
            2. Demon (Moonchild Sanelly And Sad Night Dynamite)
            3. Cute (Ft. Trillary Banks)
            4. April Fool’s Day
            5. Strip Club (Ft. Ghetts)
            6. Let It Rip
            7. Over You
            8. Money Tree
            9. Favourite Regret
            10. Too Late
            11. ULi (Ft. Blxckie)
            12. Covivi
            13. Soyenza (Ft. Sir Trill)
            14. Yebo Teacher (Extended Version)
            15. Chicken
            16. Jiva Juluka
            17. Bad Bitch Budget
            18. Jump
            19. Bird So Bad

            Absolute cutting-edge banger here from New York's Anthony Naples who debuts on Running Back. "Swerve" gets us underway with hard house-indebted hoovers and iconic 'donk' b-line. His kicks slam hard too, and when that glacial gated vox pattern drifts in we're thrust into a deep nightclub hypnosis few can resist!

            "Here With You" is a hard edged stadium tickler, a delectable percussion array combining with expertly programmed sub bass and a niggling acid line for a techy n tough mid session burner that you can imagine is always doing the rounds at the more progressive global dances.

            "Right As The Sun Goes" is a fiercy forward focused sun set track. One of those that the right DJ knows just when to drop - after a long hard afternoon session just as those red warm rays start to dance off the mountain tops = maximum crowd exstaticness!

            Finally, "Be To" concludes proceedings with an ethereal, driving techno ride. Pluming bass, swelling pads, hypnotic perx; it's all there to suck you right into its acidic pumping wormhole, spitting you out into a it's jet streamed ascent.

            Incredible stuff from Anthony Naples here, I'd go as far as to say might be my favourite record here's done. Supremely advanced yet losing no dancefloor sensibilities, this is the kinda shit you go to nightclubs to hear! 100% recommended! 

            STAFF COMMENTS

            Martin says: Open-air slammers (with hoovers!) from NY's Anthony Naples who keeps the fires burning well after sundown on this four track EP that's allll hitter zero shitter.

            TRACK LISTING

            A1. Swerve
            A2. Here With You
            B1. Right As The Sun Goes
            B2. Be To



              The musician Kurt Dahlke is not only a member of the bands Der Plan and Fehlfarben, founding member of the group DAF and co-founder of the label Ata Tak, but also is Pyrolator.The sixth album in Pyrolator’s Land series has a formal language all of its own, meandering between the beauty of crystal clear melodies and restrained ambient moments on the one hand and rugged, dystopian brittleness on the other. A cycle revolving between the hope of a revolution for humanity and arrival in no man’s land.

              New RX-101 on Suction!!! Amazing Detroit inspired techno from this underrated producer.

              When we first discovered RX-101’s output via Suction circa 2015, we knew we’d stumbled upon something very special. Five EPs and four albums later, and now a firmly established as a crucial artist in the Aphex/Rephlex/IDM cannon, Suction Records are still mining this elusive Dutch producer’s 1997-1999 archive of unreleased live-to-cassette recordings, and aren’t even close to scraping the bottom of the barrel.

              As the title suggests, “New Discoveries” is not just more of the same - this is a new side of the RX-101 sound. Rather than taking inspiration from braindance heroes like Aphex Twin and Bochum Welt, “New Discoveries” is a reflection of Erik Jong (aka RX-101)’s love for classic Detroit techno - Juan Atkins, Derrick May, Carl Craig, et al. Like some of the UK producers who mined this sound for inspiration, from B12 to Kirk DiGiorgio, the influence of Detroit techno is crystal clear, even if the sound has a distinctly EU/UK flair.

              Available digitally, on limited vinyl LP in a reverse-board jacket, or on CD. The CD comes in a reverse-board digipack, adding 2020’s 6-track “Hearts Utd.” EP (including a remix by Brainwalztera) as an exclusive CD bonus. All physical formats include a Bandcamp download card inside.

              TRACK LISTING

              A1. Back To Zero
              A2. Trip To The Unknown
              A3. T.p.o.s.m.
              A4. No Access
              B1. Sys.rx.9.b013
              B2. The Invention Of Ideas
              B3. Voyage Of Discovery
              B4. Star Tracker

              The Sound Of Science

              The Sound Of Science

                Dean Honer and Kevin Pearce present a beautifully designed original soundtrack of songs taken from a science show for children and adults alike.

                Dean Honer is a Sheffield based musician, producer and founding member of many iconic electronic music bands including The All Seeing I, I Monster, The Moonlandingz and The Eccentronic Research Council. He has worked as a producer for bands such as The Human League, Add N to X and Roisin Murphy.

                Kevin Pearce is a songwriter from Essex. He has received plaudits for his work from The Independent, The Guardian and Mojo magazine. His music has been used on HBO programmes in the USA as well as BBC TV shows in the UK.

                Castles in Space is proud to present The Sound of Science. Dean explains the background and inspiration for the album:

                “The idea for The Sound of Science had been in my head for a number of years.

