MAGIC MIX

easy . exotica . library music . soundtracks

WEEK STARTING 28 Jul

Genre pick of the week Cover of Ghostbusters - OST (30th Anniversary Edition) by Various Artists.

Various Artists

Ghostbusters - OST (30th Anniversary Edition)

    2014 marks the 30th anniversary of the iconic 1980's move "Ghostbusters" & its classic soundtrack.

    This 10 track, 120gm, LP vinyl format is being reissued after a long time out of print and is limited to 1000 copies.

    Hans Edler

    Elektron Kukéso

      After having served in the rich Swedish beat 1960's scene as a member of The Ghostriders and We 4, a.o., at the end of the decade Hans Edler became one of the pioneers of psychedelic electronic sounds experimentation in Europe. His "Elektron Kukéso" LP is a landmark in the genre. Released in 1971, it featured his explorations in electronic avant-garde music from the period 1969-1971. It was recorded at the Electronic Music Studio foundation, one of the world's most advanced studios in the era, and one of the few prepared for the creation of electronic music.

      Influenced by the works of Karl-Heinz Stockhausen and using techniques similar to those of Pierre Henry or Raymond Scott, Edler brought a psychedelic edge into electronic music just like Silver Apples had done in the USA. The album has also a strong rock attitude plus a certain pop sensitivity in some passages, not far from that of David Axelrod's, which confers it a distance from what used to be the more serious appeal of what most electronic pioneers had been doing, giving the album an accessivity that is closer to the electronic hits of artists such as Gershon Kingsley, Jean-Jacques Perrey or Dick Hyman. However, be it because of the songs being sung in Swedish or the outsider reputation Edler seems to have in the Swedish musical scene, this great LP remained an obscurity - hardly spoken of outside a small circle of connoisseurs and collectors.

      "It really doesn't get much better than this. In these days of harsh turmoil to uncover a rock & roll sweetheart like Hans Edler it really proves the gods to be smiling. Bonafide electronic experimentation with a heart full of pop is a love potion most desirable. Listen to the religious Brian Wilson-meets-Jandek orayer hymns of young Edler and travel to a time when long haired girls and dope-laced boys were truly getting it "on". The hybrid fascination of electronic space composition and soul sweet pop-love in such a fresh state has me floating to my tombstone cloud." Thurston Moore (Sonic Youth).

      "Hans Edler's Elektron Kukéso reflects a man who, musically speaking, is in a world of his own. Edler's music seem to be totally uninfluenced by the music of his day. On the contrary, Edler seemed to be making up his own musical rules, and if the rest of the world didn't follow, that was probably fine with him. As for his tunes...(they)... resemble folk music, but in a strange, contorted way. I have never heard an album that is so devoid of musical influence of others, and to me, that's what makes it remarkable." Dana Countryman (Cool and Strange Music Magazine).

      FORMAT INFORMATION

      Ltd LP Info: Since the original LP was pretty short, seven bonus tracks not appeared on the original release have been added. These songs predate the LP tracks and are from 1969 / 1970. Remastered sound, an insert with photos and liner notes complete this great reissue of this legendary Swedish electronics LP.

      Originally scheduled for release on Halloween 1985 this privately pressed all female post-punk / broken-folk collective concept LP was resurrected from the ashes of the original line-up of The Fall and Velvet Underground singer Nico’s Blue Orchids backing band at the command of pioneering Manchester female punk icon Una Baines before disappearing into the annals of UK punk purgatory.

      Comprising all the DIY traits and snarling attitudes of Manchester’s smartarsed punk retaliation, with haunting mechanical folk, pastoral drones and a back story that unites sleeve artist Linder Sterling (Ludus), Spider King, Martin Hannett, Tony Baines, Martin Bramah and John Cooper Clarke with the 16th Century Pendle Witches, this virtually unknown LP is a vital missing piece in Manchester’s self-help anti-pop industry. Lost in the ether, lauded by collectors and likened by Mark E. Smith to the Third Ear Band this unclassifiable arty-fact renders tags like Pagan punk utterly redundant.

      Seemingly unaffected by the passing years since its original release, ‘Furia’ stands alone as a unique vision and testament to its communal casting of fragile mischief - set apart from the era of its conception and eschewing tags like avant-folk, pagan-punk and pastoral-drone by existing within its own spectral significance. It’s hard to imagine a similar record from then but certainly wholly conceivable that such a record would come to pass now.


      Meridian Brothers

      Salvadora Robot

      Meridian Brothers are back with a new studio album, the bizarre and wonderful 'Salvadora Robot'. Heading deeper into the tropical rhythms of Latin America and the Caribbean each song on the album focuses on a different style and playfully twists it into Meridian Brothers's surreal landscape.

      Originally formed in 1998 it was the previous album 'Deseperanza' that brought Álvarez's Meridian Brothers to the attention of the wider world. Released worldwide in 2012, the album's unique aesthetic and freaked-out blend of Latin rhythms and psychedelic grooves won him new fans the world over. DJ and tastemaker Gilles Peterson selected 'Guaracha UFO (No Estamos Solos...)' as his favourite track of 2012.

      'Deseperanza' focussed heavily on salsa rhythms but on his new release Álvarez based each track in a different Latin American style. For example 'Somos los Residentes' finds it inspiration in Dominican Republic merengue while 'Baile ultimo....' is a slow and sad reggaeton. The lyrics talk of a man who has been sent to the electric chair because he was dancing too much reggaeton, a style that isn't accepted as "good taste" within Colombia.

