Neon Pill is the highly anticipated new album from Cage The Elephant, and group’s first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards. Cage The Elephant consists of brothers Matt Shultz (vocals) and Brad Shultz (rhythm guitar) along with Daniel Tichenor (bass), Jared Champion (drums), Nick Bockrath (lead guitar) and Matthan Minster (guitar, keyboards, backing vocals).

Brand new Underground Resistance 'Workers' T-Shirt

Black with white print on Gildan Ultra Cotton Shirt.

Also available in traditional black and white militia print! 

The Neon Judgement has always been one step ahead. Coming from Leuven, a small town near Brussels, where Dirk and Frank shape their own sound from the start. They released a spellbinding series of albums that offered a bold variety of tracks. “Chinese Black”, “TV Treated” and “Miss Brown” were (and still are) pure underground hits at the height of new wave. It is therefore, no coincidence that they are rightly considered pioneers of the EBM genre.

TRACK LISTING

1. Chinese Black
2. Miss Brown
3. Tomorrow In A Paper
4. Awful Days
5. TV Treated

New shirts for Spring / Summer 2023!

We're willing the sun to shine with this neon orange Gildan Ultra t-shirts with a bright blue print!

The Zephyr Bones’ psychedelic rock expands in a precise and determined sophomore album. A warm and accessible record that speaks about love, self-affirmation, loss and hope.

RIYL: Tame Impala, King Gizzard & the Lizard Wizard, Spacemen 3, TOPS.

A quicksilver track that glides on a buoyant bassline and glistening melodic interplay, “No One” is the sound of joy. While it’s easy to pigeonhole it as a dreampop track, there’s undoubtedly hints of psych, funk and Kraut all nestled in there, The Zephyr Bones blurring the lines with ease in this intoxicating track that shows growth in their sonic heft without losing their feathery lightness.
Beats per Minute

"No One" opens up like a traditional indie dance track, with sparkling guitars and a vibrant synth lead reminiscent of a cut from The Strokes or Tame Impala. But it progresses in a fascinating way, bringing in a crunchy psychedelic guitar solo and a funky instrumental breakdown at the end. This track has a variety of sounds, but it's prog rock more than anything, as the dynamic instrumentation sticks out the most. Every layer here is not only an excellent piece to the larger puzzle while also being technically impressive on its own. Despite these nods to the more experienced rock nerd, what's the most fascinating is how accessible the tune really is. The wild drum beats, dense synth layers, and lightning-quick guitars demonstrate the true cerebral chemistry of the group. The sheer musical talent doesn't hurt either.
Earmilk

When The Zephyr Bones first burst into the scene they crushed everything that got in their way. Their music slapped us like a wave when it reaches shore. It took us by surprise and left us asking yearning for more. They coined their style “beach wave”. All this became a first album titled Secret Place, something like the sonic coordinates of a sunny place with a soundtrack of guitars with reverb and intoxicating melodies. You can’t tell whether you’ve been there or not, but you definitely want to go back.
In Neon Body they are the same people, but it hits differently. Their melodies and suggestive guitar riffs are on point. They are able to take you back to places. You will never finish these 10 tracks in the same place where you were when you first hit play. Speaking of The Zephyr Bones is speaking of pure freedom. And yet, in this second album we get to know them in a different way, more determined and with a renewed intensity. The landscape has also changed and now the tone reminds us of the twilight, and in some songs you can even feel the reflection of neon light on your skin.

But let’s not lose the point. What matters here are the songs, and in this album you can find pretty damn good ones. “No One”, the first single, is an excellent entry into the universe created in Neon Body. Addictive and irresistible, it will instantly get you dancing and singing along. “So High” is a dizzying and fast-paced first track. By the time “Verneda Lights” arrives, you have fully surrendered to Brian Silva (vocals, guitar and synthesizers), Jossip Tkalcic (guitar and vocals), Marc López (drums) and Carlos Ramos (bass). “Sparks” shines with its own light: it is a controlled fire until the final part of the song makes everything burn again. “Plastic Freedom” goes all-in with an infallible riff. “Velvet” is as elegant as its title suggests, and “Rocksteady” hits the bullseye again with a chorus that hits like a poisonous dart. “Neon Eyes’’ lifts you up with heavenly back up vocals and “Afterglow” keeps you with your feet on the ground – Why? Because begs you to dance. And then comes “Celeste V”, a song that speaks about loss that puts an end to the recording. 