                “Being a parent of young kids I endured a lot of very cliched and awful children's songs that were attempting to combine education and entertainment. These quickly became a form of torture to me, something that the CIA might use in covert operations to flush out a drug cartel from their hideout. It became apparent that there was a desperate need for informative songs and music that were appealing and bearable for both children and their parents.

                “I recruited my friend Kevin Pearce, (who I have produced and collaborated with on various projects over the years), to bounce ideas off and who could put together a nice series of chords and could sing! Which helps when writing songs. Kevin is from an acoustic folk background and I'm more of a one finger synth player in the Human League tradition. I thought it would be interesting to mix the folk and electronic element together for children’s songs. Something that harks back to both the BBC Radiophonic Workshop in the 60's and 70's and also the folk songs of TV programmes like Play Away, public information films and music from various weird and oddball kids TV from that era.

                “We then recruited various artists to sing on the tracks including PsychFolk singer Sharron Kraus, performance artist Heidi Kilpaleinen (HK119), synth goddess Tara Busch, artist and ex Add N to X man Steven Claydon and vocalists Liza Violet and Tom O'Hara.

                “Kevin and I are both interested in science and astronomy so that was the obvious direction for the album. Writing songs about various scientific subjects was interesting and a challenge. Aiming them at children meant that we didn't need a PHD for the lyrics. It became more about conveying a sense of wonder and presenting some amazing facts to audience.

                “In 2018 we were asked by Sheffield University to work on a live version of the album and to collaborate with some of their senior scientists on the project. This turned The Sound of Science into a live performance spectacular involving scientific experiments on stage, a live band performing the songs, plus 3D visuals created by Human in Sheffield. We performed 3 shows over two days and the reaction from kids and their parents was amazing. More festival shows due in 2020 were curtailed because of the pandemic, but we hope to get the show back on the road in 2022.”

                STAFF COMMENTS

                Barry says: An absolutely stunning package here, once again for the ever-brilliant CiS, and a landmark release for their 100th cat no. too! Beautiful kosmische synths, robot vocals and airy arps, bringing to mind Kosmischer Laufer or Panabrite, but imbued with a percussive drive and Hohner-exclusive humour. Really beautiful stuff in sight and sound.

                TRACK LISTING

                1. Photosynthesis (Love The Green Machines)
                2. What Makes Sound
                3. Everything’s Made Of Atoms
                4. These Are The Elements
                5. Global Warming
                6. The Water Cycle
                7. The Speed Of Light
                8. Gravity
                9. Nebulae
                10. The Planets And Moons Of The Solar System
                11. Black Hole (Sagittarius A Star)
                12. A Total Solar Eclipse

                This is Kaidi's 4th solo album under his own name, following on from 'An Insight To All Minds' (2021), 'It's A World Before You' (2018), and 'In Search Of Hope' (re-pressed in 2020), all released on First Word, along with several EPs from 2017 onwards.

                To bring you up to speed, Kaidi Tatham is a legendary multi-instrumentalist born in the Midlands and based in Belfast. Once dubbed "the UK's Herbie Hancock" by Benji B, he's a virtuoso on the keys and a true innovator in sound production as one of the original creators of the Broken Beat sound. Over the years his musical prowess has blessed numerous projects, recently with the likes of DJ Jazzy Jeff, Andrew Ashong and with longtime accomplice, Dego. This in addition to session and remix work for artists such as Mulatu Astatke, Slum Village, Marcos Valle, Amy Winehouse, Soul II Soul, Nubya Garcia, Rosie Frater-Taylor and Leroy Burgess, along with First Word label mates Eric Lau, Children of Zeus, Allysha Joy and Darkhouse Family. Kaidi is also a revered DJ known for rocking parties globally, whilst his solo catalogue spans tons of EPs and releases for labels such as Dego's 2000 Black, Alex Nut's Eglo Records and Theo Parrish's Sound Signature.

                This new album 'Don't Rush The Process' opens with an intro of sweet strings on 'Mystery Solved', ahead of lead title track, which is on a mid-tempo boom bap vibe, before switching to a more uptempo boogie vein, with the assistance of The Easy Access Orchestra, who also appear on 'We Chillin' Out', which is on a similar boogie tip. 'All I Need' is some gospel flavoured hip hop, whilst 'Knocknee Donkey' steps things up in a jazz-funk fashion. The second half of the album takes on a very Brazilian flavoured stance, with a set of delicious latin flavoured grooves on 'Any Flavour', 'Runnin' Tru', 'What A Dream' and 'Sooretama', the latter featuring the additional prowess of pianist Robert Mitchell. There's a touch more of the hip hop beats thrown in via 'Funky Fool' and the album closes out in inimitable Kaidi style with a short message: 'Mind Yourself'.

                A hugely prolific artist, here he adds to an already impressive catalogue, a body of work that falls within the cracks of jazz and dance music, exemplifying modern British black brilliance; uncompromising, innovative, groundbreaking, intricately sophisticated and deeply funky. His fanbase expands on every release and it's no surprise that that fanbase includes a diverse set of peers such as Madlib ("ahead of his time"), Gilles Peterson ("a key part of an entire movement"), K15 ("a limitless source of inspiration") and Kyle Hall.

