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With “Creature of Habit”, Courtney Barnett leans further into the quietly transportive charm that has always defined her songwriting - the ability to turn the mundane into something intimate, profound, and strangely luminous in just a few lines. Recorded in the expansive openness of Joshua Tree, the album doesn’t push Barnett’s voice into the background so much as let it float within a noticeably wider sonic space, where atmosphere becomes as important as lyricism.

There’s a strong sense of place running through the record: faint silences between instruments, unhurried pacing, and arrangements that stretch outward rather than rush toward resolution. “Creature of Habit” often feels meditative, cohesive, and unforced, with tracks built less around traditional verse-chorus structures and more around steady, evolving grooves that reward patient listening.

Sonically, this is perhaps Barnett’s most textured work to date. While guitar remains central, it’s frequently softened, with warm, rounded basslines layering underneath and subtly guiding each track without ever dominating it. The rhythm of the album tends to breathe - building, receding, and circling back - creating a hypnotic quality that makes the record feel less like a collection of songs and more like a continuous emotional environment.

The opening track, "Stay in Your Lane", sets the tone with a hazy, dreamlike drift, establishing the album’s preference for atmosphere over immediacy. It’s followed by "Mostly Patient", which feels like a love song viewed from a distance: gentle guitar strums cradle Barnett’s restrained vocal delivery, which carries an ease and comfort that feels newly settled. Across the record, her voice is notably more restrained than in earlier work, favouring spaced-out phrasing and repetition over her once more rapid-fire delivery. At its most effective, it takes on a mantra-like quality - calming rather than confrontational.

This shift in vocal approach deepens the album’s emotional palette. When she sings lines like “The sky stretches wider than I thought it could,” they land less as literal observation and more as shifts in perspective - moments where external landscape and internal state quietly blur into one another.

Compared with earlier records like “Sometimes I Sit and Think, and Sometimes I Just Sit”, “Tell Me How You Really Feel”, and “Things Take Time, Take Time”, this is a more expansive, patient iteration of Barnett’s voice - less focused on immediacy, more willing to linger in ambiguity. Even the sharper edges of earlier releases like “The Double EP: A Sea of Split Peas” feel reinterpreted here through a slower, more reflective lens, while her collaboration with Kurt Vile on “Lotta Sea Lice” feels like a distant precursor to this looser, more spacious sensibility.

If there’s a challenge, it’s also the album’s defining trait: its patience. “Creature of Habit” doesn’t chase instant hooks or immediate gratification. Instead, it unfolds gradually, layer by layer, revealing emotional weight that only becomes fully visible with time.

STAFF COMMENTS

Barry says: A stunning new album, replete with soaring melodies and clever, incisive lyrics delivered in a typically laid-back, jangling bed of woozy indie. There are hints of off-piste electronics and experimental leanings (Thanks Floating Points) but in all, a wholly melodic, reliably brilliant Barnett outing.

TRACK LISTING

Side A
Stay In Your Lane
Wonder
Site Unseen (featuring Waxahatchee)
Mostly Patient
One Thing At A Time

Side B
Mantis
Sugar Plum
Same
Great Advice
Another Beautiful Day