TRACK LISTING

1. So High
2. Verneda Lights
3. No One
4. Afterglow
5. Sparks
6. Neon Eyes
7. Plastic Freedom
8. Rocksteady
9. Velvet
10. Celeste V

"Neon City" is the debut release by Erik K Skodvin & Otto A Totland's Deaf Center project, finally re-issued 18 years since its first appearance.

Listening to "Neon City" in 2022 is like taking a melancholy journey down rainy city streets of the early naughts, made by the then two young Norwegians in their mid 20s after spending time together in a basement full of vintage items. Armed with young optimism and a sense of musical experimentation, they started sampling everything around them, be it an old television broadcaster, tape recorders, a game of table tennis or conversations on film and merging it with pianos, plucked guitar, strings and anything in-between. The record turned out as something unique in the fields bordering post classical and ambient music, though without landing on any set genre. The record was filling a place in music that was barely touched upon and made them further experiment with samples and classical music which landed them on the 2005's classic "Pale Ravine".

Although Erik and Otto both had been making music solo before, "Neon City" was the start of their more focused future paths as purveyors of both light and darkness in music that seeps through your soul to battle the anxieties of the world. We're glad to see this important start again be available to new ears. The record comes with a remix of the opener track “Dial” by Helios aka Keith Keniff, taken from the same original.

TRACK LISTING

1. Dial (2021 Remaster)
2. Walk (2021 Remasster)
3. City (2021 Remaster)
4. Limn (2021 Remaster)
5. Asia (2021 Remaster)
6. Dial (Helios Remix – 2021 Remaster)

‘The Neon Remixed’ sees a star-studded selection of artists reworking the original Erasure album ‘The Neon’, the band’s highest charting album in 26 years.

The collection includes ‘Secrets’, a brand new track, alongside interpretations of the original album from Kim Ann Foxman, Hifi Sean, Octo Octa, Paul Humphreys (OMD), Gareth Jones, Brixxtone, Theo Kottis and more.

TRACK LISTING

2CD
Secrets
Hey Now (Think I Got A Feeling) (Hifi Sean Remix)
Nerves Of Steel (Andy Bell & Gareth Jones' Sapphire And Steel Mix)
Fallen Angel (Saint Remix)
No Point In Tripping (John “J-C” Carr & Bill Coleman 808 BEACH Extended Remix)
Shot A Satellite (GRN Extended Remix)
Tower Of Love (BSB’s Stella Polaris Remix)
Diamond Lies (Armageddon Turk Extended Remix)
New Horizons (Matt Pop Extended Remix)
Careful What I Try To Do (Brixxtone Extended Remix)
Kid You’re Not Alone (Theo Kottis Remix)
Secrets (Kim Ann Foxman’s Heaven Mix)
No Point In Tripping (Can Love Be Synth Remix)
Hey Now (Think I Got A Feeling) (Hifi Sean Dub)
Careful What I Try To Do (Brixxtone Synthwave Dub)
Nerves Of Steel (Gareth Jones’ ElectroGenetic Terabyte Of Love Mix)
Kid You’re Not Alone (Paul Humphreys Remix)
Secrets (Octo Octa’s Psychedelic Visions Disco Dub)

2LP
Secrets
Hey Now (Think I Got A Feeling) (Hifi Sean Remix)
Nerves Of Steel (Andy Bell & Gareth Jones’ Sapphire And Steel Mix)
Fallen Angel (Saint Remix)
No Point In Tripping (John “J-C” Carr & Bill Coleman 808 BEACH Extended Remix)
Shot A Satellite (GRN Extended Remix)
Tower Of Love (BSB’s Stella Polaris Remix)
Diamond Lies (Armageddon Turk Extended Remix)
New Horizons (Matt Pop Extended Remix)
Careful What I Try To Do (Brixxtone Extended Remix)
Kid You’re Not Alone (Theo Kottis Remix)
Nerves Of Steel (Gareth Jones’ ElectroGenetic Terabyte Of Love Mix)

With music inspired by Afro-Carribean, Hawaiian, and Japanese influences mixed with Synthwave, Synthpop, and colorful 80's nostalgia Neon Beach is The band's third studio album 'Neon Beach' is based on a short story written by the main producer. It is a story of holograms and simulations emanating from a neurological program called Neon Beach. It is a dystopian story dressed in a utopian world as heard in the flashy 80s Pop Music and dark esoteric lyrics on the album. Thought Beings embrace ancient esoteric mysteries by dressing them up in brightly colored 80s fashion and making them palatable to the world. 'Neon Beach' is no different in its attempt to tell a deeply introspective story while dancing by the ocean in the neon lights. This album is fun, colorful, unapologetically retro, and full of ancient secrets.

