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FAUX DISCX

Rips

Rips

    Brooklyn based Rips have quickly built a reputation amongst NYC showgoers, winning them over with their virtuous melodies and sheer ferocity amidst an endless flurry of shows. Their songs may channel late '70s New York City bands like Television and The Feelies, but Rips propels these references into something new. Their self-titled debut, produced by Austin Brown of Parquet Courts, is eleven tracks of buzzing guitar riffs driven by a charged rhythm section, all set under lyrics that are actually worth a damn.

    Rips (the record) takes cues from the moonlighting era of rock, while delivering a set of songs distinctly fit for the modern age. Once described as a “hyperreal rock n’ roll group”, the phrase “borne forward ceaselessly into the future" is more what they’re going for here.

    So break an old habit. Let your hair down (or up). Rips will take you there.

    TRACK LISTING

    1.Losing II
    2.Malibu Entropy
    3.Break
    4.No More
    5.Damaged
    6.Save Room
    7.Delay
    8.Vs
    9.Psychics
    10.Spell
    11.Losing

    Since 2008, Lab Coast has been delivering hazy bursts of hook-laden guitar pop via a string of critically acclaimed, award-winning albums, EPs, and singles. From their basement studio in Calgary, Alberta, the song writing team of singer David Laing & multi-instrumentalist Chris Dadge (Chad VanGaalen, Bug Incision, Samantha Savage Smith) carve out detailed analogue productions; these recordings draw from the wealth of instruments that friends leave at the Lab Coast practice space, and the ever-evolving recording techniques that they've been honing since day one. Their home-brewed recordings sit in the tradition of DIY-recorders such as Strapping Fieldhands, early Guided By Voices, and R. Stevie Moore, while the songs themselves recall the likes of Teenage Fanclub, Tom Petty, and The La's.

    Onstage, these richly textured pieces are ably brought to life by Sammie Smith (aka Samantha Savage Smith), Henry Hsieh (Cold Water, Crack Cloud), and Darrell Hartsook (Prenup, Sissys).

    Lab Coast is a collection of songs cherry-picked from the band’s extensive back catalogue by Faux Discx overseer Dan Reeves and the band themselves, compiled in to one succinct album. It acts as an introduction to a highly prolific band and as a showcase for their refined ability to consistently knock clever, catchy pop songs out of the park.

    TRACK LISTING

    1.For Now
    2.Really Realize
    3.Bored Again
    4.As Usual
    5.Away From Here
    6.Helen Bach
    7.Better Than Me
    8.Recognize I’m Wrong
    9.Remember The Moon Jr
    10.The Pointe Of It All
    11.Guessing Anyhow
    12.Dislocated
    13.Walking On Ayr
    14.Winter Balls

    Great Ytene are a band built upon deconstruction and reassembly. In order to create something that felt truly complete, they had to tear down everything that had come before. From their formative years as 'Colours', to their reemergence as Great Ytene (taking their name from an old term for the New Forest, which is where they all grew up), they replaced sounds, members and even their name before they felt truly comfortable in their collective skin. So, it's quite fitting that In 2015 Great Ytene lost a full album's worth of material to a technological wormhole. It was just another clean slate. It was the best thing that could have happened. The band spent six months writing new songs, perfecting their shape, pulling them apart and piecing them back together until Locus was in exactly the right place. Locus, Great Ytene's first full length LP since their self- titled debut (via Bella Union) in 2014, sees the band moving forward to explore darker themes. The name ‘Locus’refers to the attempt to pinpoint exact moments in time when an event took place. This idea is explored lyrically throughout the album, even as the music loops and pushes back. If you are looking for like-minded contemporary peers then look no further than the grey and black post-punk of the likes of Disappears and Preoccupations. At times waves of noise are underpinned by tight, rigid rhythms, at others they’re allowed to spill over the edges to create disquiet landscapes. The album was recorded and mixed in East London at Holy Mountain with producer and long-time collaborator Iggy B, mixed by MJ (Hookworms) at Suburban Home Studios in Leeds & mastered by Joe Caithness of Subsequent Mastering.