      Franco Micalizzi

      The Visitor OST

        MONDO is pleased to reissue the original soundtrack to the cult classic THE VISITOR, complete with 8 tracks previously unreleased on vinyl. Pressed on 180 gram Black vinyl with randomly inserted Yellow & Orange swirl vinyl. Music composed, arranged and conducted by Franco Micalizzi.

        Miltinho

        Miltinho E' Samba - LP+CD Edition

        Milton Santos de Almeida aka MILTINHO has a respectable resume in Brazilian music. Singer and instrumentalist, leader in several sambas ensemble with great success. His instrument before the microphone was the tambourine. He was one of the first panderista vocal ensemble in Brazil combining two skills: singing and playing. And speaking of bands, Miltinho was present in one of the most successful group in the 1940s, the Anjos do Inferno, who came to tour with Carmen Miranda.

        In this “Miltinho E’ Samba” has the accompaniment of Orquestra RGE with arrangements and musical direction of Maestro Rubens Perez (Pocho) and Nelsinho.

        Brian Reitzell

        Watch_Dogs Original Game Soundtrack

        Following on from the phenomenal success of their Record Store Day 2014 release of FAR CRY 3: BLOOD DRAGON’s Original Game Soundtrack, Invada Records are proud to partner with Ubisoft Music and dive once again into the world of video game soundtracks with the release of Brian Reitzell's musical score to the highly-anticipated open-world adventure game WATCH_DOGS. With people around the world taking the day off work on the game's release, to play what is sure to be contender for 2014's most popular gaming title, this is a huge accomplishment for Invada to land this album and a chance to introduce their high production values and love of vinyl to a far wider audience.

        Full of infectious beats and atmospheric, retro-futuristic synths, the score is a further achievement from composer Reitzell, who has previously written music for the highly-rated U.S drama series HANNIBAL as well as working on multiple scores with acclaimed director Sofia Coppola, the latter of which has featured collaborations with French band AIR and Kevin Shields of famed alt-rock band MY BLOODY VALENTINE.

        WATCH_DOGS presents a dark and dangerous journey through an alternate version of Chicago, where ultra-hacker Aiden Pearce seeks to redeem himself after causing the death of his niece. Using the concepts of artificial intelligence and information warfare, the game brings technological relevance to a Grand Theft Auto-style open world in the tradition of the revered science fiction of William Gibson and Philip K. Dick.

        To represent the varied challenges of the game, Reitzell brings an eclectic feel to the score, with thumping beats and off-kilter melodies of the club scene juxtaposed with the more ethereal and atmospheric synth and guitar, evoking the music of Vangelis and Brian Eno - ideal for a post-noir cyberpunk game. There's also an introspective and emotional feel to the score as required by the game's story, which is reflected in the album's sequencing, providing a well-rounded narrative-driven musical experience.

        FORMAT INFORMATION

        LP Info: Limited Blue splatter coloured vinyl.

        Space Girl

        Space Girl / ODSM

        Delivering a beguiling two tracker on the Various label, Space Girl are two producers and a singer called Floella all from London.

        Eponymous track 'Space Girl' mixes a lo-fi selection of analogue and acoustic instruments (theremin, upright bass, tremelo-twanged guitar etc) along with Floella's seductive vocals creating a cute sci-fi tinted rock & roll era style easy pop number. B-side cut 'ODSM' brings things up to date, using those same instruments to sculpt a sparse post-dubstep / downbeat vibe with a sweet easy touch. This 7’ will is a start of things to come… Space Girl brings a tune for the jetpack and future technology sneaker world.

        DJ magazine say: "a quirky and light-heated set of vocals are underpinned by a subdued pop / folk / electronica production backdrop expertly crafted. Love this."

        Already getting airplay from Rob da bank (Radio 1), Gideon coe, Marry Anne hobs (6 Music) and John Kennedy (Xfm).


        White Noise

        An Electric Storm - Vinyl Edition

          Cited as an influence by Aphex Twin and Chemical Brothers, White Noise's "An Electric Storm" was the work of American-born David Vorhaus, Delia Derbyshire (who had created the electronic version of the Doctor Who theme for the BBC) and Brian Hodgson. 1969 was a year which saw the world of popular music blossom. Musical freedom was the watchword and experimentation was welcomed by an ever increasing underground audience who were eager to feed their heads with ambitious albums by acts who embraced the worlds of rock and the avant garde. It was also a year in which independent record labels began to make their commercial mark in Britain. Of these companies, Island records was undoubtedly the biggest player.

          Of all the albums released that year by Island, "An Electric Storm", by White Noise was by far the most experimental and ground breaking. The album was equally surprising for the fact that two of the three members of White Noise were not long haired rock musicians, but were respected pioneers of electronic music who worked at the BBC's legendary Radiophonic Workshop. Initial recording work was undertaken by Vorhaus, Derbyshire and Hodgson at the BBC Radiophonic Workshop in Maida Vale during the night after staff had gone home. '

          It was all very unofficial and the BBC was unaware of us using the studio and equipment for our own ends' recalls David. 'However, it's common knowledge now that the first couple of tracks recorded by White Noise were actually recorded at the BBC, so I think it's safe to come clean!'


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