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SUSANNASONATA

Susanna

Elevation

    For Susanna, nothing happens in a vacuum. Every creative act responds to what’s come before. And by exploring this dialogue, we can learn new things about ourselves and the world.

    This idea has inspired the Norwegian artist throughout her near two decade career. It’s behind her unforgettable covers of classic songs and her interpretations of the paintings of Hieronymous Bosch. And it found its purest expression on 2020’s Baudelaire & Piano, a stripped back song cycle setting texts from the 19th century French poet’s The Flowers of Evil. In Elevation, its followup, Susanna’s engagement with Baudelaire’s work blossoms into a collaborative enterprise, combining tape, spoken word and song. The result is a unique musical conversation spanning centuries and disciplines; a “time travelling” project, as Susanna puts it, that moves between creative dimensions.

    She brings collaborators back into the process, nurturing connections made over a series of Baudelaire & Piano live shows presented in 2020 and 2021. Composer[1]improviser Delphine Dora offers teasing renditions of the original French texts, layering spoken recitation and otherworldly singing in a set of atmospheric vignettes. And tape recorder soundscapes from Stina Stjern—familiar from Susanna’s Hieronymous Bosch project Garden of Earthly Delights (2019)—frame the album with hiss, hum and soft fingers of melody,
    like mist settling on a landscape.

    These contributions deepen the album’s mystery and its evocative power. The result is an engrossing interleaving of sounds and registers; and, as Susanna describes it, “an intuitive and collective ceremony of the ethereal and mystical in life.” Elevation features work by American occultist artist Cameron (1922-1995), an adherent of Aleister Crowley’s Thelema movement. Her illustrations “Witch Woman”, “Pan” and “Danse” adorn the release, which will be available on cassette as well as in the usual digital, CD and vinyl formats.Oslo-based artist Susanna has released music as Susanna and the Magical Orchestra and ‘just’ Susanna since 2004, through labels like Rune Grammofon, ECM Records and her own outlet SusannaSonata. She has collaborated with artists like Jenny Hval, Bonnie‘Prince’ Billy and John Paul Jones, highly active with different projects, songwriting/composing, and making personal interpretations of other people’s songs.

    TRACK LISTING

    Side A:
    1. Alchemy Of Suffering (Susanna / Baudelaire)
    2. Ciel Brouillé (Delphine Dora / Baudelaire)
    3. Rose-Pale Dawn (Stina Moltu)
    4. The Spiritual Dawn (Delphine Dora / Baudelaire)
    5. Elevation (Susanna / Baudelaire)
    6. Alchemy Of Pain (Delphine Dora / Baudelaire)
    Side B:
    1. The Possessed (Delphine Dora / Baudelaire)
    2. Light Up Your Eyes (Stina Moltu)
    3. Invitation To The Voyage (Susanna / Baudelaire)
    4. Le Vin Des Amants (Delphine Dora / Baudelaire)
    5. In Shared Ecstasy (Stina Moltu)
    6. Destruction (Susanna / Baudelaire)

    Susanna

    Baudelaire & Piano

      Baudelaire & Piano – recorded at Atlantis Studio in Stockholm, is a complete solo-effort from Susanna. A record made in isolation, stripped back to just her expressive, soulful voice and skeletal, trancelike piano playing. The light touch allows the extraordinary qualities of Baudelaire’s writing to shine through. What would French poet Charles Baudelaire (1821-67) have made of the events of 2020? An artist who took his disgust with life to the streets, who constantly shook his fist at authority, and a literary enfant terrible who suffered from disease most of his life. His poetry has been set to music by everyone from Claude Debussy to Ali Akbar Khan, and his uncompromising life and art influenced the music of The Doors, Bob Dylan and Scott Walker. Now his abject, decadent verse is the backbone of the latest release by Norwegian vocalist/composer Susanna. Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror.

      Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony Mortimer) cover the full spectrum of Baudelaire’s conflicted expression. Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.

      Oslo-based artist Susanna has released music as Susanna and the Magical Orchestra and ‘just’ Susanna since 2004, through labels like Rune Grammofon, ECM Records and now her own outlet SusannaSonata. She has collaborated with artists like Jenny Hval, Bonnie ‘Prince’ Billy and John Paul Jones, highly active with different projects, songwriting/composing, and making personal interpretations of other people’s songs.

      TRACK LISTING

      1. The Dancing Snake
      2. Longing For Nothingness
      3. The Enemy
      4. Burial
      5. Meditation
      6. Obsession
      7. The Vampire
      8. The Harmony Of Evening
      9. A Pagan’s Prayer
      10.The Ghost 

      ) At Susanna’s eleventh album and first solo record since 2012 is a mastodon of a singer/songwriter release -- over 70 minutes of intensely expressive, deeply felt and spiritually probing lyrics, presented and performed in layers of voice, electronics, and effects, programmed with instruments like piano, violin and tuba. The artist known for personal interpretations of songs by Joy Division, Leonard Cohen and AC/DC among others but also her strong originals, has dissected her own musical expression, collaborations and projects, including 2014’s ‘Meshes of Voice’ album with Jenny Hval, and put the pieces together again creating a unique and diverse world for her songs. Recorded in Oslo and Los Angeles, Triangle was composed, arranged, performed, recorded and produced by Susanna. Norwegian musicians, including Supersilent, Broen, Moskus, Splashgirl and Sudan Dudan participated, alongside Americans Alison Chesley (Helen Money) and Emmett Kelly (The Cairo Gang). Triangle re-examines Susanna’s relationship with spirituality, belief and superstition. Throughout, Susanna is in intimate, confessional mode, facing uncertainty and mystery, pondering how much of a place humanity deserves on a faltering planet, while confidently forging her own path and confronting doubt, fear and nihilism with a sense of wonder. Deeply Nordic in its willingness to confront existential darkness head-on, yet with a contemporary sound signature, Triangle is filled with magical omens, apocalyptic fires, black holes and floodwaters that constantly threaten oblivion. Yet among the dark undercurrents, electronic rumbling and white noise is a luminous melodic glow that rises above the introspection. Triangle is rich in allusions to religious rituals and magical practices, and the images (is it an angel? Is it a witch?) on its outer sleeve are the paintings East Angel and West Angel by LA based artist and occultist Cameron, a former star of Kenneth Anger’s films.

      TRACK LISTING

      1. Holy / Sacred
      2. We Don’t Belong
      3. Texture Within
      4. Fear And Terror
      5. Before The Alter
      6. Hole
      7. Shepherd
      8. Under Water
      9. This / Phenomena
      10. For My Sins
      11. Burning Sea
      12. In The Need Of A Shepherd
      13. Born Again
      14. Triangle
      15. Pyramid
      16. Ebb And Flow
      17. Decomposing
      18. The Fire
      19. Sacred Revolution
      20. Purple
      21. Death Hanging
      22. In My Blood


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