Gemma Cullingford

Let Me Speak

Image of Gemma Cullingford - Let Me SpeakImage of Gemma Cullingford - Let Me Speak
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As is my taste for the tardy, I was a couple of weeks late to this particular party, belatedly tipped to “that goth disco LP” through an overheard conversation between Mine and Matt. As a first class graduate of the “indie dance” era, I was naturally intrigued and promptly took the plunge into this monochrome masterpiece.

While her Sink Ya Teeth project with Maria Uzor takes a bite out of the Big Apple’s no-wave and post-punk era, Cullingford’s solo-debut splits its time between the steely synth-pop of Sheffield, Chicago’s house heritage and the unapologetic electroclash of Millennial Berlin. This travelogue translates to a sleek set of taut techno pop, topped with zero-fucks speak singing and utterly arch asides. A lesser LP would sink under the stature of single “Wide Boys”, a fleet-footed and flute-led floor burner, but Let Me Speak is made from only the finest ingredients – pass the biscuits please.


Barry says: While Sink Ya Teeth definitely took influence from the dancefloor, it's Cullingford's solo output that really pays homage to the sweaty peak of industrial and techno clubgoing with it's own particular brand of momentous rhythm and rich, chest shaking bass hits. Wildly immersive and wonderfully satisfying,


Side A
1 The Lizard
2 Sight For Sore Eyes
3 Wide Boys
4 Racer
5 Let Me Speak

Side B
6 Queen Bee
7 Chase The Beat
8 I Like You
9 Ode To Billy Joe
10 Fatal Embrace

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