TRACK LISTING

LP
SIDE A
1. Neon Beach
2. Satellite
3. Digital Hideaway
4. Mystery School
5. Paradise

SIDE B
1. Sundown
2. Feel Alive
3. Rain
4. Fortress

CD-R
1. Neon Beach
2. Satellite
3. Digital Hideaway
4. Mystery School
5. Paradise
6. Sundown
7. Feel Alive
8. Rain
9. Fortress

On "Neon Genesis: Soul Into Matter²" Meemo Comma (a.k.a. Lara Rix-Martin) takes Kabbalistic text and Jewish prayer and guides them through twinkling ambient synths, breakbeats and cranking industrial noise, full of strange wonder and drama. You can hear soft synths transmuted into choirs of seraphim and moments of occulted dancefloor rapture, from Aramaic chanting and ravey breakbeats to readings from the Zohar. It is quite beautiful at times. Jewish mysticism is at the root of Western esoteric beliefs and therefore has formed the structure of many films and books that explore the question of humanity.

Inspired by the visuals of Evangelion and nineties anime soundtracks such as Ghost In The Shell (and its later Stand Alone Complex series), the new Meemo Comma album is a soundtrack to an imaginary anime that, like its real counterparts (e.g. Full Metal Alchemist), takes the beautiful parts of Kabbalah and sets them to science fiction stories. When asked about the themes that inform her new album, Lara Rix-Martin says "Judaism is filled with many tales and teachings that prevail in science fiction to this day - whether consciously or not. Sci-Fi is the genre best equipped to explore the immensity and challenges of human experience. Something that Judaism has also been attempting for over three thousand years." "I watched Ghost in the Shell when I was 14 and it was so striking, visually and sonically. The soundtrack has acted as a backdrop to explore my Jewish identity. I have been reading the Talmud since last year, discovering a deeper love for Jewish stories and teachings.

There are some beautiful, hopeful ideas in Kabbalah too, which were a central inspiration to this album such as the idea that the first human was non-gendered and just this form made up from the qualities of HaShem (God) who performed 'Tzimtzum', contracted their form using their Ein Sof (eternal light) to create 'Adam Kadmon' whose form split into all human souls." Lara playfully subheads her album: “In the year 5781 humanity is ever closer to becoming a singular consciousness. A team of humans are forming an android, Adam Kadmon (CODENAME: UNIT KADMON). First, humans have to gain higher consciousness guided by the Sefirot.“ While you don't have to know about these influences to enjoy the music, it stands true that the intention is an irreverent love letter to the way grand myths are birthed into the future through new forms, retaining their beauty and elegance

TRACK LISTING

A:
1/Upload To Unit Kadmon
2/Neon Genesis: Title Sequence
3/Tikkun Olam
4/Ein Sof
5/Tzimtzum
6/Gevur
7/Genesis 8:22 – Annihilation
8/Tohu & Tikun

B:
1/Tif’eret
2/Unit Chai
3/Yetzirah
4/Merkabah
5/Nefesh
6/End Credits

Anglo-Italian four piece Matinée are set to release their new album ‘Event Horizon’ produced by Billboard topping producer Tony Doogan and Chris Geddes from Belle and Sebastian. 

‘Event Horizon’ is a 10 track neon journey through 80’s influenced, keyboard based, indie-rock. Soaring keyboards and guitars chime with indie lyrics and big hearted, pop choruses.

Matinée are named after Franz Ferdinand’s hit song The Dark Of The Matinée, and they struck up a firm friendship when Matinée supported Franz Ferdinand on their Italian tour.

Italy well and truly embraced Matinée and the support gigs lead to live offers from some major venues around the country, not to mention some huge radio support from national stations at home.

Matinée were nominated for Best International Act on the Amazing Radio Awards show in 2015 and also played live at the very cool Station Sessions at Kings Cross London, as well as many other key London venues including Death Disco (Creation Records; Alan McGee’s night), Jubilee (Carl Barat’s night) and the 100 Club.

