Durutti Column

LC - Deluxe Double Vinyl & 7"

    Factory Benelux presents a deluxe double vinyl gatefold edition of LC, the second studio album by cult Manchester group The Durutti Column, originally issued in 1981 and ranked among Vini Reilly’s finest albums.

    After recording debut album The Return of the Durutti Column with producer Martin Hannett in 1979, virtuoso guitarist Vini Reilly purchased a TEAC four-track recorder from Bill Nelson and began producing his own material. These evocative demos were perfected by Reilly at Graveyard Studio with co-producer Stuart Pickering, with additional drums and percussion from Bruce Mitchell. Originally released by Factory Records in November 1981, LC is a key album in a body of work described by David Stubbs of Uncut magazine as ‘unique in rock, with Reilly’s scampering, watercolour guitar style building a tentative bridge between post-punk and the chamber sketches of Debussy and Ravel.’

    On this expanded Factory Benelux the original ten tracks are supplemented by no less than 9 bonus cuts, including rare Sordide Sentimental single Danny/Enigma, and the three tracks Reilly contributed to A Factory Quartet in 1980 - his last recordings with Hannett, which feature Donald Johnson of A Certain Ratio on drums.

    The remastered double disc set is housed in a gatefold sleeve printed on matt reverse board, with liner notes and archive images. The package also includes an exclusive 7-inch single featuring live versions of Sketch for Summer and Requiem for a Father, recorded at Leeds Polytechnic in October 1980. These are the earliest surviving professional live recordings of Durutti Column in concert.

    In 1971, despite his run of hits, Bunny Lee was still having to support himself with freelance producing at Dynamic Sounds, but by 1974 he was fully independent and poised to dominate Jamaican music in the mid 70’s. The tracks on this compilation capture that moment of transition, when the smaller ghetto producers were taking over from the older musical establishment. Listening to Bunny’s unreleased master tapes, what bursts out of the speakers is the energy and excitement of the whole production process, from the studio chatter of the musicians to the sonic experiments at the mixing desk. These pioneering steps in deejaying and dub were the launch pad for remix culture and the core production techniques of today, a creative explosion that altered the shape of our popular culture. In the words of I Roy, “Striker Lee, him have the key!”

    After whetting our appetites with the Aperol Spritz of his recent ‘Tabarin’ 12” on Highwood, Phil Mison returns with the first Cantoma LP in six years, a gorgeous collection of summery moods and sultry grooves called ‘Just Landed’. Guitar in hand, the Cafe Del Mar legend leads us through shimmering heat haze to a distant horizon where azure waves meet an endless blue sky.
    Sophisticated from the off, the set stretches into life with the delicate guitars, dreamy chimes and swaying rhythm of 12” cut ’Tabarin’. Appearing here in its original form, ‘Tabarin’ soundtracks la dolce vita of the Mediterranean, sweeping through Capri, San Antonio and Casablanca on a swell of swooning strings, sun kissed trumpets and airy flute. The beachfront soul of previous single ‘Alive’ finds Bing Ji Ling musing on Tibetan mindfulness over Phil’s gentle samba groove, before the titular ‘Just Landed’ reclines on the beach, looking out to where the waves chase the sun over the horizon. Phil delivers a touch of dub on ‘Echo’, laying a fluid foundation of limber bass and circular steel drums for Suad Khalifa’s soaring vocals, before the stunning ‘Abando’ brings us to the halfway point. A collaboration with Balearic legend and former Finis Africae member Javier Bergia, the track pairs Bergia’s emotive vocals with Phil’s cascading guitar licks, before cinematic strings offer a panoramic view of the coastline. The flamenco guitar and insistent backbeat of ‘Tali Lumi’ offers a subtle change of pace, while the African drums, dreamy harp and future primitive melodies of ‘Vialas Journey’ hint at the rich vegetation of tropical climes. ‘Clear Coast’ drifts in on the jet stream as Brenda Ray’s whispered vocals glide over a verdant blend of guitar, synth and melodica, transporting us to a distant cliff top where the piano led beauty of ‘Sea Of Blue’ fills the air. Before the sun sets on ‘Just Landed’, there’s still enough time to bask in the warmth of ‘Claudio’s Theme’, an expansive excursion into transcendent chords, hazy guitars and clear summer skies co-written by Shoom founder Danny Rampling.