    TRACK LISTING

    1.Mono Aware
    2.George Street
    3.Cruel Desires
    4.Locus
    5.Wanness
    6.Electric Pulses
    7.Fixed Victim
    8.Physical Warmth
    9.Appetite

    Irma Vep is a loner, a joker, a roamer, a ribald construct riddled with both earnest anxiety and mercurial songwriting talent birthed by a young Edwin Stevens in Llanfairfechan, North Wales. Having since fully grown into Irma Vep and now residing in Manchester, Stevens' discography has expanded to document every aspect of his music, from ecstatically free group experiments to bare, sparse songwriting that cuts to the quick, shorn of ornament or pretence. No Handshake Blues is a homage to Llanfairfechan (Transylfechan to the locals).

    Having bedded down into Manchester's bourgeoning DIY scene, Stevens moonlights in several other groups (Sex Hands, Klaus Kinski, Desmadrados Soldados De Ventura, Yerba Mansa…), bringing with him an instantly recognisable guitar language. However it's in Irma Vep that his most life-affirming, troubling and thrilling music is made. Much Irma Vep feels like what "classic" music should feel like if it weren't so Classic. Each record, each song and each performance exists as an evolving drama.

    Edwin has toured the West Coast of America after being invited by Chris Johanson to play his Quiet Music Festival of Seattle and Portland. BBC 6 Music regularly spin his work. He tours the UK and Europe “butt loads”. Somehow he also finds time to run a tape label and put on gigs in Manchester under the ”Very Bon" moniker. Irma Vep performs solo, and also expands to a full band that includes Manchester legends DBH, Andrew Cheetham, Dave Rowe, Kiran Leonard and Dylan Hughes.


    TRACK LISTING

    1. A Woman’s Work Is Never Done
    2. It Runs Slow
    3. Plod
    4. No Handshake Blues
    5. Hey, You!
    6. The Moaning Song
    7. Armadillo Man
    8. I Want To Be Degraded
    9. You Know I’ve Been Ill
    10. Still Sorry

    Auckland, New Zealand’ s Trust Punks’ new album, Double Bind, aggressively consolidates their strengths as one of the most exhilarating young acts out there - blisteringly sharp, smart and spry. From the cold water surf of surging opener ‘ Paradise/angel-wire’ , the band is on a tear through an Australasia that’ s a precarious and nasty place for the young and the restless. Whether they’ re adopting the snarling id of suburban nationalists, or casting a harsh eye on the American way of life, incarceration and death (as on the incongruously sprightly ‘ Good Luck With That’ ) theirs is a serving of wit and fury in equal measure.

    They’re also willing to turn the gaze on themselves, as bitter, discordant exorcisms give way to an unbearable sweetness. The stridency of Double Bind’s opening 1-2 leads into the poignant jolt of ‘The Reservoir’ , as Alexander Grant pleads“ I’m not bold enough”. On ‘Riding It Out’ , Joseph Thomas grips crippling depression by the horns and rides it over a grinding Krautrock beat. Grant’ s see-sawing melodies and Thomas’ s belting rasp are Double Bind’ s yin and yang – each a reminder of the challenging terrain post-punk was meant to stake out.

    From Polvo to This Heat, from Can to Wire, from Stereolab to The Birth day Party – it’s all in here, synthesized and absorbed into something new and hungry. In a time where there’ s more vying for your attention than ever – more outrage, more distraction, more content – Double Bind ticks all the boxes. It’ s angry for all the same reasons you are, but it’ s also involving and intricate, a record to get lost in. And like the best records of its kind, it seeps into your brain, your feet, and your being.

    TRACK LISTING

    1. Paradise/angel-wire
    2. Good Luck With That
    3. The Reservoir
    4. Half The Way Down
    5. Double Bind
    6. Leaving Room For The Lord
    7. Pig
    8. Lawrence
    9. Riding It Out
    10. Beneath The Commons
    11. Bank Of God


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