TRACK LISTING

1. Summer Sun (Radio Edit)
2. Empty
3.Goldfish
4. Satellite
5. Come With Me
6. Cold
7. Moments
8. Give Up On Sunday
9. Lights
10. Summer Sun (Extended Version) 

On Neon Brown, Velvet Negroni is a griot relaying the life and times of his own island—it’s a singular place, with the squeak and thrum of guitar strings looped over drum machine beats accented by steely marimbas, all creating a pocket for one of the most authentic and original artistic voices ever committed to tape.

You follow his voice as it rhymes in double time, or hiccups and la-las through a break, or croons from a room down the hall, as it unfolds into another story of lost love, or another joke about lost drugs, as he tries to make sense of a life spent in the (sometimes harrowing) pursuit of communion.

Turns out what sounds like a lonely island is in fact the city of Minneapolis. Velvet Negroni grew up in an outer suburb of the Twin Cities as Jeremy Nutzman, a black kid adopted into a white evangelical Christian family. His fundamentalist missionary of a mother drove him to virtuosity, both as a classically trained concert pianist and a competitive figure skater, but he had to climb out his bedroom window to play guitar in his first band.

In 2016 after years of performing under a schizophrenic rotation of various aliases, Nutzman finally landed on a persona that he felt he could be proud of. It was in a fancy cocktail bar in Austin, Texas that he hatched Velvet Negroni. A tour opening for Bon Iver followed, as well as a writing credit on Kid Cudi and Kanye West’s “Feel the Love” off their 2018 album Kids See Ghosts. That same year, he released his first singles on b4, “First Time” and “Crybaby.”

It was in the summer of 2018, together with his friends, producers Psymun (Future, Young Thug, Dua Saleh) and Tickle Torture, that Velvet Negroni composed the stories on NEON BROWN, stories he’s been waiting a lifetime to tell.

TRACK LISTING

1. One One
2. Wine Green
3. Kurt Cobain
4. Poster Child
5. Confetti
6. U.Dunno
7. Choir Boy
8. Scratchers
9. Nester
10. Feel Let
11. Ectodub

The Neon Machine, the 4th album from Austin musician Abram Shook, is a dystopian dance party, and everyone’s invited. Juxtaposed against 2017’s sepia-tinged, quietly reflective Love at Low Speed, the new record’s mix of irresistible beats and slyly humorous lyrics might seem like a 180 at first glance: a giddy, knowing soundtrack to the end of the world. The varied influences of world music and jazz that are present in all his records can still be heard (as in the High-Life inspired guitar work on “My Money”), though here Shook tucks them into the corners and uses them in more subtle ways, giving center stage to a vintage Sequential Circuits Prophet 600, a drum sequencer, and his signature rubbery bass lines.

In Shook’s adept hands, The Neon Machine is full of day-glo danceability even though something slightly sinister lurks beneath the surface; it’s a kind of tour de force synesthesia for the fevered mind. With this record, Shook has traded in his usual gimlet-eyed observations for a playfully cynical sense of humor. Using highly confessional lyrics and deeply personal insight to convey his anger, with the current political climate, he writes candidly about his anxieties, and frustrations toward a country and culture that he’s grown up with, but hasn’t always felt at home in. Full of Prince-esque riffs, Blood Orange-style beats, and David Bowie allusions, The Neon Machine is accessible and adventurous at once. It has as its backdrop a party that’s lasted too long, and the foreground of a narrator full of anxiety and skepticism whose hangover has already begun. The beauty of it lies in its malleability. What appears on the surface to be an effervescent album of pop anthems, with its familiar themes of sex, love and drugs, soon reveals its true heart: the intimate insights of a man, long accustomed to being an outside observer, who has decided to join the fray. “In a lot of ways it feels like the record I’ve always wanted to make.” 

TRACK LISTING

01 Neon Love 4:16
02 Your Time 3:25
03 Cocaine Blonde 3:45
04 Future Hustler 3:38
05 My Money 3:39 
06 Visionary Fiction 4:29
07 Can't Get Away 3:10
08 Sugar Teeth 3:52
09 The Latest Trend 3:34
10 Hot Mess 3:49 
11 Fake It 3:41

‘Where Neon Goes To Die’ explores a complex relationship full of highs and lows. From sultry pop to heart aching ballads, the album retells Clark’s travels through the city’s nocturnal fantasyland through hooky, R&B-infused synth pop - file alongside Prince and Frank Ocean - that (maybe ironically) could fill the floors at the same clubs he’s singing about. Of course, when Clark writes about his city he’s really writing about himself.