    ‘Just Landed’ finds Phil Mison in imperious form, showing off a lifetime of musical experience and calling on a who’s who of Balearic legends to help him deliver the finest Cantoma LP to date.

    “The past is past, the future not yet risen…the only thing we really have is now.”
    Sogyal Rinpoche

    Wally Badarou

    Echoes - 180g Vinyl Edition

    Badarou was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah “Sticky” Thompson), the in-house recording team of Compass Point Studios responsible for a long series of albums of the 1980s recorded by Grace Jones, Tom Tom Club, Joe Cocker, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. His keyboard playing can also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, Talking Heads, Foreigner, Melissa Etheridge, Manu Dibango and Miriam Makeba.

    Limited 180g vinyl reissue of synth maestro Wally Badarou’s classic futuristic instrumental album ‘Echoes’ from 1983. Superb from start to finish, this electronic tour de force spawned several monster tracks including the wonderful Joe Claussell and Larry Levan favourite ‘Chief Inspector’, a bumping bouncing Korg and Moog-laden bomb which made its mark in the charts as well as on the dancefloor, showcasing the strong jazz-funk sensibility you’d expect from long-term Level 42 collaborator Badarou. Also features the hauntingly beautiful ‘Mambo’, a mesmerizing slo-mo epic instantly recognisable for its enormous contribution to Massive Attack’s hit ‘Daydreaming’ as well as hitting big for DJs such as Kevorkian at the time. Other gems on this amazing instrumental-only album include the sophisticated funk of big Baldelli play ‘Endless Race’, quirky afro-funky delight ‘Hi-Life’ and the cool and elegantly mellow ‘Waltz’ amongst others. Not to be missed!

    Continuing a fruitful, fifteen year relationship, Phil Mison is back on Music For Dreams with brand new collaborative project, Ambala. Recorded with Danish musician and engineer Volmer across a series of weekend sojourns to the scenic streets of Copenhagen.This vinyl three tracker is a teaser for a full album of Ambala magic slated for release just before the summer kicks in. First track "Calypso Beach" showcases a new direction from former Cafe Del Mar DJ Phil Mison - classical house with West Indian vibes - a hooky steel drum, live bass, dreamy pads and an irresistible melody make a winning combo. Flip over and there is another twisted tale "High Line...", a funky organ-driven groove wrought out of old school drum machines and soulful keys. It's hypnotic Balearic for warm summer nights. EP closer "Bambari" is a slow African chugger complete with chanting voices. Three choice cuts - pick your favourite! More quality Mediterranean output from that man Mison aka Cantoma aka Ambala.


    Gas & Air / Cannibals

    Health for life. Every life. Every moment. Every day. Our pursuit: life's potential. Healthy bodies. Healthy lives. Always caring. Always here. Gas and air for everyone. Hope is here, in the vapour. Healthy bodies. Healthy lives.
    TVAM sharpens his knife and removes another organ or two...
    First out is "Gas & Air", a distorted twitcher only a mother could love. A conjoined synth punk/hip hop hybrid with a delicate bedside manner, closely followed by "Cannibals", originally by Units but reanimated by TVAM as a VHS nasty just waiting for a victim. TVAM is one man, Joe Oxley. Taking influence from a lifetime of repeats, reruns and reboots, he crafted his own low-budget, high-risk concept. A world in which broadcast becomes performance.
    Sonic references straddle the spectrum of influence - think Boards of Canada's irresistible nostalgia, think Suicide's deconstructed rock 'n' roll, think My Bloody Valentine's infinite noise. Using home cinema formats we'd all ditched by the turn of the century and a stand we haven't seen since the classroom, Oxley shines a harsh light on our misplaced nostalgia. Weaving found footage with stark sloganeering and a taste for garish hues, TVAM comes off like Adam Curtis taping his favourite Nicktoons.
    A 5” single in an edition of 77 copies (hand cut by 3.45RPM) and all digital formats.


