About this item
each album always starts with a feeling
that i try to shape into sound
this time around
the feeling was landing
( after my last album utopia which was all island in the clouds element air and no bass )
on the earth and digging my feet into the ground
it was also woven into how i experienced the "now"
this time around 7 billion of us did it together
nesting in our homes quarantining
being long enough in one place that we shot down roots
my new album "fossora" is about that
it is a word i made up
it is the feminine of fossore ( digger, delver, ditcher )
so in short it means "she who digs" ( into the ground )
so sonically it is about bass , heavy bottom-end,
we have 6 bass clarinets and punchy sub
i would like to especially thank bergur þórisson and heba kadry
side project , el guincho , hamrahlíð choir , soraya nayyar , clarinet sextet murmuri , siggi string quartet ensemble , emilie nicolas , serpentwithfeet
viibra and last but not least : sindri and dóa .
visuals were made by viðar logi , james merry , m/m , nick knight , andy huang , edda , isshehungry , tomi , sayaka , sunna , sara and heimir
and my ever so loyal and magnificent team : derek , rosamary , catherine , chiara , hilma and móa
Liam says: Returning to Iceland during the pandemic, Bjork's tenth record 'Fossora' began as conceptual clarinet album that was in part inspired by the death of her mother. However 'Fossora' ultimately became, as Bjork describes it, an "Iceland album". Much like the volcanic landscape of Iceland, 'Fossora' is a vast, alluring and beautiful record that once again proves that Bjork will always be here to push the boundaries she once set - all whilst dressed as a mushroom.