‘Where Neon Goes To Die’ retells Clark’s travels through the Miami’s nocturnal fantasyland. At its core, it is the story of a musician casting aside the distractions of his youth and discovering not only a new level of maturity but a new level to his talents.

After a string of mixtapes and EPs and his 2015 debut album ‘The Lonely Roller’, Clark is making music more confidently than he ever has before, sliding effortlessly between effervescent future disco on ‘Feel This Way’ to purple-tinged slow-burn soul on ‘Easy Fall’, a duet with Gavin Turek.

TRACK LISTING

Maria, Under The Moon
Feel This Way
Easy Fall
On And On
Found
Did I Hurt U
Evil Woman
Days Like This
War
What Can I Do

Exeter 5-Piece, Stella Martyr release their debut EP ‘Neon Traces’.

Born out of a shared desire to create, Stella Martyr was formed in Exeter in 2012. Their sound might best be described as ‘Electronic pop music with guitars’. Like good beer they don’t travel well. Reluctant to leave their Devon base, Stella Martyr’s gigs so far have been mainly at the Exeter Phoenix - first supporting Peter Hook and The Light - followed by support to Public Service Broadcasting and the most recently with Everything Everything.

You won’t find any love songs here, Stella Martyr inhabit the worlds of dystopia, alienation, nature, disease and conflict, but totally believe in beauty and the human spirit.

The 11 new, original songs on ‘Little Neon Limelight’ are the band’s best to date, blending their signature four-part harmonies with the gritty foot-stomping rock swagger of their live shows and a loose confidence in the studio. “I’ve grown up a lot since our first record,” reflects frontman Matt Myers (guitar / vocals), adding, “the inspiration falls close to the struggle of figuring out exactly what it means to be a man, let alone an artist.”

Highlights of ‘Little Neon Limelight’ include the live fan favourites ‘By God’, ‘My Cousin Greg’ and ‘Say It’, plus the acoustic track ‘For No One’, which recently premiered on NPR Music and is unlike anything else Houndmouth have ever recorded. Ann Powers called ‘For No One’ an “epic ballad, stuffed full of vivid imagery.”

On ‘Gasoline’, Katie Toupin (keyboard / vocals) barbs the confessions of a perennial party girl with the spectre of mortality (“Maybe I’ll meet my maker on a bedroom floor”).

Shane Cody (drums / vocals) leads vocals on the album’s heartbreaker, ‘Honey Slider’ and the group embraces their garage-rock influences on the thrilling, needle-in-the-red cut ‘15 Years’, which finds Zak singing one of the album’s most infectious refrains (“15 years on the county line / Enough to make a man nearly lose his mind”).

Following 2006's massively acclaimed "Movements" album, Booka Shade, aka Walter Merziger and Arno Kammermeier, return with their third album, "The Sun & The Neon Light". It's a mature work that tackles the contradictions between our day-life and our night-life, between the organic and the artificial, the individual and the crowd, the inner and the outer. This eternal tension is reflected not just in the range and complexity of the album's moods, but also its mingling of acoustic and electronic textures – of course Booka Shade's roots lie in club music, but for "The Sun & The Neon Light" they adopt a song-based approach, and expertly weave real instruments and voices with superbly detailed electronics to create a futuristic but very human kind of music. It's an album from a band at the top of their game, whose songwriting and arranging is now in perfect accord with their production panache and instinctive dancefloor know-how.

Formerly one half of Fort Lauderdale, The Black Neon returns as a solo artist mixing pop with experimental to dizzying effect. "Arts & Crafts" brilliantly combines elements of Beatles-esque pop, 60s psyche, electronica, and even Prince, but it's the Kraut-rock style motorik rhythms underpinning the whole album that really set it apart.

Neon Blonde is the alter ego of Blood Brothers vocalist Johnny Whitney and drummer Mark Gajadhar. Unlike the often frantic and frenzied songs of the duo's other band, Neon Blonde is a much more eclectic, dancing and melodious venture, which touches on the art-rock tunes of Brian Eno and early David Bowie.