    7" Info: A 5” single in an edition of 77 copies (hand cut by 3.45RPM) and all digital formats.

    Back in stock Cover of Disco Illusion by Stephen Encinas.
    This crew don't do things by half! Following the insanely nice Michael Boothman record a few months back - Invisible City Editions descend to even further depths and give us a fully re-mastered issue of this mythical treasure!

    For many this is the ultimate 'Disco Illusion'; a record that should have been epoch making in its day, something that would have been a staple for David Mancuso, Larry Levan and Ron Hardy had it ever gotten distribution when it was originally released 34 years ago. Somehow time passed it by and it was only re-discovered in a warehouse in Trinidad last year. Since then it has been gaining momentum fast, with DJ support from Moodymann, MCDE, Floating Points and Kon, as well as original copies selling for four-digit sums. Part of the illusion is in the structure of the record. The A-side begins with beautiful, but relatively normal disco song, but suddenly an Egyptian sounding bridge turns the things inside out and the song opens up into a proto-house jam complete with bubbling Sun Ra synths and Black Ark tape delay action. The there’s the b-side, which sounds like Bob James after he had a taste of callaloo, with deep electronics and a mind-melting steel pan solo. Finally, thanks to Invisible City this record is getting the life it has always deserved.

    Back in stock Cover of Touch EP by Michael Boothman.
    Invisible City Editions wish everyone, everywhere a happy birthday and usher in the summer with this wonderful two track EP from the 'Trinidadian Quincy Jones' Michael Boothman. "Waiting For Your Love" is a jazz-funk love song with a unique tropical lilt breathing a warm breeze into the grooves. Featuring the breathtaking vocals of Charmaine Forde as the centrepiece, the track is embellished by magnificient musicianship on every instrument at every turn, with some stunning guitar work from Michael Boothman himself.

    "What You Won’t Do For Love" was DJ Harvey’s end-of-the-nighter for his long awaited tour of Europe last year and is a remarkable cover version of the Bobby Caldwell classic, from an era when people sought to truly reinterpret songs and make them their own. Boothman ups the tempo and completely restructures the arrangement, adding some frantic 'chicken picken' guitar work and sublime synth sounds. After the intro sets the vibe, the song relaxes into a more recognisable version of the original, until the chorus that is. Boothman lulls us into a false sense of security before sawing the woman in half right before our eyes. He's a magician and I won't ruin the surprise, this is a truly special record.

    Both sides are previously unreleased extended versions of these tropical gems re-mastered from the original tapes. Officially licensed, limited edition. - PR

    Working in the sweetly swinging tradition of Serge Gainsbourg and the yé-yé sound of the '60s, the Limiñanas have a sound that blends sunny psychedelia with vintage pop. Based out of Perpignan, France, the group is composed of drummer and sometime vocalist Marie Limiñana and bassist, organist, and jack-of-all-trades Lionel Limiñana, as well as a host of guest vocalists including MU. With its combination of fuzzy organ, half-spoken/half-sung vocals, and vintage production, the band captures the sexy, ultra-hip sound of classic French pop. After releasing a series of singles, the duo released its self-titled debut in 2010 through the Chicago label Trouble in Mind. The band continued to crank out singles, and a second album, Crystal Anis, followed in the summer of 2012. After taking some time to revamp the Limiñanas' sound to introduce more elements of French and Italian soundtrack music, the duo returned quickly with its third album for Trouble in Mind. Costa Blanca was issued in late 2013. The band are now back with new relase “Malamore”.


    Barry says: Malamore is French psych-pop-rock at its finest. Progressive hooks, walking bass and spoken word passages. Never scared to rock a groove or stamp on that wah-wah. This is a varied and exciting collection that reads like a what's-what of psych/folk/rock tropes, but at no point feels stifled or clichéd. Starry-eyed and swaying passages segue into droning distortion and chanted vocals. A Fulfilling and absorbing ride.


    Vinyl comes with CD version of the album enclosed.

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