                STAFF COMMENTS

                Millie says: The musician's musician and broken beat pioneer Kaidi Tatham graces us with a lavish selection of boom-bap, semi-instrumental hip-hop and pure broken beat funk. It's an amazing collection from this much-lauded innovator.

                TRACK LISTING

                1. Mystery Solved
                2. Don't Rush The Process (feat. The Easy Access Orchestra)
                3. Just Not Right Rudi
                4. All I Need
                5. We Chillin' Out (feat. The Easy Access Orchestra)
                6. Knocknee Donkey
                7. Any Flavour
                8. Funky Fool
                9. Sooretama (feat. Robert Mitchell)
                10. Runnin' Tru
                11. What A Dream
                12. Mind Yourself

                Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing.

                The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. The roster ranges from new and emerging producers to more established artists looking to explore new sounds.

                Picking up where they left off, the fourth release on the label is a powerhouse of mind melting, UK-flavoured, twisted techno-not-techno and breaks. Intricate rhythms, chest rumbling sub bass and deft samples destined for a heavyweight club system. With online personas often eclipsing the focus on music itself, here lies a return to form. 

                STAFF COMMENTS

                Matt says: Really diggin' this series so far - not least due to it's 'no presumptions' ethos. It's delivering some seriously underground sounds whilst avoiding falling victim to its own hype. Constantly keeping us on our toes and having it right off in the club. Recommended!

                TRACK LISTING

                A1. A1
                A2. A2
                B1. B1
                B2. B2

                Limited edition reissue of the rare and sought after Boo Williams' classic "Fruits Of The Spirit", originally released in '99.

                The perfect example of the Chi-town house god’s deft grip on swing and shuffle, four tracks that epitomize that wiggly worm feeling of feeling good in the session! All the idents and tropes that’d iconize this producer can be heard and discovered within these four tracks. From the suspended pads and angelic pads to the swirling fx and shoulder-rolling canter. It’s a quintessential BOO WILLIAMS trip for all to enjoy! One of his best in my opinion! Repressed for all – move quick! 

                STAFF COMMENTS

                Matt says: Tasty repress of one of Boo's best. Aquaplaning on his celestial yet driving formula of deep house greatness. Been a tough one to acquire so this is a much welcome reish from the Chi-town demigod.

                TRACK LISTING

                Side 1
                1. Fruits Of The Spirit
                2. Hiding Secrets
                Side 2
                1. Crying Black Man
                2. Changes

                It's been almost 3 years since the first volume of Dancefloor Detonators enhanced our nocturnal revelries, so it's a welcome treat to see a second volume has now made an appearance.

                As with the first release, Volume 2 follows a similar principle, namely to put on vinyl some of the most popular tracks from the label's digital catalogue alongside some exclusive new cuts, appearing here for the first time to keep things 100% fresh. The resultant 5-tracker is nothing short of sublime.

                Label regulars Secret Circuit, Sordid Sound System and Bal5000 appear alongside Optimo Music regular Feon and newcomer Wanda Krak.

                Molusc-dance, drug-chug, shamanic house tribalism, whatever you wanna call it - Invisible Inc. provide the freaky shit for ur dance! 

                STAFF COMMENTS

                Matt says: Molusc dance originators Invisible, Inc. return with some new signings for a incapsulating lesson in drug-chug. With mushroom season just round the corner it's good to stock up on some psilocybin friendly sonics...

                TRACK LISTING

                A1. Secret Circuit - Orchid Chips
                A2. Bal5000 - Neutra
                A3. Wanda Krak - Spectral Beasts
                AA1. Feon - Round Earther
                AA2. Sordid Sound System - Vuelta 

                Various Artists

                Indian Vibes - The Finest Selection Of Electronic Music With Indian Flavor

                  Double LP of electronic cuts with a nod to the Indian subcontinent.

                  TRACK LISTING

                  A1. Fakear - Darjeeling
                  A2. Panjabi MC - Mundian To Bach Ke
                  A3. Télépopmusik - An Ordinary Life
                  A4. Better Daze - Stay Right Here
                  A5. Nitin Sawhney - Bengali Song
                  B1. Asian Dub Foundation - Rivers Of Dub
                  B2. Skeewiff - The Bone (Part One)
                  B3. T.J. Rehmi - Dil Mai Durad
                  B4. Joi - E.SY (Spring Heel Jack Mix)
                  C1. Kid Loco - She'S My Lover (A Song For R.)
                  C2. Shawn Lee's Ping Pong Orchestra - Bollywood
                  C3. Fanfara Electronica - Funky Indian
                  C4. World Service - Skanking For Jullandar
                  C5. Tulika Feat. Nicolas Dri - Love Is Back
                  D1. Badmarsh - Easin' In
                  D2. The Karminsky Experience Inc. - Exploration
                  D3. Up, Bustle & Out - Silks, Perfumes And Gold
                  D4. Bonobo - Terrapin

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