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Pawws

Sugar

    Given the tendency of popstrels to emerge fully formed from the ether, the development of North-Londoner Pawws (aka singer-songwriter Lucy Taylor) has undoubtedly been a much-needed breath of fresh air. Describing her sound as “upsetting disco”, her work details trials of love lost and won.

    Lucy started her career as a live session musician for Kele Okereke and also performed with the likes of MGMT. Her experiences with them led her to write her own tracks, recording them at home and posting them online under her adopted nom de plume. Her first releases gained her a huge amount of attention, heralding praise from the likes of NME and Billboard. Not long after releasing her debut single Time To Say Goodbye / Slow Love she signed a deal with Three Six Zero, a management company partnered with Roc Nation.

    Sugar, her debut EP, is coloured by a subtlety of emotion and lingering nostalgia that encapsulates the maturity of her sound, all the while exploring the tempestuousness of relationships. “I guess the main theme of this EP is the what happens when you continue loving someone, even when you know it is bad for you,” she explains. “Although the EP is generally about the pitfalls of love I still think it has an element of hope to it, because you only take risks and end up in those situations when you’re open with your heart.”

    TRACK LISTING

    1: Sugar
    2: Outside
    3: Give You Love
    4: Just Be Kind

    The Forest & The Trees

    Missions

      Hailing from Stockholm, couple Linnea and Joel Edin, aka The Forest & The Trees are a striking addition to the canon of quintessential bittersweet indie-pop to emerge from Sweden in recent years. Creating delicately crafted songs, their work showcases a talent for combining playful melodies with the perfectly balanced harmonies of their vocals.

      Drawing on the music they listened to as teenagers, bands like Popsicle, The Cardigans and The Cocteau Twins, has driven their sound to develop precision, while retaining a balance of the carefree and complex. Such a middle ground was hard to find, so despite early plans to produce the record themselves, they eventually decided to bring in Johannes Berglund, who'd previously worked with The Radio Dept. Shout Out Louds and The Knife, seeking some necessary objectivity. “We’ve been acquainted with Johannes for a few years and we totally love the work he’s been doing. So we asked if he wanted to mix our single “Putting Down the Gun” which he did and we were so pleased with the result,” they explain. “It felt like he really understood what we wanted and could help us with that final push. He really works with his gut and puts so much feeling into his mixes - we’ve been very lucky to get to work with him.”

      Nonono

      Like The Wind - Inc. D. Lissvik Remix

        Debut 12" from much hyped Swedish three piece. Includes very special D.Lissvik Remix. “A sure-fire summer anthem” Gigwise“One of the best scandi-pop acts of 2013” The Guardian “Artfully balancing experimentalism and instantaneous brilliance” This is Fake DIY“Don’t be surprised if NONONO crosses over in a big way: simply too big for the blogs” Idolator

        Swedish threesome nonono, aka front girl Stina Wappling, and production duo Astma and Rockwell (whose credits include icona pop, beatrice eli and bebe black) formed in Stockholm during the spring of 2012, following Stina’s return from Brighton where she had spent three years studying for a degree in psychology – a subject which has indirectly impacted on her songwriting...

        “I don’t know about songwriting rules, and I didn’t go to music school,” Stina explains. “It’s more about a feeling I want to get out. Psychology has influenced me because it gives you so many tools to think about life and situations in deeper ways”. Stina now works in a mental hospital in her free time. “I like to have that world alongside the music, because the music industry takes itself so seriously. If you work with something really different, you get reminded that things aren’t so important, and the world won’t die if you don’t get a mega-hit.”

        This thoughtful sensibility is reflected in their much-hyped debut release “Like The Wind”, to be released in the UK and Europe in July through Best Fit Recordings. Described by Popjustice as “a song you are going to listen to once, then immediately feel like listening to again, setting in motion a repeat listening frenzy that will last well over three hours,” it has also been championed by tastemakers including The Guardian, Notion and The Quietus.


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